![Dessins Francais Du XVIe Au XVIIIe [i.e. Seizieme Au Dix-huitieme] Siecle [exposition] Musee D' Orleans, 19 Decembre 1975 - 29 Fevvier 1976 PDF](https://books.google.com/books/content/images/frontcover/5ZGSNQAACAAJ?fife=w150-h200)
Author: Publisher:
ISBN:
Category : Drawing, French
Languages : en
Pages : 47
Book Description
Dessins Francais Du XVIe Au XVIIIe [i.e. Seizieme Au Dix-huitieme] Siecle [exposition] Musee D' Orleans, 19 Decembre 1975 - 29 Fevvier 1976
![Dessins Francais Du XVIe Au XVIIIe [i.e. Seizieme Au Dix-huitieme] Siecle [exposition] Musee D' Orleans, 19 Decembre 1975 - 29 Fevvier 1976 PDF](https://books.google.com/books/content/images/frontcover/5ZGSNQAACAAJ?fife=w80-h100)
Author: Dessins français du XVIe au XVIIIe siècle
Author: Musée des beaux-arts d'OrléansPublisher:
ISBN:
Category :
Languages : fr
Pages : 126
Book Description
Dessins Francais
Author: Dessins Français Du XVIe Au XVIIIe Siècle
Author: European Clocks in the J. Paul Getty Museum
Author: Gillian WilsonPublisher: Getty Publications
ISBN: 0892362545
Category : Art
Languages : fr
Pages : 225
Book Description
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
Dessins Français du XVIe au XVIIIe siècle [Musée des Beaux-Arts d'Orléans, 1975].
![Dessins Français du XVIe au XVIIIe siècle [Musée des Beaux-Arts d'Orléans, 1975]. PDF](https://books.google.com/books/content/images/frontcover/LaAGjwEACAAJ?fife=w80-h100)
Author: Medals and Plaquettes from the Molinari Collection at Bowdoin College
Author: Bowdoin College. Museum of ArtPublisher:
ISBN:
Category : Medals
Languages : en
Pages : 314
Book Description
The J. Paul Getty Museum Journal
Author: The J. Paul Getty MuseumPublisher: Getty Publications
ISBN: 0892360909
Category : Art
Languages : en
Pages : 262
Book Description
The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.
The Annenberg Collection
Author: Metropolitan Museum of Art (New York, N.Y.)Publisher: Metropolitan Museum of Art
ISBN: 1588393410
Category : Art
Languages : en
Pages : 354
Book Description
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Privilege and Property
Author: Ronan DeazleyPublisher: Open Book Publishers
ISBN: 190692418X
Category : Law
Languages : en
Pages : 438
Book Description
What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.