Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813150167
Category : Architecture
Languages : en
Pages : 317
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Designing the Centennial
Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813150167
Category : Architecture
Languages : en
Pages : 317
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Publisher: University Press of Kentucky
ISBN: 0813150167
Category : Architecture
Languages : en
Pages : 317
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Designing the Centennial
Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427
Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Philadelphia's 1876 Centennial Exhibition
Author: Linda P. Gross
Publisher: Arcadia Publishing
ISBN: 9780738538884
Category : History
Languages : en
Pages : 132
Book Description
Held in Philadelphia from May 10 through October 10, the 1876 Centennial Exhibition celebrated the 100th anniversary of American independence. Philadelphia hosted 37 nations in five main buildings and 250 additional structures on 285 acres of land. The celebration looked backward to commemorate the progress made over the 100-year period, and it announced to the world that American invention and innovation was on a par with that of our foreign counterparts. Patriotism abounded, as did messages of industrial and commercial prowess that promised a brighter future for all. Over nine million people attended this awesome consumer spectacle, an event that set the tone for a long series of world's fairs yet to come.
Publisher: Arcadia Publishing
ISBN: 9780738538884
Category : History
Languages : en
Pages : 132
Book Description
Held in Philadelphia from May 10 through October 10, the 1876 Centennial Exhibition celebrated the 100th anniversary of American independence. Philadelphia hosted 37 nations in five main buildings and 250 additional structures on 285 acres of land. The celebration looked backward to commemorate the progress made over the 100-year period, and it announced to the world that American invention and innovation was on a par with that of our foreign counterparts. Patriotism abounded, as did messages of industrial and commercial prowess that promised a brighter future for all. Over nine million people attended this awesome consumer spectacle, an event that set the tone for a long series of world's fairs yet to come.
Woodstock Artists Association One Hundred Years of Community and Art
Author: Bruce Weber
Publisher:
ISBN: 9780578546537
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780578546537
Category :
Languages : en
Pages :
Book Description
Tennessee Centennial
Author: Bobby Lawrence
Publisher: Arcadia Publishing
ISBN: 9780738568690
Category : History
Languages : en
Pages : 132
Book Description
The Tennessee Centennial Exposition, which celebrated Tennessee's 100th year of statehood, opened May 1, 1897, at Nashville's Centennial Park and enjoyed tremendous success during its six-month run. Citizens from all over Tennessee--and the nation--honored the state's history by sponsoring exhibits at the event, and thousands of visitors flocked to the fairgrounds each day to experience the excitement it offered. In this fascinating collection of over 200 images combined with informative, well-researched text, author Bobby Lawrence takes us on a journey into the past to relive the optimism and wonders of another time. Take a relaxing gondola ride on one of the park's four lakes or stroll the 200-acre grounds and visit a variety of buildings and exhibits featuring everything from ancient artifacts to scientific inventions, from on-site farms to international restaurants, from the thrilling Vanity Fair, a midway attraction comparable to today's amusement parks, to one of the first large displays of electric lights.
Publisher: Arcadia Publishing
ISBN: 9780738568690
Category : History
Languages : en
Pages : 132
Book Description
The Tennessee Centennial Exposition, which celebrated Tennessee's 100th year of statehood, opened May 1, 1897, at Nashville's Centennial Park and enjoyed tremendous success during its six-month run. Citizens from all over Tennessee--and the nation--honored the state's history by sponsoring exhibits at the event, and thousands of visitors flocked to the fairgrounds each day to experience the excitement it offered. In this fascinating collection of over 200 images combined with informative, well-researched text, author Bobby Lawrence takes us on a journey into the past to relive the optimism and wonders of another time. Take a relaxing gondola ride on one of the park's four lakes or stroll the 200-acre grounds and visit a variety of buildings and exhibits featuring everything from ancient artifacts to scientific inventions, from on-site farms to international restaurants, from the thrilling Vanity Fair, a midway attraction comparable to today's amusement parks, to one of the first large displays of electric lights.
The Grand Designers
Author: John D. Anderson Jr
Publisher: Cambridge University Press
ISBN: 1108340563
Category : Technology & Engineering
Languages : en
Pages : 318
Book Description
The airplane has experienced phenomenal advancement in the twentieth century, changing at an exponential rate from the Wright brothers to the present day. In this ground breaking work based on new research, Dr John D. Anderson, Jr, a curator at the National Air and Space Museum, analyzes the historical development of the conceptual design process of the airplane. He aims to answer the question of whether airplane advancement has been driven by a parallel advancement in the intellectual methodology of conceptual airplane design. In doing so, Anderson identifies and examines six case histories of 'grand designers' in this field, and challenges some of the preconceived notions of how the intellectual methodology of conceptual airplane design advanced. Filled with over one hundred illustrations which bring his words to life, Anderson unfolds the lives and thoughts of these grand designers.
Publisher: Cambridge University Press
ISBN: 1108340563
Category : Technology & Engineering
Languages : en
Pages : 318
Book Description
The airplane has experienced phenomenal advancement in the twentieth century, changing at an exponential rate from the Wright brothers to the present day. In this ground breaking work based on new research, Dr John D. Anderson, Jr, a curator at the National Air and Space Museum, analyzes the historical development of the conceptual design process of the airplane. He aims to answer the question of whether airplane advancement has been driven by a parallel advancement in the intellectual methodology of conceptual airplane design. In doing so, Anderson identifies and examines six case histories of 'grand designers' in this field, and challenges some of the preconceived notions of how the intellectual methodology of conceptual airplane design advanced. Filled with over one hundred illustrations which bring his words to life, Anderson unfolds the lives and thoughts of these grand designers.
Fair Park Deco
Author: Jim Parsons
Publisher: Texas Christian University Press
ISBN: 9780875655017
Category : Art deco
Languages : en
Pages : 0
Book Description
Fair Park Deco is a fascinating tour of the 1936 Texas Centennial Exposition. Like every American exposition in the 1930s, it began in economic depression. Although its economy had been buoyed by major oil discoveries in the early '30s, Texas agriculture was hard hit by the Great Depression. By the middle of the decade, state officials had set their sights on a great centennial celebration to help stimulate the economy and attract tourist dollars. "If during the next six months the people of the state could become filled with the idea of holding a big celebration on the one hundredth anniversary of the establishment of Texas independence," the state's centennial commission speculated in July, 1934, "it would have the effect of creating a general forward-looking spirit through the state. It would be more stimulating than anything we can think of, and this effect would be immediate." This book focuses specifically on the Art Deco art and architecture of Fair Park--the public spaces, buildings, sculptures and murals that were designed for the 1936 exposition. Most of the chapters in the book represent different areas of Fair Park, with buildings and artwork effectively arranged in the same order that a visitor to the Texas Centennial Exposition might have seen them. The art and architecture are featured in original photography by Jim Parsons and David Bush as well as in historic photographs. Fair Park is one of the finest collections of Deco architecture in the country, but it is so much more: the embodiment of Texan swagger, it is a testament to the Texanic task of creating a dazzling spectacle in the darkest days of the Depression.
Publisher: Texas Christian University Press
ISBN: 9780875655017
Category : Art deco
Languages : en
Pages : 0
Book Description
Fair Park Deco is a fascinating tour of the 1936 Texas Centennial Exposition. Like every American exposition in the 1930s, it began in economic depression. Although its economy had been buoyed by major oil discoveries in the early '30s, Texas agriculture was hard hit by the Great Depression. By the middle of the decade, state officials had set their sights on a great centennial celebration to help stimulate the economy and attract tourist dollars. "If during the next six months the people of the state could become filled with the idea of holding a big celebration on the one hundredth anniversary of the establishment of Texas independence," the state's centennial commission speculated in July, 1934, "it would have the effect of creating a general forward-looking spirit through the state. It would be more stimulating than anything we can think of, and this effect would be immediate." This book focuses specifically on the Art Deco art and architecture of Fair Park--the public spaces, buildings, sculptures and murals that were designed for the 1936 exposition. Most of the chapters in the book represent different areas of Fair Park, with buildings and artwork effectively arranged in the same order that a visitor to the Texas Centennial Exposition might have seen them. The art and architecture are featured in original photography by Jim Parsons and David Bush as well as in historic photographs. Fair Park is one of the finest collections of Deco architecture in the country, but it is so much more: the embodiment of Texan swagger, it is a testament to the Texanic task of creating a dazzling spectacle in the darkest days of the Depression.
Power & Posterity
Author: Kimberly Orcutt
Publisher: Penn State University Press
ISBN: 9780271078366
Category : Art, American
Languages : en
Pages : 0
Book Description
Explores the art exhibits at the 1876 Centennial Exhibition in Philadelphia, along with the circumstances of their creation, the ideological positions expressed through their installation, and the responses of viewers, including critics, collectors, and the general public.
Publisher: Penn State University Press
ISBN: 9780271078366
Category : Art, American
Languages : en
Pages : 0
Book Description
Explores the art exhibits at the 1876 Centennial Exhibition in Philadelphia, along with the circumstances of their creation, the ideological positions expressed through their installation, and the responses of viewers, including critics, collectors, and the general public.
Tarzan: The Centennial Celebration
Author: Scott Tracy Griffin
Publisher: National Geographic Books
ISBN: 1781161690
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Celebrating one hundred years of Tarzan, Titan Books presents the only official commemorative illustrated history of this worldwide phenomenon. To celebrate the Lord of the Jungle's 100th birthday, internationally-acclaimed Edgar Rice Burroughs expert Scott Tracy Griffin presents the ultimate review of a century of Tarzan. Lavishly illustrated and with fascinating insight into every element of Burroughs' extraordinary legacy - from his first writings to the latest stage musical - this is a visual treasure trove of classic comic strip, cover art, movie stills, and rare ephemera. From the first publication of the smash hit Tarzan of the Apes, Burroughs' ape man captured the hearts and the imaginations of adults and children across the globe, whether by written word, moving image, comic strip or radio. Each of the 24 original novels and the many varied appearances on stage, screen and in print receive a detailed commentary, illustrated with some of the most evocative and beautiful artworks, illustrations and photographs, many rarely seen in print before. With features on Korak, Jane, Tantor and Cheetah, plus their innumerable friends, foes and exotic adventures, this is an amazing collection of all things Tarzan and a vital addition to any Tarzan-lover's library.
Publisher: National Geographic Books
ISBN: 1781161690
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Celebrating one hundred years of Tarzan, Titan Books presents the only official commemorative illustrated history of this worldwide phenomenon. To celebrate the Lord of the Jungle's 100th birthday, internationally-acclaimed Edgar Rice Burroughs expert Scott Tracy Griffin presents the ultimate review of a century of Tarzan. Lavishly illustrated and with fascinating insight into every element of Burroughs' extraordinary legacy - from his first writings to the latest stage musical - this is a visual treasure trove of classic comic strip, cover art, movie stills, and rare ephemera. From the first publication of the smash hit Tarzan of the Apes, Burroughs' ape man captured the hearts and the imaginations of adults and children across the globe, whether by written word, moving image, comic strip or radio. Each of the 24 original novels and the many varied appearances on stage, screen and in print receive a detailed commentary, illustrated with some of the most evocative and beautiful artworks, illustrations and photographs, many rarely seen in print before. With features on Korak, Jane, Tantor and Cheetah, plus their innumerable friends, foes and exotic adventures, this is an amazing collection of all things Tarzan and a vital addition to any Tarzan-lover's library.
The Spirit of the Garden
Author: Martha Brookes Brown Hutcheson
Publisher:
ISBN:
Category : Gardens
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category : Gardens
Languages : en
Pages : 250
Book Description