French Rococo Ébénisterie in the J. Paul Getty Museum PDF Download

Author: Gillian Wilson
Publisher: J. Paul Getty Museum
ISBN: 9781606066300
Category : Design
Languages : en
Pages : 0

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Book Description
The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.

Author: Gillian Wilson
Publisher: Getty Publications
ISBN: 0892362545
Category : Art
Languages : fr
Pages : 225

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Book Description
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.

Author: Nelson-Atkins Museum of Art
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 496

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Book Description
"This extraordinary book is the first in a projected series of specialized catalogues documenting the permanent collections of The Nelson-Atkins Museum of Art in Kansas City, Missouri. The collection of Italian paintings, a total of sixty works, is a representative one for the years 1300-1800 with significant examples from all major schools." "Each catalogue entry, written by Eliot W. Rowlands, includes a thorough and lively biography on the artist; complete technical notes and a detailed description; a fully documented commentary with a discussion of attribution, date, subject, and function; an exacting list of references that also summarizes the critical history of each work; and a full account of exhibition history and provenance. All the Italian paintings in the Nelson-Atkins collection are reproduced in full color, and there are over 200 black-and-white comparative illustrations."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Neil Jeffares
Publisher: Unicorn Publishing Group
ISBN:
Category : Art
Languages : en
Pages : 768

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Book Description
*Records of some 20,000 pastels in public collections or known from exhibition and auction catalogues, including pastels by anonymous artists*Entries on 1250 named artists*5000 reproductions (2000 in color), many never before published, and references to all known reproductions of other pastels*A survey placing the major artists of the various schools in an historical context and explaining the technical features of the pastel*A list of exhibitions from 1704 to 2005, including livrets and contemporary criticism for the major exhibitions in Paris, London and elsewhere before 1800*A topographical index locating pastels in public collections worldwide*An index of some 7000 sittersPastels are lluminous and beautiful beyond all other pictures, wrote the English eighteenth century pastelist Francis Cotes, describingthe sensual appeal of this special dust rubbed into paper which has enchanted connoisseurs ever since. But the history of pastels is one of compounded mistakes and misattributions: these intimate portraits, whose subjects range from dynasts to servants, have been neglected for the better researched areas of old master drawings and oil painting. This Dictionary sets out to establish, for the first time, a convincing body of knowledge to help identify and attribute works by both major artists and the obscure "petits-maStres." It is an essential academic resource for art historians, a vital tool for collectors and dealers, and a treasure-trove for anyone interested in costume or social and political history. Pastels from the French school account for more than half the Dictionary, representing most of the more important artists such as Vivien, Nattier, La Tour, Perronneau, Labille-Guiard and VigHe Le Brun. But there were other major pastelists, such as Copley, Russell, Mengs, Carriera and Liotard fro

Author: W. R. Valentiner
Publisher: Getty Publications
ISBN: 160606424X
Category : Art
Languages : en
Pages : 70

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Book Description
This is the second edition of the original guidebook to the J. Paul Getty Museum’s collection. The book introduces the collection, as divided into Greek and Roman antiquities, European paintings, and French decorative arts.

Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
ISBN: 0870997173
Category : Impressionism (Art)
Languages : en
Pages : 504

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Book Description
"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Gillian Wilson
Publisher: Getty Publications
ISBN: 089236050X
Category : Design
Languages : en
Pages : 118

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Book Description
J. Paul Getty began to collect French decorative arts in the 1930s and continued to do so until his death in 1976. The Museum’s collection has continued to grow since then at a rapid pace and contains over three hundred individual pieces at the time this book is published. This volume illustrates fifty of them. The selection represents a cross section of the collection, which covers the period from approximately 1660 to 1800. In the eighteenth century it became fashionable in Parisian society to decorate the interiors of houses with Far Eastern materials such as lacquer and porcelain. This taste was catered to by the marchands-merciers, members of a guild who combined the functions of the modern interior decorator, the antique dealer, and the picture dealer. These men devised highly ingenious settings for Far Eastern porcelains to adapt their exotic character to the French interiors of the period. Information about them and their clientele has been used in cataloguing the Getty Museum’s collection of mounted oriental porcelain, which is large and of high quality. This book is not a catalogue, nor is it a mere picture book or checklist. Each piece has been chosen because it represents a particular aspect of the crafts involved in the production of objects that were made by Parisian craftsmen for the crown, the nobility, and the rich bourgeoisie. The pieces are arranged in chronological order. Translations of the French archival extracts, an index, and a concise bibliography have been provided.

Author: Elise Lawton Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416

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Book Description
"Lucas van Leyden (1494?-1533) was a remarkably versatile artist. His art, noted for its realism, dramatic power, and careful execution, ranges from the small half-length narratives of his youth to the carefully constructed, multifigured representations of his later years." "Until quite recently Lucas's oeuvre was inflated with inferior copies or stylistically unrelated works, leading one scholar to describe his painting career as inconsistent and illogical. Within the last fifteen years, however, his production and development as a painter have been redefined. Despite this renewed interest, The Paintings of Lucas van Leyden is the first comprehensive appraisal of Lucas's paintings." "Smith's survey of the biographical data focuses on Lucas's disputed birth date, his artistic training, and his travels to the southern Netherlands, which brought him into contact with two of the most significant northern artists of the early sixteenth century, Albrecht Durer and Jan Gossaert. Smith reveals the influence of their work, along with the prints of Marcantonio Raimondi, on Lucas's stylistic development. His paintings are also examined with reference to recurring thematic motifs. The early allegorical genre panels - with depictions of gaming, fortune-telling, and betrothal scenes - constitute an important transition in the movement of Netherlandish art away from its roots in the medieval church, providing Lucas with themes that reappeared in his later years. Most significant, the underlying topos of the Power of Women, with its corollary warning against the temptations of the flesh, was repeated in certain of his Old Testament paintings." "The catalogue raisonne contains entries on the extant originals as well as the numerous sixteenth- and seventeenth-century copies after lost works. These inclusions double the number of compositions firmly in Lucas's oeuvre, providing us with a richer understanding of his accomplishments as a painter." "This book will be an important addition to the history of Netherlandish art, as well as an aid to students of Flemish, German, and Italian art. In addition, it should appeal to cultural historians who are concerned with issues such as the representation of women, allegories of gaming, and artistic responses to the Reformation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Beverly Louise Brown
Publisher: Abbeville Press
ISBN:
Category : Architecture
Languages : en
Pages : 360

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Book Description

Author: Jonathan Petropoulos
Publisher: Oxford University Press
ISBN: 0199880948
Category : History
Languages : en
Pages : 416

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Book Description
Nazi art looting has been the subject of enormous international attention in recent years, and the topic of two history bestsellers, Hector Feliciano's The Lost Museum and Lynn Nicholas's The Rape of Europa. But such books leave us wondering: What made thoughtful, educated, artistic men and women decide to put their talents in the service of a brutal and inhuman regime? This question is the starting point for The Faustian Bargain, Jonathan Petropoulos's study of the key figures in the art world of Nazi Germany. Petropoulos follows the careers of these prominent individuals who like Faust, that German archetype, chose to pursue artistic ends through collaboration with diabolical forces. Readers meet Ernst Buchner, the distinguished museum director and expert on Old Master paintings who "repatriated" the Van Eyck brother's Ghent altarpiece to Germany, and Karl Haberstock, an art dealer who filled German museums with works bought virtually at gunpoint from Jewish collectors. Robert Scholz, the leading art critic in the Third Reich, became an officer in the chief art looting unit in France and Kajetan Muhlmann--a leading art historian--was probably the single most prolific art plunderer in the war (and arguably in history). Finally, there is Arno Breker, a gifted artist who exchanged his modernist style for monumental realism and became Hitler's favorite sculptor. If it is striking that these educated men became part of the Nazi machine, it is more remarkable that most of them rehabilitated their careers and lived comfortably after the war. Petropoulos has discovered a network of these rehabilitated experts that flourished in the postwar period, and he argues that this is a key to the tens of thousands of looted artworks that are still "missing" today. Based on previously unreleased information and recently declassified documents, The Faustian Bargain is a gripping read about the art world during this period, and a fascinating examination of the intense relationship between culture and politics in the Third Reich.