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Author: Hsu-Ming Teo Publisher: University of Texas Press ISBN: 0292739400 Category : Literary Criticism Languages : en Pages : 355
Book Description
The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.
Author: Hsu-Ming Teo Publisher: University of Texas Press ISBN: 0292739400 Category : Literary Criticism Languages : en Pages : 355
Book Description
The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.
Author: Hsu-Ming Teo Publisher: University of Texas Press ISBN: 0292739389 Category : Literary Criticism Languages : en Pages : 355
Book Description
The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.
Author: Aidan Tynan Publisher: Edinburgh University Press ISBN: 1474443370 Category : Literary Criticism Languages : en Pages : 264
Book Description
Aidan explores the ways in which Nietzsche's warning that 'the desert grows' has been taken up by Heidegger, Derrida and Deleuze in their critiques of modernity, and the desert in literature ranging from T.S Eliot to Don DeLillo; from imperial travel writing to postmodernism; and from the Old Testament to salvagepunk.
Author: Honore de Balzac Publisher: Sheba Blake Publishing ISBN: 3963618019 Category : Fiction Languages : en Pages : 25
Book Description
During Napoleon's campaign in Egypt, a French soldier becomes separated from his regiment and finds himself wandering lost in the desert. Just when he was about to give up all hope, he makes an unlikely friend. Honore de Balzac (20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comedie Humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus. Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Emile Zola, Charles Dickens, Gustave Flaubert, Jack Kerouac, and Henry James, filmmakers Akira Kurosawa and Eric Rohmer as well as important philosophers such as Friedrich Engels. Many of Balzac's works have been made into films, and they continue to inspire other writers.
Author: Jayashree Kamblé Publisher: Routledge ISBN: 1317041941 Category : Education Languages : en Pages : 553
Book Description
Popular romance fiction constitutes the largest segment of the global book market. Bringing together an international group of scholars, The Routledge Research Companion to Popular Romance Fiction offers a ground-breaking exploration of this global genre and its remarkable readership. In recognition of the diversity of the form, the Companion provides a history of the genre, an overview of disciplinary approaches to studying romance fiction, and critical analyses of important subgenres, themes, and topics. It also highlights new and understudied avenues of inquiry for future research in this vibrant and still-emerging field. The first systematic, comprehensive resource on romance fiction, this Companion will be invaluable to students and scholars, and accessible to romance readers.
Author: Paul W. Papa Publisher: ISBN: 9781734405729 Category : Languages : en Pages :
Book Description
On July 12, 1945 a golden Palomino was caught in the Red Desert of Wyoming by Frank "Wild Horse" Robbins. Later that same day a photographer out of Rawlins, Wyoming, named Verne Wood snapped a photo of that same horse. It would prove to be the photo of a lifetime and it's capture, like that of the horse, would change the lives of both Verne and Frank forever. When Verne saw the photo, he knew he had something special, so he entered it in the Denver Post's photo contest. It won the grand prize and soon the photo found its way to the Wyoming State Capital, the United States Senate chambers, the House of Commons in London, and the Canadian Parliament in Toronto. The likeness of the famous horse could be found in the Plains Hotel in Cheyenne, the Double Shot Bar in Rock River, the Virginian Hotel in Medicine Bow, the Desert Bar in Wamsutter, and the Saddle Grill Café in Rawlins whose Palomino Room was a homage to the horse. On top of that, nearly every postcard sales rack from Omaha, Nebraska to Reno, Nevada offered postcards with the horse's famous image. The horse would go on to be known as Desert Dust. Though the origin was never determined, both men would eventually claim to have given the horse its famous name. Recreations of Desert Dust's image were reproduced on leather purses, wallets, and belts by inmates of the Wyoming State Penitentiary and other craftsman. Desert Dust has been an inspiration for poems, prose, oil paintings, and songs. He has become the most famous horse in the state. But the story doesn't end there. Along the way Desert Dust was the subject of a Hollywood short (nominated for an Academy Award), an international travelogue, a court case with one of the strangest, cut-the-baby-in-half rulings ever issued by any judge anywhere, and a murder. Frank and Verne would eventually find themselves on opposite sides of many different controversies: the plight of wild horses; using an airplane to capture wild horses, and of course, the photo itself.
Author: Amy Burge Publisher: Springer ISBN: 1137593563 Category : Literary Criticism Languages : en Pages : 289
Book Description
This book, the first full-length cross-period comparison of medieval and modern literature, offers cutting edge research into the textual and cultural legacy of the Middle Ages: a significant and growing area of scholarship. At the juncture of literary, cultural and gender studies, and capitalizing on a renewed interest in popular western representations of the Islamic east, this book proffers innovative case studies on representations of cross-religious and cross-cultural romantic relationships in a selection of late medieval and twenty-first century Orientalist popular romances. Comparing the tropes, characterization and settings of these literary phenomena, and focusing on gender, religion, and ethnicity, the study exposes the historical roots of current romance representations of the east, advancing research in Orientalism, (neo)medievalism and medieval cultural studies. Fundamentally, Representing Difference invites a closer look at medieval and modern popular attitudes towards the east, as represented in romance, and the kinds of solutions proposed for its apparent problems.
Author: Terry Tempest Williams Publisher: Vintage ISBN: 0307559408 Category : Nature Languages : en Pages : 290
Book Description
In this potent collage of stories, essays, and testimony, Williams makes a stirring case for the preservation of America’s Redrock Wilderness in the canyon country of southern Utah. As passionate as she is persuasive, Williams, the beloved author of Refuge, is one of the country’s most eloquent and imaginative writers. The desert is her blood. Here she writes lyrically about the desert’s power and vulnerability, describing wonders that range from an ancient Puebloan sash of macaw feathers found in Canyonlands National Park to the desert tortoise–an animal that can “teach us the slow art of revolutionary patience” as it extends our notion of kinship with all life. She examines the civil war being waged in the West today over public and private uses of land–an issue that divides even her own family. With grace, humor, and compassionate intelligence, Williams reminds us that the preservation of wildness is not simply a political process but a spiritual one.
Author: Susan J. Tweit Publisher: University of Arizona Press ISBN: 9780816523337 Category : Social Science Languages : en Pages : 224
Book Description
Appearing barren and most definitely wild, the Chihuahuan Desert of northern Mexico and the southwestern United States may look worthless to some, but for Susan Tweit it is an inspiration. In this collection of seven elegant personal essays, she explores undiscovered facets of this seemingly hostile environment. With eloquence, passion, and insight, she describes and reflects on the relationship between the land, history, and people and makes this underappreciated region less barren for those who would share her journeys. "There's often little to this terrain, but to the author it's a beautiful landscape bursting with stories and wildlife, with big cities and small chunks of quietness found in few other places on earth. Tweit's essays have a pleasant style that combines history with personal discovery." —Book Talk "Sense of place is measured by one's awareness of the landscape and the extent to which it dictates thought and behavior. Barren, Wild, and Worthless dramatizes the aspirations, needs, and functional rhythms of life that are revealed and defined by this seventh sense." —Southwestern American Literature
Author: Hsu-Ming Teo
Author: Hsu-Ming Teo
Author: Hsu-Ming Teo
Author: Aidan Tynan
Author: Charles Bowden
Author: Honore de Balzac
Author: Jayashree Kamblé
Author: Paul W. Papa
Author: Amy Burge
Author: Terry Tempest Williams
Author: Susan J. Tweit