Author:
Publisher:
ISBN: 9780838921975
Category : Descriptive cataloging
Languages : en
Pages :
Book Description
Contains complete text of the Anglo-American Cataloging Rules, 2d ed., 1998 rev., including all amendments, all appendices, a fully searchable table of contents and index, a tutorial, and Folio Views Infobase.
The Tourists' Flora: a Descriptive Catalogue of the Flowering Plants and Ferns of the British Islands, France, Germany, Switzerland, Italy and the Italian Islands
Author: Joseph WOODS (F.A.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 640
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 640
Book Description
Descriptive Catalogue of Materials Relating to the History of Great Britain and Ireland, to the End of the Reign of Henry VII: pt.1-2. From the Roman period to the Norman invasion
Author: Sir Thomas Duffus Hardy
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 474
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 474
Book Description
Descriptive Catalogue of Ornamental Trees, Flowering Shrubs, Vines, Roses, Herbaceous Plants, Hedge Plants, &q.
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3382178729
Category : Fiction
Languages : en
Pages : 102
Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Publisher: BoD – Books on Demand
ISBN: 3382178729
Category : Fiction
Languages : en
Pages : 102
Book Description
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Descriptive Catalogue of Materials Relating to the History of Great Britain and Ireland, to the End of the Reign of Henry VII.
Author: Sir Thomas Duffus Hardy
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
Book Description
Descriptive Catalogue of Materials Relating to the History of Great Britain an Ireland to the End of the Reign of Henry VII
AACR2-e
Author:
Publisher:
ISBN: 9780838921975
Category : Descriptive cataloging
Languages : en
Pages :
Book Description
Contains complete text of the Anglo-American Cataloging Rules, 2d ed., 1998 rev., including all amendments, all appendices, a fully searchable table of contents and index, a tutorial, and Folio Views Infobase.
Publisher:
ISBN: 9780838921975
Category : Descriptive cataloging
Languages : en
Pages :
Book Description
Contains complete text of the Anglo-American Cataloging Rules, 2d ed., 1998 rev., including all amendments, all appendices, a fully searchable table of contents and index, a tutorial, and Folio Views Infobase.
Descriptive Catalogue of Materials Relating to the History of Great Britain and Ireland, to the End of the Reign of Henry VII
A Descriptive Catalogue of the Prints of Rembrandt
Author: Thomas Wilson (solicitor, agent to Lord Portman.)
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 280
Book Description
A Descriptive Catalogue of the Manuscripts in the Library of Gonville and Caius College
Author: Montague Rhodes James
Publisher: Cambridge University Press
ISBN: 9781108002462
Category : Literary Criticism
Languages : en
Pages : 444
Book Description
M. R. James (1862-1936) is probably best remembered as a writer of chilling ghost stories, but he was an outstanding scholar of medieval literature and palaeography, who served both as Provost of King's College, Cambridge, and as Director of the Fitzwilliam Museum, and many of his stories reflect his academic background. His detailed descriptive catalogues of manuscripts owned by colleges, cathedrals and museums are still of value to scholars today. James' catalogue of the extensive manuscript holdings of Gonville and Caius College was first published in two volumes in 1907-8, and a supplement appeared in 1914. Now reissued in two volumes, it will be welcomed by librarians and researchers alike.
Publisher: Cambridge University Press
ISBN: 9781108002462
Category : Literary Criticism
Languages : en
Pages : 444
Book Description
M. R. James (1862-1936) is probably best remembered as a writer of chilling ghost stories, but he was an outstanding scholar of medieval literature and palaeography, who served both as Provost of King's College, Cambridge, and as Director of the Fitzwilliam Museum, and many of his stories reflect his academic background. His detailed descriptive catalogues of manuscripts owned by colleges, cathedrals and museums are still of value to scholars today. James' catalogue of the extensive manuscript holdings of Gonville and Caius College was first published in two volumes in 1907-8, and a supplement appeared in 1914. Now reissued in two volumes, it will be welcomed by librarians and researchers alike.
William Blake: Seen in My Visions: A Descriptive Catalogue of Pictures
Author: William Blake
Publisher: Tate Enterprises Ltd
ISBN: 1849761361
Category : Art
Languages : en
Pages : 127
Book Description
In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.
Publisher: Tate Enterprises Ltd
ISBN: 1849761361
Category : Art
Languages : en
Pages : 127
Book Description
In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.