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Author: Charles M. Rosenberg Publisher: Indiana University Press ISBN: 0253025907 Category : Art Languages : en Pages : 496
Book Description
A stunning catalogue of the seventy religious prints from the 2017 exhibition, featuring detailed background information on each piece. Rembrandt’s stunning religious prints stand as evidence of the Dutch master’s extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the seventyreligious prints through detailed background information on the artist’s career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt’s etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints—modest, intimate, fragile objects—are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. “Despite many reliable catalogues of Rembrandt etchings, very few have focused on the religious content of these prints. The outstanding range of the Feddersen Collection offers an excellent occasion for closer examination of Rembrandt’s development—as a printmaker but also as a spiritual devout Christian, especially evident from his thoughtful return to the same subjects across his career. Charles Rosenberg and his team at the Snite Museum deserve our thanks for fresh analysis of Rembrandt’s religious prints, combined with the latest scholarship on the artist and his etchings output. Rembrandt scholars but also all lovers of the artist will want to consult this important catalogue.” —Larry Silver, author (with Shelley Perlove) of Rembrandt’s Faith: Church and Temple in the Dutch Golden Age “Rembrandt’s etchings of religious themes capture the emotional heart of their subjects through a uniquely inventive approach to both technique and content. . . . The seventy prints gathered by Jack and Alfrieda Feddersen span the full range of Rembrandt’s production and offer an outstanding resource for appreciation and research. This catalogue tells the fascinating story of how the collection was formed and brings a fresh analysis to each print. Charles Rosenberg’s extensive catalogue entries will be useful reading for anyone interested in the history of European art and one of its most talented practitioners, Rembrandt van Rijn.” —Stephanie Dickey, Queen’s University
Author: Charles M. Rosenberg Publisher: Indiana University Press ISBN: 0253025907 Category : Art Languages : en Pages : 496
Book Description
A stunning catalogue of the seventy religious prints from the 2017 exhibition, featuring detailed background information on each piece. Rembrandt’s stunning religious prints stand as evidence of the Dutch master’s extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the seventyreligious prints through detailed background information on the artist’s career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt’s etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints—modest, intimate, fragile objects—are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. “Despite many reliable catalogues of Rembrandt etchings, very few have focused on the religious content of these prints. The outstanding range of the Feddersen Collection offers an excellent occasion for closer examination of Rembrandt’s development—as a printmaker but also as a spiritual devout Christian, especially evident from his thoughtful return to the same subjects across his career. Charles Rosenberg and his team at the Snite Museum deserve our thanks for fresh analysis of Rembrandt’s religious prints, combined with the latest scholarship on the artist and his etchings output. Rembrandt scholars but also all lovers of the artist will want to consult this important catalogue.” —Larry Silver, author (with Shelley Perlove) of Rembrandt’s Faith: Church and Temple in the Dutch Golden Age “Rembrandt’s etchings of religious themes capture the emotional heart of their subjects through a uniquely inventive approach to both technique and content. . . . The seventy prints gathered by Jack and Alfrieda Feddersen span the full range of Rembrandt’s production and offer an outstanding resource for appreciation and research. This catalogue tells the fascinating story of how the collection was formed and brings a fresh analysis to each print. Charles Rosenberg’s extensive catalogue entries will be useful reading for anyone interested in the history of European art and one of its most talented practitioners, Rembrandt van Rijn.” —Stephanie Dickey, Queen’s University
Author: Victoria Sancho Lobis Publisher: Yale University Press ISBN: 0300218826 Category : Art Languages : en Pages : 109
Book Description
In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats--a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era--particularly Rembrandt--this catalogue traces the artist's influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries--including Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine--the book demonstrates the indelible mark that Van Dyck left on the genre.
Author: Rembrandt van Rijn Publisher: Delphi Classics ISBN: Category : Art Languages : en Pages : 937
Book Description
Rembrandt van Rijn, the greatest master of the Dutch Golden Age, created a prolific and innovative body of paintings and etchings, having an immense influence on the course of Western art and inspiring new genres in painting. The Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of the world’s greatest artists in comprehensive detail. This volume presents Rembrandt’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings and etchings of Rembrandt van Rijn — fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section of plates, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Rembrandt’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings and etchings * Easily locate the works you want to view * Features two bonus biographies, including Bell’s seminal study on the artist - immerse yourself in Rembrandt's turbulent life * Scholarly ordering of plates into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights ANNA ACCUSED BY TOBIT OF STEALING THE KID SELF-PORTRAIT, 1630-31 THE ANATOMY LESSON OF DOCTOR TULP PORTRAIT OF THE ARTIST JACQUES DE GHEYN FLORA DESCENT FROM THE CROSS BELSHAZZAR’S FEAST THE PRODIGAL SON IN THE TAVERN SELF-PORTRAIT, 1640 PORTRAIT OF AGATHA BAS THE NIGHT WATCH THE HOLY FAMILY WITH ANGELS SUSANNA SURPRISED BY THE ELDERS PORTRAIT OF HENDRICKJE STOFFELS A WOMAN BATHING SLAUGHTERED OX THE STAALMEESTERS SELF-PORTRAIT WITH PALETTE AND BRUSHES, 1665 THE JEWISH BRIDE The Paintings CHRONOLOGICAL LIST OF PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Etchings CHRONOLOGICAL LIST OF ETCHINGS ALPHABETICAL LIST OF ETCHINGS The Biographies REMBRANDT by Mortimer Menpes REMBRANDT VAN RIJN by Malcolm Bell Please visit www.delphiclassics.com to browse through our range of exciting titles
Author: Nelson-Atkins Museum of Art Publisher: University of Washington Press ISBN: Category : Architecture Languages : en Pages : 368
Book Description
"This book is the second in a series of catalogues devoted to documenting the permanent collections in The Nelson-Atkins Museum of Art, Kansas City, Missouri. In this volume on ink-printed graphics, more than six thousand examples are cited, ranging from the 15th to the 20th century. Included are works by many of the leading print-makers of the Western world, some of the impressions being unique and others exceedingly rare." "From the dawn of printing is a group of thirty-two hand-colored woodcuts by unknown German artists, one of the most intact engravings of The Last Supper by the Dutch Master I.A.M. of Zwolle, and both states of Mantegna's Battle of the Sea Gods (Right Half). Among 16th century works are one of the finest known impressions of Durer's St. Jerome in His Study, a unique hand-colored engraving by the Flemish Master S, a singular engraving by Girolamo Mocetto, and chiaroscuro woodcuts by Ugo da Carpi, Agostino Veneziano, and Hendrick Goltzius. Notably representative of the 17th century are a number of Rembrandt's etchings, a splendid impression of Bellange's Martyrdom of St. Lucy, Hollar's Four Seasons, and mezzotints by Blooteling and Dusart. Among distinguished works of the 18th century are a first-edition set of Goya's Caprichos, Descourtis's two finest color intaglios, and etchings of 1748 by Piranesi, as well as a twenty-three-volume bound set of the first Paris edition of all of his antiquarian prints, his sons' additions, and works by their associates. Of the 19th century are Dr. Thornton's Temple of Flora series, Goya's Disasters of War, a superb impression of a Pissarro intaglio, and a unique annotated proof in the complete hand-colored set of Daumier's lithographed Les Cent Robert Macaire. Remarkable among 20th century holdings are proofs of Feininger's Green Bridge and Villon's Red Umbrella, famous posters by Bakst and Thorn Prikker, striking etchings by Nolde, an early lithograph and a monumental acquatint by Picasso, and Lichtenstein's Modern Head series in several media." "Each of one hundred numbered entries written by George L. McKenna discusses a single print, several impressions, or portions of series. Information on the date, size, state, signature, inscriptions, catalogue raisonne numbers, watermark, provenance, and exhibition and publication history of each print precedes the extended text. That text, in essay form, presents relevant biographical detail, analysis of imagery, description of style, and germane critical comment footnoted with reference to publications cited in the bibliography at the end of the book. Depending upon the appearance of the original prints, illustrations are in full color or black and white in facsimile or reduced scale." "Following the one hundred entries is a list of some six thousand other prints in the collection, arranged alphabetically according to nationality, medium, and artist. The title, date, measurements, catalogue raisonne and accession numbers of every print are specified, as well as the names of the donors of gifts. Two hundred and ninety of the prints are reproduced in small black and white plates in close proximity to their locations in the list." "In addition, George L. McKenna has written an introduction which recounts how the print collection has been formed through the years, beginning with the first purchases in 1932."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: J. Bruyn Publisher: Springer Science & Business Media ISBN: 9400908113 Category : Art Languages : en Pages : 815
Book Description
Since the second half of the last century art historians, realizing that the image of Rembrandt’s work had become blurred with time, have attempted to redefine the artist’s significance both as a source of inspiration to other artists and as a great artist in his own right. In order to carry on the work started by previous generations, a group of leading Dutch art historians from the university and museum world joined forces in the late 1960s in order to study afresh the paintings usually ascribed to the artist. The researchers came together in the Rembrandt Research Project which was established to provide the art world with a new standard reference work which would serve the community of art historians for the nearby and long future. They examined the originals of all works attributed to Rembrandt taking full advantage of today’s sophisticated techniques including radiography, neutron activation autoradiography, dendrochronology and paint sample analysis — thereby gaining valuable insight into the genesis and condition of the paintings. The result of this meticulous research is laid down chronologically in the following Volumes: A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(1629-1631), published in 1982. A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (1631-1634), published in 1986. THIS VOLUME: A Corpus of Rembrandt Paintings, Volume III, goes into his later years of reputation (1635-1642), published in 1990. Each Volume consists of a number of Introductory Chapters as well as the full Catalogue of all paintings from the given time period attributed to Rembrandt. In this catalogue each painting is discussed and examined in a detailed way, comprising a descriptive, an interpretative and a documentary section. For the authenticity evaluation of the paintings three different categories are used to divide the works in: A. Paintings by Rembrandt, B. Paintings of which Rembrandt’s authorship cannot be positively either accepted or rejected, and C. Paintings of which Rembrandt’s authorship cannot be accepted. This volume (Volume III) contains 820 pages, starting of with three introductory chapters and discussing 86 paintings. In clear and accessible explanatory text all different paintings are discussed, larded with immaculate images of each painting. Details are shown where possible, as well as the results of modern day technical imaging. In this volume important paintings including the Night Watch are discussed.
Author: Charles M. Rosenberg
Author: Charles M. Rosenberg
Author: Victoria Sancho Lobis
Author: MODERN LATINISTS AND HELLENISTS MACARONI
Author: Richard Pennington
Author: 
Author: Rembrandt van Rijn
Author: Arthur Mayger Hind
Author: Nelson-Atkins Museum of Art
Author: John Gray Bell
Author: J. Bruyn