Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum PDF Download

Author: British Museum. Department of Prints and Drawings
Publisher: London, British Museum
ISBN:
Category : British Museum-catalogues
Languages : en
Pages : 668

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Book Description

Author: William Anderson
Publisher:
ISBN: 9783337598198
Category :
Languages : en
Pages : 636

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Book Description

Author: William Anderson
Publisher: Forgotten Books
ISBN: 9780484692229
Category : Art
Languages : en
Pages : 662

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Book Description
Excerpt from Descriptive and Historical Catalogue of a Collection of Japanese and Chinese Paintings in the British Museum Tm: paintings and drawings described in the following pages were brought together in the course of a residence of over six years in Japan, for the purpose of illustrating an ancient and remarkable phase of art in its historical, intellectual, and technical develop ments, and the principal motives by which it has been inspired. The great majority of the works are Japanese, but a number of ancient and modern Chinese pictures have been added to demon strate the relationship between the arts of the sister empires. In the construction of the catalogue it has been judged advisable, in view of the novelty of the subject to Western readers, to give a larger amount of general explanation than would be necessary in a similar work on European art: the pictures have been classified according to schools, and to each group is prefixed an account of the main facts in the history of the school, with a list of the principal artists whose names have found a place in native biographical records; and, lastly, the legendary and other motives have been dealt with more or less in detail. It was originally pro posed to introduce a preliminary sketch of the. History, technique, forms, and characteristics of sinico-japanese painting, together with a review of the various applications of pictorial design; but as such an essay would have led to an inconvenient increase in the bulk and expense of the volume, and was judged to be more suitable to a private undertaking, I have therefore made it a separate work, incorporating with it such extracts from the catalogue as might be necessary to give completeness to the historical section, and illustrating it with reproductions of the more typical examples of the art. It is now in course of publication by Messrs. Sampson Low 6: Cc., under the title of The Pictorial Arts of J apan. The present collection, although comprising representative speci mens of all the various schools, must be regarded only as a nucleus. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Michelle Ying Ling Huang
Publisher: Cambridge Scholars Publishing
ISBN: 1443839361
Category : Art
Languages : en
Pages : 260

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Beyond Boundaries: East and West Cross-Cultural Encounters is a collection of essays which span several countries, centuries and disciplines in their exploration of East-West cultural exchanges and interactions. The chapters are arranged in chronological and thematic order, and encompass the cutting edge research of a diverse group of international scholars. The subjects range from archaeology, art history and photography, to conservation, sociology and cultural studies, with cross-disciplinary examples of classical, modern and contemporary periods. The book seeks to inspire new ideas and stimulate further scholarly debate on the convergence, dissimilarities and mutual influences of the visual arts and material culture of Asia, the Middle East, Europe and the United States. The volume will be of interest to scholars and students working in the fields of art and cultural history as well as intercultural studies. It will be equally useful to collectors, artists and curators of global art and world cultures.

Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 756

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 438

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Vol. for 1859-1893 includes a facsimile reprint of: Léon Pagès, Bibliographie japonaise dated 1859; vol. for 1894-1906 includes a supplement to Léon Pagès' Bibliographie japonaise and a list of the Swedish literature on Japan by Miss Valfrid Palmgren.

Author: Perth (W.A.). Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 618

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Author: Western Australia. Public Library, Perth
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 608

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Book Description

Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 752

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Book Description

Author: Michelle Ying Ling Huang
Publisher: Cambridge Scholars Publishing
ISBN: 1443868558
Category : Art
Languages : en
Pages : 355

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Book Description
The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.