![Der Freischutz; or, the Bill! the Belle!! and the Bullet!!! An original burlesque [of J. F. Kind's “Der Freischütz”]. [In verse.] PDF](https://books.google.com/books/content/images/frontcover/h9lUAAAAcAAJ?fife=w80-h100)
Author: Henry James ByronPublisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Der Freischutz; or, the Bill! the Belle!! and the Bullet!!! An original burlesque [of J. F. Kind's “Der Freischütz”]. [In verse.]
Nineteenth Century Short-title Catalogue: phase 1. 1816-1870
Author: The British Library General Catalogue of Printed Books to 1975
Author: British LibraryPublisher:
ISBN:
Category : Reference
Languages : en
Pages : 536
Book Description
General Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 728
Book Description
General catalogue of printed books
Author: British museum. Dept. of printed booksPublisher:
ISBN:
Category :
Languages : en
Pages : 444
Book Description
Richard Wagner's Prose Works
Author: Richard WagnerPublisher:
ISBN:
Category : Music
Languages : en
Pages : 456
Book Description
The Glasgow Stage
Author: Walter BaynhamPublisher:
ISBN:
Category : Theater
Languages : en
Pages : 248
Book Description
Character Sketches of Romance, Fiction and the Drama
Author: E. Cobham BrewerPublisher: BoD – Books on Demand
ISBN: 3734093228
Category : Fiction
Languages : en
Pages : 582
Book Description
Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer
Theatrical and Circus Life
Author: John Joseph JenningsPublisher:
ISBN:
Category : Circus
Languages : en
Pages : 644
Book Description
Modern Enchantments
Author: Simon DuringPublisher: Harvard University Press
ISBN: 9780674013711
Category : Biography & Autobiography
Languages : en
Pages : 358
Book Description
Magic, During suggests, has helped shape modern culture. Devoted to this deceptively simple proposition, During's work gets at the aesthetic questions at the very heart of the study of culture. How can the most ordinary arts—and by “magic,” During means not the supernatural, but the special effects and conjurings of magic shows—affect people?