Author: Juan Pablo Ávila Ramírez
Publisher:
ISBN:
Category : Film festivals
Languages : en
Pages : 166

View

Book Description

Author: Sànchez-H., José
Publisher: Scarecrow Press
ISBN: 1461672465
Category : Performing Arts
Languages : en
Pages : 286

View

Book Description
In Bolivia, politics have always shaped art, particularly when it comes to film. This book presents Bolivia's most significant filmmakers largely in their own words. Since 1981, José Sánchez-H. has personally interviewed most of the filmmakers featured and has consistently maintained a commitment to rigorous scholarship and attention to new developments. One of the first studies in English on Bolivian cinema, this work provides the non-Bolivian with important information about Bolivian cinema and its cultural and political context. The chapters flow from a broad profile of the country and its history through a chronological presentation of the history of Bolivian cinema to careful treatments of important films, filmmakers, and periods in Bolivian film history. Filmmakers treated include Antonio Eguino, Jorge Sanjines, Jorge Ruiz, Marcos Loayza, Paolo Agazzi, and Oscar Soria. Sanchez-H. includes information about every aspect of the cinema including the music. Appendixes include a chronology of the films and political events, a list of awards won by Bolivian films, and useful addresses.

Author: Russell Kilbourn
Publisher: Wallflower Press
ISBN: 9780231189927
Category :
Languages : en
Pages : 0

View

Book Description
"Paolo Sorrentino, the director of Il Divo (2008) and The Great Beauty (2013) and the creator of the HBO series The Young Pope (2016) (and The New Pope (2019)), has in recent years emerged as one of the most popular figures in 21st century European filmmaking. Critics, however, remain sharply divided in their opinions of his films and what tradition his work can be placed in. Questions of what his stylistic relationship to Neorealism, the touchstone of virtually all Italian cinema, his local/national identity, and the posturing of his films vis a vis gender and a seemingly reactionary conceptualization of masculinity, his embracing or subverting of the role of art house "auteur," surround his films, with little consensus as to the answers. He is a confounding figure that seems to occupy contradictory roles in each of his films. In taking up the question of how best to contextualize Sorrentino's work, this book tracks his progressive departure from the localized world of Neapolitan and middlebrow "quality cinema" tropes in favor of a more expansive and transnational approach to filmmaking. Sorrentino's more recent work explicitly engages late-capitalist spaces and aesthetics and problematizes authorial interpretation, the idea of the "foreign" film, the supposed dichotomy between the "realist" ethos that has, in the past, dominated Italian cinema, and a "post-realist"/"post-modernist" emphasis on style. Critically, Kilbourn tracks two key themes through Sorretino's oeuvre: the idea of "impegno" - often translated as "commitment" and referring to the social activist aims of Neorealism - and the director's repeated attempts to create a distinctive kind of subjectivity. Though often thought to be mutually exclusive with the flamboyant and de-subjectivized style in much of contemporary art cinema, Sorrentino continues to find ways to merge these themes in his work"--

Author: Milton Fernando Gonzalez Rodriguez
Publisher: Bloomsbury Publishing USA
ISBN: 1501384694
Category : Performing Arts
Languages : en
Pages : 337

View

Book Description
Indigeneity in Latin American Cinema explores how contemporary films (2000-2020) participate in the evolution and circulation of images and sounds that in many ways define how indigenous communities are imagined, at a local, regional and global scale. The volume reviews the diversity of portrayals from a chronological, geopolitical, linguistic, epistemic-ontological, transnational and intersectional, paradigm-changing and self-representational perspective, allocating one chapter to each theme. The corpus of this study consists of 68 fictional features directed by non-indigenous filmmakers, 31 cinematic works produced by indigenous directors/communities, and 22 Cine Regional (Regional Cinema) films. The book also draws upon a significant number of engravings, drawings, paintings, photographs and films, produced between 1493 and 2000, as primary sources for the historical review of the visual representations of indigeneity. Through content and close (textual) analysis, interviews with audiences, surveys and social media posts analysis, the author looks at the contexts in which Latin American films circulate in international festivals and the paradigm shifts introduced by self-representational cinema and Roma (Mexico, 2018). Conclusively, the author provides the foundations of histrionic indigeneity, a theory that explains how overtly histrionic proclivities play a significant role in depictions of an imagined indigenous Other in recent films.

Author: Timothy Barnard
Publisher: University of Texas Press
ISBN: 0292792107
Category : Performing Arts
Languages : en
Pages : 635

View

Book Description
Originally issued in hardcover in 1996 by Garland Publishing, this important reference work is now available in paperback for a wider audience. A distinguished team of contributors has compiled entries on 140 significant South American feature films from the silent era until 1994. The entries discuss each film's subject matter, critical reception, and social and political contexts, as well as its production, distribution, and exhibition history, including technical credits. The entries are grouped by country and arranged chronologically. Both fiction and documentary films (some no longer in existence) are included, as well as extensive title, name, and subject indexes and glossaries of film and foreign terms.

Author: Javier A. Galván
Publisher: Bloomsbury Publishing USA
ISBN: 0313383642
Category : Social Science
Languages : en
Pages : 212

View

Book Description
In this book, contemporary representations of Bolivian art, music, religion, literature, festivals, theater, and cinema document how history and geography have shaped Bolivia's modern culture. Bolivia has long been neglected by North American historians and anthropologists. Now, author Javier A. Galván fills this gap with a book that analyzes the complex cultures of this South American nation within the context of its rich history and contemporary traditions. The first half of this text is dedicated to how and where people live—detailed geography, social traditions, religious practices, political institutions, and Bolivian cuisine and culture. The varied religious and linguistic traditions of the indigenous groups that comprise the majority of the national population are also described, giving readers a deeper appreciation for the diversity of Bolivia's character. The second half of the book explores the creative talent of Bolivians who are advancing the literary movements, painting styles, architectural design, theater productions, fashion design, and emerging film industry of the country. Culture and Customs of Bolivia also includes a detailed analysis of contemporary print and broadcasting media.

Author: Delphine Benezet
Publisher: Columbia University Press
ISBN: 0231850611
Category : Performing Arts
Languages : en
Pages : 169

View

Book Description
Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.

Author: Scott MacKenzie
Publisher: University of California Press
ISBN: 0520377478
Category : Performing Arts
Languages : en
Pages : 674

View

Book Description
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.

Author: Keith John Richards
Publisher: McFarland
ISBN: 1476637768
Category : Performing Arts
Languages : en
Pages : 304

View

Book Description
This updated and expanded edition gives critical analyses of 23 Latin American films from the last 20 years, including the addition of four films from Bolivia. Explored throughout the text are seven crucial themes: the indigenous image, sexuality, childhood, female protagonists, crime and corruption, fratricidal wars, and writers as characters. Designed for general and scholarly interest, as well as a guide for teachers of Hispanic culture or Latin American film and literature, the book provides a sweeping look at the logistical circumstances of filmmaking in the region along with the criteria involved in interpreting a Latin American film. It includes interviews with and brief biographies of influential filmmakers, along with film synopses, production details and credits, transcripts of selected scenes, and suggestions for discussion and analysis.

Author: Jeffrey D. Himpele
Publisher: U of Minnesota Press
ISBN: 0816639183
Category : Social Science
Languages : en
Pages : 275

View

Book Description
Set against the background of Bolivia's prominent urban festival parades and the country's recent appearance on the front lines of antiglobalization movements, Circuits of Culture is the first social analysis of Bolivian film and television, their circulation through the social and national landscape, and the emergence of the country's indigenous video movement. At the heart of Jeff Himpele's examination is an ethnography of the popular television program, The Open Tribunal of the People. The indigenous and underrepresented majorities in La Paz have used the talk show to publicize their social problems and seek medical and legal assistance from the show's hosts and the political party they launched. Himpele studies the program in order to identify the possibilities of the mass media as a site for political discourse and as a means of social action. Charting as well the history of Bolivia's media culture, Himpele perceptively investigates cinematic media as sites for understanding the modernization of Bolivia, its social movements, and the formation of indigenous identities, and in doing so provides a new framework for exploring the circulation of culture as a way of creating publics, political movements, and producing media. Jeff D. Himpele is associate director for the McGraw Center for Teaching and Learning at Princeton University. He is an anthropologist and documentary filmmaker; his films include the award-winning Incidents of Travel in Chichen Itza and Taypi Kala: Six Visions of Tiwanaku.