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Author: Antonia Szabari Publisher: Stanford University Press ISBN: 0804773548 Category : History Languages : en Pages : 304
Book Description
Well-known scholars and poets living in sixteenth-century France, including Erasmus, Ronsard, Calvin, and Rabelais, promoted elite satire that "corrected vices" but "spared the person"—yet this period, torn apart by religious differences, also saw the rise of a much cruder, personal satire that aimed at converting readers to its ideological, religious, and, increasingly, political ideas. By focusing on popular pamphlets along with more canonical works, Less Rightly Said shows that the satirists did not simply renounce the moral ideal of elite, humanist scholarship but rather transmitted and manipulated that scholarship according to their ideological needs. Szabari identifies the emergence of a political genre that provides us with a more thorough understanding of the culture of printing and reading, of the political function of invectives, and of the general role of dissensus in early modern French society.
Author: Antonia Szabari Publisher: Stanford University Press ISBN: 0804773548 Category : History Languages : en Pages : 304
Book Description
Well-known scholars and poets living in sixteenth-century France, including Erasmus, Ronsard, Calvin, and Rabelais, promoted elite satire that "corrected vices" but "spared the person"—yet this period, torn apart by religious differences, also saw the rise of a much cruder, personal satire that aimed at converting readers to its ideological, religious, and, increasingly, political ideas. By focusing on popular pamphlets along with more canonical works, Less Rightly Said shows that the satirists did not simply renounce the moral ideal of elite, humanist scholarship but rather transmitted and manipulated that scholarship according to their ideological needs. Szabari identifies the emergence of a political genre that provides us with a more thorough understanding of the culture of printing and reading, of the political function of invectives, and of the general role of dissensus in early modern French society.
Author: Aimée Israel-Pelletier Publisher: University of Wales Press ISBN: 1783163135 Category : Literary Criticism Languages : en Pages : 204
Book Description
In the mid-nineteenth century, Arthur Rimbaud, the volatile genius of French poetry, invented a language that captured the energy and visual complexity of the modern world. This book explores some of the technical aspects of this language in relation to the new techniques brought forth by the Impressionist painters such as Monet, Morisot, and Pissarro.
Author: John Xiros Cooper Publisher: Routledge ISBN: 1136523715 Category : Art Languages : en Pages : 378
Book Description
First Published in 2000. Nearly everyone who addresses T. S. Eliot's imaginative and critical work must acknowledge the importance of music in thematic and formal terms. This collection of original essays thoroughly explores this aspect of his work from a number of perspectives.
Author: Clive Scott Publisher: Cambridge University Press ISBN: 1009389955 Category : Literary Criticism Languages : en Pages : 295
Book Description
A bold exploration of the existential and ecological values that literary translation can embody in its perceptual transformation of texts.
Author: Publisher: Editions Bréal ISBN: 2749521483 Category : Languages : en Pages : 211
Author: Richard Andrews Publisher: Routledge ISBN: 1317615050 Category : Language Arts & Disciplines Languages : en Pages : 232
Book Description
There is to date no comprehensive account of the rhythms of free verse. The main purpose of A Prosody of Free Verse: explorations in rhythm is to fill that gap and begin to provide a systematic approach to describing and analyzing free verse rhythms. Most studies have declared the attempt to write such a prosody as impossible: they prefer to see free verse as an aberrant version of regular metrical verse. They also believe that behind free verse is the ‘ghost of metre’. Running against that current, A Prosody of Free Verse bases its new system on additive rhythms that do not fit conventional time signatures. Inspiration is taken from jazz, contemporary music and dance, not only in their systems of notation but in performance. The book argues that twentieth and twenty-first century rhythms in poetry as based on the line rather than the metrical foot as the unit of rhythm , and that larger rhythmic structures fall into verse paragraphs rather than stanzas.
Author: Antonia Szabari
Author: Antonia Szabari
Author: Aimée Israel-Pelletier
Author: John George Robertson
Author: John Xiros Cooper
Author: Clive Scott
Author: 
Author: Nicolas Wanostrocht
Author: Isidore Silver
Author: Jean Roemer
Author: Richard Andrews