Author: Stuart Walker
Publisher: Bloomsbury Publishing
ISBN: 1474241832
Category : Design
Languages : en
Pages : 611
Book Description
Design Roots provides a comprehensive review of culturally significant designs, products and practices which are rooted to particular communities through making tradition and a sense of place. Many rich traditional practices associated with community, tacit knowledge and culture are being rapidly lost due to globalisation and urbanisation. Yet they have much to offer for the future in terms of sustainability, identity, wellbeing and new opportunities in design. This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms of history and tradition but also in terms of locale, social interactions, innovation, and change for the sustainment of culturally significant material productions. Importantly, these are not locked in time by sentimentality and nostalgia but are evolving, innovative, and adaptive to new technologies and changing circumstances. Contributing authors explore the historical roots of culturally significant designs, products and practices, emerging directions, amateur endeavours, enterprise models, business opportunities and the changing role and contribution of design in the creation of material cultures of significance, meaning and value. An international perspective is provided through case studies and research from North and South America, Africa, Europe, Asia and Australasia, with examples including Aran jumper production in Northern Ireland, weaving in Thailand, Iranian housing design, Brazilian street design and digital crafting in the United Kingdom.
Design Roots
Author: Stuart Walker
Publisher: Bloomsbury Publishing
ISBN: 1474241832
Category : Design
Languages : en
Pages : 611
Book Description
Design Roots provides a comprehensive review of culturally significant designs, products and practices which are rooted to particular communities through making tradition and a sense of place. Many rich traditional practices associated with community, tacit knowledge and culture are being rapidly lost due to globalisation and urbanisation. Yet they have much to offer for the future in terms of sustainability, identity, wellbeing and new opportunities in design. This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms of history and tradition but also in terms of locale, social interactions, innovation, and change for the sustainment of culturally significant material productions. Importantly, these are not locked in time by sentimentality and nostalgia but are evolving, innovative, and adaptive to new technologies and changing circumstances. Contributing authors explore the historical roots of culturally significant designs, products and practices, emerging directions, amateur endeavours, enterprise models, business opportunities and the changing role and contribution of design in the creation of material cultures of significance, meaning and value. An international perspective is provided through case studies and research from North and South America, Africa, Europe, Asia and Australasia, with examples including Aran jumper production in Northern Ireland, weaving in Thailand, Iranian housing design, Brazilian street design and digital crafting in the United Kingdom.
Publisher: Bloomsbury Publishing
ISBN: 1474241832
Category : Design
Languages : en
Pages : 611
Book Description
Design Roots provides a comprehensive review of culturally significant designs, products and practices which are rooted to particular communities through making tradition and a sense of place. Many rich traditional practices associated with community, tacit knowledge and culture are being rapidly lost due to globalisation and urbanisation. Yet they have much to offer for the future in terms of sustainability, identity, wellbeing and new opportunities in design. This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms of history and tradition but also in terms of locale, social interactions, innovation, and change for the sustainment of culturally significant material productions. Importantly, these are not locked in time by sentimentality and nostalgia but are evolving, innovative, and adaptive to new technologies and changing circumstances. Contributing authors explore the historical roots of culturally significant designs, products and practices, emerging directions, amateur endeavours, enterprise models, business opportunities and the changing role and contribution of design in the creation of material cultures of significance, meaning and value. An international perspective is provided through case studies and research from North and South America, Africa, Europe, Asia and Australasia, with examples including Aran jumper production in Northern Ireland, weaving in Thailand, Iranian housing design, Brazilian street design and digital crafting in the United Kingdom.
Design Roots
Author: Keelin Leahy
Publisher:
ISBN: 9780717184804
Category :
Languages : en
Pages : 340
Book Description
Design Roots has everything you need for Junior Cycle Wood Technology, with exciting projects, engaging content and active learning. The unique problem-driven approach develops creativity Learning Outcomes are identified at the start of each chapter and are unpacked into achievable Learning Intentions The strong visual approach, with clear photographs, diagrams, mind maps and videos makes the learning accessible and fun Students are guided through the design-thinking process Active Learning activities support the development of the eight Key Skills and integrate Junior Cycle strategies such as Stop and Jot and KWL End of Chapter Assessments offer a range of activities to suit all abilities Wood Science in Our Environment: Research Topics provide exemplar research activities that prepare students for CBA 1 Self-Assessment Checklists and Top Tips for the Junior Cycle Project help prepare students for CBA 2 and the Final Assessment Project The Design Roots package includes: Design Roots Project and Activity Book: Guides students through a choice of 22 problem-driven projects and provides useful revision questions for each chapter of the textbook Design Roots Teacher's Planning Guide: Provides invaluable support for teachers, including Units of Learning, a Three-Year Plan and Assessment Guidelines A suite of digital resources, including editable planning documents, PowerPoints and SolidWorks files, all available on www.gillexplore.ie. Free eBook of the textbook: See inside front cover for details. Adopting teachers also get access to free eBooks of the Project and Activity Book and Teacher's Planning Guide. Gill Education eBooks are accessible both online and offline. The Design Roots Author Team Keelin Leahy is the Course Director of the Teacher Education Degree Programme, Technology Education, at the University of Limerick. She holds a PhD in design-based teaching strategies for second-level education. She played a key role in the development of the Junior Cycle Wood Technology Specification, and is an Advising Examiner with the SEC. Ruairí Farrell is a practising Wood Technology teacher with 10 years' experience. He teaches in St Laurence College, Loughlinstown, Co. Dublin.
Publisher:
ISBN: 9780717184804
Category :
Languages : en
Pages : 340
Book Description
Design Roots has everything you need for Junior Cycle Wood Technology, with exciting projects, engaging content and active learning. The unique problem-driven approach develops creativity Learning Outcomes are identified at the start of each chapter and are unpacked into achievable Learning Intentions The strong visual approach, with clear photographs, diagrams, mind maps and videos makes the learning accessible and fun Students are guided through the design-thinking process Active Learning activities support the development of the eight Key Skills and integrate Junior Cycle strategies such as Stop and Jot and KWL End of Chapter Assessments offer a range of activities to suit all abilities Wood Science in Our Environment: Research Topics provide exemplar research activities that prepare students for CBA 1 Self-Assessment Checklists and Top Tips for the Junior Cycle Project help prepare students for CBA 2 and the Final Assessment Project The Design Roots package includes: Design Roots Project and Activity Book: Guides students through a choice of 22 problem-driven projects and provides useful revision questions for each chapter of the textbook Design Roots Teacher's Planning Guide: Provides invaluable support for teachers, including Units of Learning, a Three-Year Plan and Assessment Guidelines A suite of digital resources, including editable planning documents, PowerPoints and SolidWorks files, all available on www.gillexplore.ie. Free eBook of the textbook: See inside front cover for details. Adopting teachers also get access to free eBooks of the Project and Activity Book and Teacher's Planning Guide. Gill Education eBooks are accessible both online and offline. The Design Roots Author Team Keelin Leahy is the Course Director of the Teacher Education Degree Programme, Technology Education, at the University of Limerick. She holds a PhD in design-based teaching strategies for second-level education. She played a key role in the development of the Junior Cycle Wood Technology Specification, and is an Advising Examiner with the SEC. Ruairí Farrell is a practising Wood Technology teacher with 10 years' experience. He teaches in St Laurence College, Loughlinstown, Co. Dublin.
Design History
Author: Dennis P. Doordan
Publisher: MIT Press
ISBN: 9780262540766
Category : Design
Languages : en
Pages : 292
Book Description
his anthology compiled from volumes 3-10 of Design Issues, includes material from areas seldom discussed in existing surveys and will facilitate the general discourse within the design community on a wide range of conceptual and methodological issues of contemporary design history. Design history has emerged in recent years as a significant field of scholarly research and critical reflection. With their interest in the conceptualization, production, and consumption of objects (large and small, unique or multiple, anonymous or signed) and environments (ephemeral or enduring, public or private), design historians investigate the multiple ways in which intentionally produced objects, environments, and experiences both shape and reflect their historical moments. This anthology compiled from volumes 3-10 of Design Issues, includes material from areas seldom discussed in existing surveys and will facilitate the general discourse within the design community on a wide range of conceptual and methodological issues of contemporary design history. Individual essays investigate various aspects of design in the modern era. They provide fresh insights on familiar figures such as Harley Earl and Norman Bel Geddes and shed new light on neglected aspects of design history such as the history of women in early American graphic design or the history of modern design in China. The essays are grouped in three broad categories: Graphic Design, Design in the American Corporate Milieu, and Design in the Context of National Experiences. Contributors David Brett, Bradford R. Collins, Dennis P. Doordan, David Gartman, Gyorgy Haiman, Larry D. Luchmansingh, Roland Marchand, Enric Satué, Mitchell Schwarzer, Paul Shaw, Svetlana Sylvestrova, Ellen Mazur Thomson, Matthew Turner, John Turpin, Shou Zhi Wang. A Design Issues Reader
Publisher: MIT Press
ISBN: 9780262540766
Category : Design
Languages : en
Pages : 292
Book Description
his anthology compiled from volumes 3-10 of Design Issues, includes material from areas seldom discussed in existing surveys and will facilitate the general discourse within the design community on a wide range of conceptual and methodological issues of contemporary design history. Design history has emerged in recent years as a significant field of scholarly research and critical reflection. With their interest in the conceptualization, production, and consumption of objects (large and small, unique or multiple, anonymous or signed) and environments (ephemeral or enduring, public or private), design historians investigate the multiple ways in which intentionally produced objects, environments, and experiences both shape and reflect their historical moments. This anthology compiled from volumes 3-10 of Design Issues, includes material from areas seldom discussed in existing surveys and will facilitate the general discourse within the design community on a wide range of conceptual and methodological issues of contemporary design history. Individual essays investigate various aspects of design in the modern era. They provide fresh insights on familiar figures such as Harley Earl and Norman Bel Geddes and shed new light on neglected aspects of design history such as the history of women in early American graphic design or the history of modern design in China. The essays are grouped in three broad categories: Graphic Design, Design in the American Corporate Milieu, and Design in the Context of National Experiences. Contributors David Brett, Bradford R. Collins, Dennis P. Doordan, David Gartman, Gyorgy Haiman, Larry D. Luchmansingh, Roland Marchand, Enric Satué, Mitchell Schwarzer, Paul Shaw, Svetlana Sylvestrova, Ellen Mazur Thomson, Matthew Turner, John Turpin, Shou Zhi Wang. A Design Issues Reader
Design History and Culture
Author: Javier Gimeno-Martínez
Publisher: Taylor & Francis
ISBN: 1040044573
Category : Design
Languages : en
Pages : 280
Book Description
This student-friendly text provides a comprehensive exploration of the methods and approaches employed within design scholarship, drawing upon influences from history, art history, anthropology and interdisciplinary studies such as science and technology studies and material culture studies. Drawing connections between these methods and the evolving landscape of design, the book expands design culture beyond traditional outcomes to encompass areas like design for social innovation, digital design, critical design, design anthropology and craftivism. Additionally, the book introduces novel theoretical frameworks to facilitate discussions on contemporary designers’ work, including new materialism, object-oriented ontology and decolonization. This comprehensive overview of methods and approaches will enable students to select the most appropriate methodological tools for their own research. It is an ideal guide for both undergraduate and postgraduate students in design, design culture, design history, design studies and visual culture.
Publisher: Taylor & Francis
ISBN: 1040044573
Category : Design
Languages : en
Pages : 280
Book Description
This student-friendly text provides a comprehensive exploration of the methods and approaches employed within design scholarship, drawing upon influences from history, art history, anthropology and interdisciplinary studies such as science and technology studies and material culture studies. Drawing connections between these methods and the evolving landscape of design, the book expands design culture beyond traditional outcomes to encompass areas like design for social innovation, digital design, critical design, design anthropology and craftivism. Additionally, the book introduces novel theoretical frameworks to facilitate discussions on contemporary designers’ work, including new materialism, object-oriented ontology and decolonization. This comprehensive overview of methods and approaches will enable students to select the most appropriate methodological tools for their own research. It is an ideal guide for both undergraduate and postgraduate students in design, design culture, design history, design studies and visual culture.
Design History
Author: Hazel Conway
Publisher: Routledge
ISBN: 1134887159
Category : Design
Languages : en
Pages : 240
Book Description
Hazel Conway introduces the student new to the subject to different areas of design history and shows some of the ways in which it can be studied and some of its delights and difficulties. No background knowledge of design history, art or architecture is assumed.
Publisher: Routledge
ISBN: 1134887159
Category : Design
Languages : en
Pages : 240
Book Description
Hazel Conway introduces the student new to the subject to different areas of design history and shows some of the ways in which it can be studied and some of its delights and difficulties. No background knowledge of design history, art or architecture is assumed.
History of Design
Author: Bard Graduate Center
Publisher: Yale University Press
ISBN: 0300196148
Category : Design
Languages : en
Pages : 706
Book Description
A survey of spectacular breadth, covering the history of decorative arts and design worldwide over the past six hundred years
Publisher: Yale University Press
ISBN: 0300196148
Category : Design
Languages : en
Pages : 706
Book Description
A survey of spectacular breadth, covering the history of decorative arts and design worldwide over the past six hundred years
Roots and Wings
Author: gestalten
Publisher: Gestalten
ISBN: 9783967040333
Category : Design
Languages : en
Pages : 304
Book Description
Steering one of the world's largest carmakers into the future, one man is taking an artistic and audacious approach to mobility. This is his story.
Publisher: Gestalten
ISBN: 9783967040333
Category : Design
Languages : en
Pages : 304
Book Description
Steering one of the world's largest carmakers into the future, one man is taking an artistic and audacious approach to mobility. This is his story.
Design Pedagogy
Author: Mike Tovey
Publisher: Routledge
ISBN: 1317152263
Category : Business & Economics
Languages : en
Pages : 289
Book Description
Design Pedagogy explains why it is vital for design students that their education helps them construct a ’passport’ to enter the professional sphere. Recent research into design teaching has focused on its signature pedagogies, those elements which are particularly characteristic of the disciplines. Typically based on core design theory, enlivened by approaches imported to the area, such work has utility when it recognizes the visual language of designing, the media of representation used, and the practical realities of tackling design questions. Increasingly the 21st century sees these activities in a global context where the international language of the visual artefact is recognized. This book draws on recent work in these areas. It includes a number of chapters which are developed from work undertaken during the period of special funding for centres of teaching excellence in the UK up until 2010. Two of those in design have provided the basis for research and innovative developments reported on here. They have helped to enliven the environment for design pedagogy research in other establishments which are also included. Design students need support for the agile navigation through the design process. Learning experiences should develop students’ natural motivations and professionalise motivation to create a resilient, informed and sustainable capacity. This is the essence of ’transformative learning’. This collection explores how design education is, in itself, a passport to practice and showcases how some of the key developments in education use techniques related to collaboration, case studies and experience to motivate students, enable them to express their identity, reflect and learn.
Publisher: Routledge
ISBN: 1317152263
Category : Business & Economics
Languages : en
Pages : 289
Book Description
Design Pedagogy explains why it is vital for design students that their education helps them construct a ’passport’ to enter the professional sphere. Recent research into design teaching has focused on its signature pedagogies, those elements which are particularly characteristic of the disciplines. Typically based on core design theory, enlivened by approaches imported to the area, such work has utility when it recognizes the visual language of designing, the media of representation used, and the practical realities of tackling design questions. Increasingly the 21st century sees these activities in a global context where the international language of the visual artefact is recognized. This book draws on recent work in these areas. It includes a number of chapters which are developed from work undertaken during the period of special funding for centres of teaching excellence in the UK up until 2010. Two of those in design have provided the basis for research and innovative developments reported on here. They have helped to enliven the environment for design pedagogy research in other establishments which are also included. Design students need support for the agile navigation through the design process. Learning experiences should develop students’ natural motivations and professionalise motivation to create a resilient, informed and sustainable capacity. This is the essence of ’transformative learning’. This collection explores how design education is, in itself, a passport to practice and showcases how some of the key developments in education use techniques related to collaboration, case studies and experience to motivate students, enable them to express their identity, reflect and learn.
A Companion to Contemporary Design since 1945
Author: Anne Massey
Publisher: John Wiley & Sons
ISBN: 111911120X
Category : Art
Languages : en
Pages : 485
Book Description
A critical overview of contemporary design and its place within the broader context of art history A Companion to Contemporary Design since 1945 introduces readers to a collection of specially commissioned essays exploring the complex areas of design that emerged through the latter half of the twentieth century, design history, design methods, design studies and more recently, design thinking. The book delivers a thoughtful overview of all design disciplines and also strives to stimulate inter-disciplinary debate and examine unconsidered convergences among design applications in different fields. By offering a new perspective on design, the articles assembled here present a challenging account of the boundaries between design history and its cognate disciplines, especially art history. The volume comprises five sections—Time, Place, Space, Objects and Audiences—that discuss environments for design and how we interact with designed objects and spaces. Notable features include: 24 new essays reflecting the current state of design history and theory, and examining developments on a global basis Contributions by eminent scholars and practitioners from around the globe Enriched throughout with illustrations A Companion to Contemporary Design since 1945 provides a new and thought-provoking revision of our conception and understanding of contemporary design that will be essential reading for students at both undergraduate and graduate levels as well as researchers and teachers working in design history, theory and practice, and in related fields.
Publisher: John Wiley & Sons
ISBN: 111911120X
Category : Art
Languages : en
Pages : 485
Book Description
A critical overview of contemporary design and its place within the broader context of art history A Companion to Contemporary Design since 1945 introduces readers to a collection of specially commissioned essays exploring the complex areas of design that emerged through the latter half of the twentieth century, design history, design methods, design studies and more recently, design thinking. The book delivers a thoughtful overview of all design disciplines and also strives to stimulate inter-disciplinary debate and examine unconsidered convergences among design applications in different fields. By offering a new perspective on design, the articles assembled here present a challenging account of the boundaries between design history and its cognate disciplines, especially art history. The volume comprises five sections—Time, Place, Space, Objects and Audiences—that discuss environments for design and how we interact with designed objects and spaces. Notable features include: 24 new essays reflecting the current state of design history and theory, and examining developments on a global basis Contributions by eminent scholars and practitioners from around the globe Enriched throughout with illustrations A Companion to Contemporary Design since 1945 provides a new and thought-provoking revision of our conception and understanding of contemporary design that will be essential reading for students at both undergraduate and graduate levels as well as researchers and teachers working in design history, theory and practice, and in related fields.
Reading Graphic Design in Cultural Context
Author: Grace Lees-Maffei
Publisher: Bloomsbury Publishing
ISBN: 0857858025
Category : Design
Languages : en
Pages : 259
Book Description
Reading Graphic Design in Cultural Context explains key ways of understanding and interpreting the graphic designs we see all around us, in advertising, branding, packaging and fashion. It situates these designs in their cultural and social contexts. Drawing examples from a range of design genres, leading design historians Grace Lees-Maffei and Nicolas P. Maffei explain theories of semiotics, postmodernism and globalisation, and consider issues and debates within visual communication theory such as legibility, the relationship of word and image, gender and identity, and the impact of digital forms on design. Their discussion takes in well-known brands like Alessi, Nike, Unilever and Tate, and everyday designed things including slogan t-shirts, car advertising, ebooks, corporate logos, posters and music packaging.
Publisher: Bloomsbury Publishing
ISBN: 0857858025
Category : Design
Languages : en
Pages : 259
Book Description
Reading Graphic Design in Cultural Context explains key ways of understanding and interpreting the graphic designs we see all around us, in advertising, branding, packaging and fashion. It situates these designs in their cultural and social contexts. Drawing examples from a range of design genres, leading design historians Grace Lees-Maffei and Nicolas P. Maffei explain theories of semiotics, postmodernism and globalisation, and consider issues and debates within visual communication theory such as legibility, the relationship of word and image, gender and identity, and the impact of digital forms on design. Their discussion takes in well-known brands like Alessi, Nike, Unilever and Tate, and everyday designed things including slogan t-shirts, car advertising, ebooks, corporate logos, posters and music packaging.