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Author: Martin Frey Publisher: Martin Frey ISBN: 9783200044951 Category : Amateur films Languages : en Pages : 247
Book Description
The English painter, film-maker and writer Derek Jarman (1942-1994) is mainly known for his work in the medium of film, but he always saw himself primarily as a painter. In this study of his lesser known home movies, Super 8 films and the 'cinema of small gestures' that Jarman developed out of them, Martin Frey discusses numerous Super 8 films as well as the films THE LAST OF ENGLAND, IN THE SHADOW OF THE SUN and THE ANGELIC CONVERSATION. He examines Jarman's filming techniques and way of working and also analyses influences from the fields of painting and literature, such as Allen Ginsberg, Robert Rauschenberg, David Hockney and Yves Klein. For Jarman, life and work represented an indivisible unity. Numerous autobiographical elements from his works are thus considered in this volume: his repressed childhood and adolescence in post-war England, his coming out and the liberated life of the seventies, his struggle against the unequal treatment of homosexuals during the Thatcher era, his dealing with his own HIV infection and finally his personal commitment to fighting discrimination against people who are HIV-positive or who have already developed Aids. www.jarman-film-book.com/
Author: Martin Frey Publisher: Martin Frey ISBN: 9783200044951 Category : Amateur films Languages : en Pages : 247
Book Description
The English painter, film-maker and writer Derek Jarman (1942-1994) is mainly known for his work in the medium of film, but he always saw himself primarily as a painter. In this study of his lesser known home movies, Super 8 films and the 'cinema of small gestures' that Jarman developed out of them, Martin Frey discusses numerous Super 8 films as well as the films THE LAST OF ENGLAND, IN THE SHADOW OF THE SUN and THE ANGELIC CONVERSATION. He examines Jarman's filming techniques and way of working and also analyses influences from the fields of painting and literature, such as Allen Ginsberg, Robert Rauschenberg, David Hockney and Yves Klein. For Jarman, life and work represented an indivisible unity. Numerous autobiographical elements from his works are thus considered in this volume: his repressed childhood and adolescence in post-war England, his coming out and the liberated life of the seventies, his struggle against the unequal treatment of homosexuals during the Thatcher era, his dealing with his own HIV infection and finally his personal commitment to fighting discrimination against people who are HIV-positive or who have already developed Aids. www.jarman-film-book.com/
Author: Michael Charlesworth Publisher: Bloomsbury Publishing ISBN: 1350385751 Category : Philosophy Languages : en Pages : 314
Book Description
Derek Jarman's place in the history of film is assured by virtue of his vibrant, defiant films that experiment with the very process of film-making and create new forms. His paintings, their excitements and their profundity, are less well known. Michael Charlesworth sheds light on the varied ramifications of Jarman's artistic practice from his years at Prospect Cottage, Dungeness, and provides the first book-length study of his interest in depth psychology. He draws on Jarman's paintings, especially his landscapes from the 1960s and 70s, his multiple series such as 'black' and 'broken glass', GBH, Queer and Evil Queen, and his last Ecstatic Landscapes (1991-3). He also showcases Jarman's excellence as a writer with respect to his memoir, Kicking the Pricks. In a novel approach to Jarman's cinema, selecting films such as Journey to Avebury (1973), Caravaggio (1986), The Garden (1990) and Blue (1993), Charlesworth emphasizes themes and artistry rather than narrative. Exploring the ways in which Jungian and post-Jungian psychology were absorbed into Jarman's varied works, Derek Jarman's Visionary Arts provides a fresh perspective on his painting, film and writing. It celebrates him as one of the major British artists of the late 20th century, engaging with current debates about queer sexualities, environmentalism and climate catastrophe.
Author: Martin Frey Publisher: ISBN: 9783200044944 Category : Art Languages : en Pages : 248
Book Description
Martin Frey discusses numerous Super 8 films as well as the films THE LAST OF ENGLAND, IN THE SHADOW OF THE SUN and THE ANGELIC CONVERSATION. He examines Jarman's filming techniques and way of working and also analyses influences from the fields of painting and literature, such as Allen Ginsberg, Robert Rauschenberg, David Hockney and Yves Klein.
Author: Stephen Farthing Publisher: National Geographic Books ISBN: 0500516944 Category : Antiques & Collectibles Languages : en Pages : 0
Book Description
Part autobiography and part social history: the acclaimed director’s filmmaking process revealed through his private sketchbooks Legendary filmmaker Derek Jarman recorded his life and work in highly detailed sketchbooks. Encompassing both the private and the professional, these offer a personal view into the life and career of a highly influential filmmaker and artist. Drawn from the collection of handmade books that Jarman gave to the British Film Institute shortly before his death in 1994, Derek Jarman’s Sketchbooks showcases the most insightful and beautiful pages. Each of the original volumes is composed of drawings, photographs, and cuttings; pressed flowers are set beside scrawled ideas, and carefully penned poems accompany typed and edited working scripts. These once-private books are an intimate pictorial record of the detailed planning and research and the creative and emotional engagement behind every scene in Jarman’s films.
Author: Justin Remes Publisher: Columbia University Press ISBN: 0231538901 Category : Performing Arts Languages : en Pages : 217
Book Description
Conducting the first comprehensive study of films that do not move, Justin Remes challenges the primacy of motion in cinema and tests the theoretical limits of film aesthetics and representation. Reading experimental films such as Andy Warhol's Empire (1964), the Fluxus work Disappearing Music for Face (1965), Michael Snow's So Is This (1982), and Derek Jarman's Blue (1993), he shows how motionless films defiantly showcase the static while collapsing the boundaries between cinema, photography, painting, and literature. Analyzing four categories of static film--furniture films, designed to be viewed partially or distractedly; protracted films, which use extremely slow motion to impress stasis; textual films, which foreground the static display of letters and written words; and monochrome films, which display a field of monochrome color as their image--Remes maps the interrelations between movement, stillness, and duration and their complication of cinema's conventional function and effects. Arguing all films unfold in time, he suggests duration is more fundamental to cinema than motion, initiating fresh inquiries into film's manipulation of temporality, from rigidly structured works to those with more ambiguous and open-ended frameworks. Remes's discussion integrates the writings of Roland Barthes, Gilles Deleuze, Tom Gunning, Rudolf Arnheim, Raymond Bellour, and Noel Carroll and will appeal to students of film theory, experimental cinema, intermedia studies, and aesthetics.
Author: James Tweedie Publisher: Oxford University Press ISBN: 0190873876 Category : Art Languages : en Pages : 305
Book Description
Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s-the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas and literary adaptations-it explores the work of artists and philosophers who complicated the usual association between tradition and the past or modernity and the future. Author James Tweedie retraces the "archaeomodern turn" in films and theory that framed the past as a repository of abandoned but potentially transformative experiments. He examines late twentieth-century filmmakers who were inspired by old media, especially painting, and often viewed those art forms as portals to the modern past. In detailed discussions of Alain Cavalier, Terence Davies, Jean-Luc Godard, Peter Greenaway, Derek Jarman, Agnès Varda, and other key directors, the book concentrates on films that fill the screen with a succession of tableaux vivants, still lifes, illuminated manuscripts, and landscapes. It also considers three key figures-Walter Benjamin, Gilles Deleuze, and Serge Daney-who grappled with the late twentieth century's characteristic concerns, including history, memory, and belatedness. It reframes their theoretical work on film as a mourning play for past revolutions and a means of reviving the possibilities of the modern age (and its paradigmatic medium, cinema) during periods of political and cultural retrenchment. Looking at cinema and the century in the rear-view mirror, the book highlights the unrealized potential visible in the history of film, as well as the cinematic phantoms that remain in the digital age.
Author: Derek Jarman Publisher: ISBN: 9780500600245 Category : Gardening Languages : en Pages : 144
Book Description
Derek Jarmans Garden is the last book Jarman ever wrote. It is a fitting memorial to a brilliant and greatly loved artist and film maker who, against all odds, made a breathtaking garden in the most inhospitable of places the flat, bleak, often desolate expanse of shingle overlooked by the Dungeness nuclear power station. Here is Jarmans own record of how the garden evolved, from its earliest beginnings in 1986 to the last year of his life. More than 150 photographs by his friend Howard Sooley capture the garden at all its different stages and at every season of the year, revealing its complex geometrical plan, magical stone circles and the beautiful and bizarre scupltures. We also catch glimpses of Jarman at work on the garden. This beautiful book will appeal to all those who love gardens and gardening, as well as the legions of admirers of this extraordinary man.
Author: Martin Frey
Author: Martin Frey
Author: Michael Charlesworth
Author: Martin Frey
Author: Derek Jarman
Author: Isaac Julien
Author: Stephen Farthing
Author: Derek Jarman
Author: Justin Remes
Author: James Tweedie
Author: Derek Jarman