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Author: Toni Reed Publisher: University Press of Kentucky ISBN: 0813184703 Category : Literary Criticism Languages : en Pages : 196
Book Description
The hero of the story is a demonic lover—dark, handsome, mysterious, and dangerously seductive. The heroine—beautiful, and innocent—willingly becomes his victim and is destroyed by him. This story of demon-lover and victim, always charged with passion, has been told over and over, from Greek mythology through contemporary fiction and films. Demon-Lovers and Their Victims in British Fiction is the first historical and structural exploration of the demon-lover motif, with emphasis on major works of British fiction from the eighteenth, nineteenth, and twentieth centuries; it will interest those concerned with gender role conflicts in literature and with the mutual influence of oral and written texts of folklore and formal literature.
Author: Toni Reed Publisher: University Press of Kentucky ISBN: 0813184703 Category : Literary Criticism Languages : en Pages : 196
Book Description
The hero of the story is a demonic lover—dark, handsome, mysterious, and dangerously seductive. The heroine—beautiful, and innocent—willingly becomes his victim and is destroyed by him. This story of demon-lover and victim, always charged with passion, has been told over and over, from Greek mythology through contemporary fiction and films. Demon-Lovers and Their Victims in British Fiction is the first historical and structural exploration of the demon-lover motif, with emphasis on major works of British fiction from the eighteenth, nineteenth, and twentieth centuries; it will interest those concerned with gender role conflicts in literature and with the mutual influence of oral and written texts of folklore and formal literature.
Author: Joan Passey Publisher: Bloomsbury Publishing ISBN: 1350361127 Category : Literary Criticism Languages : en Pages : 249
Book Description
The first dedicated exploration of the short fiction of Shirley Jackson for three decades, this volume takes an in-depth look at the themes and legacies of her 200-plus short stories. Recognized as the mother of contemporary horror, scholars from across the globe, and from a range of different disciplinary backgrounds, dig into the lasting impact of her work in light of its increasing relevance to contemporary critical preoccupations and the re-release of Jackson's work in 2016. Offering new methodologies to study her work, this volume calls upon ideas of intertextuality, ecocriticism and psychoanalysis to examine a broad range of themes from national identity, race, gender and class to domesticity, the occult, selfhood and mental illness. With consideration of her blockbuster works alongside later works that received much less critical attention, Shirley Jackson's Dark Tales promises a rich and dynamic expansion on previous scholarship of Jackson's oeuvre, both bringing her writing into the contemporary conversation, and ensuring her place in the canon of Horror fiction.
Author: Melissa Edmundson Makala Publisher: University of Wales Press ISBN: 0708325653 Category : Literary Criticism Languages : en Pages : 256
Book Description
Women's Ghost Literature in Nineteenth-Century Britain examines the Female Gothic genre and how it expanded to include not only gender concerns but also social critiques of repressed sexuality, economics and imperialism.
Author: Andrew Maunder Publisher: Infobase Learning ISBN: 1438140703 Category : Short stories, English Languages : en Pages : 2069
Book Description
Provides a comprehensive reference to short fiction from Great Britain, Ireland, and the British Commonwealth, featuring some of the most popular writers and works.
Author: Abigail Lee Six Publisher: Tamesis Books ISBN: 9781855661233 Category : Fiction Languages : en Pages : 182
Book Description
By highlighting features common to the Gothic classics and the works of Adelaida García Morales, this monograph aims to put the Gothic on the map in Hispanic Studies. The Gothic as a literary mode extending well beyond its first proponents in eighteenth-century England is well established in English studies but has been strangely under-used by Hispanists. Now Abigail Lee Six uses it as the paradigm through which to analyse the novels of Adelaida García Morales; while not suggesting that every novel by this author is a classic Gothic text, she reveals certain constants in the work that can be related to the Gothic, evenin novels which one might not classify as such. Each of the novels studied is paired with an English-language Gothic text, such as Dracula, Frankenstein and Dr Jekyll and Mr Hyde, and then read in the lightof it. The focus of each chapter ranges from psychological aspects, such as fear of decay or otherness, or the pressures linked to managing secrets, to more concrete elements such as mountains and frightening buildings, and to keyfigures such as vampires, ghosts, or monsters. This approach sheds new light on how García Morales achieves probably the most distinguishing feature of her novels: their harrowing atmosphere. ABIGAIL LEE SIX is Professor of Hispanic Studies at Royal Holloway, University of London.
Author: Publisher: BRILL ISBN: 9004490116 Category : Literary Criticism Languages : en Pages : 320
Book Description
Exhibited by Candlelight: Sources and Developments in the Gothic Tradition focuses on a number of strands in the Gothic. The first is Gothic as a way of looking. Paintings used as reference points, tableaux, or the Hammer Studios' visualizations of Dracula present ways of seeing which are suggestive and allow the interplay of primarily sexual passions. Continuity with the past is a further strand which enables us to explore how the sources of the Gothic are connected with the origin of existence and of history, both individual and general. Here, the Gothic offers a voice for writers whose perceptions do not fit into those of the dominant group, which makes them sensitive both to psychological and social gaps. This leads to an exploration of the very idea of sources and an attempt to bridge the gaps, as can be observed in the variety of epithets used to clarify the ways that Gothic works, ranging from heroic gothic to porno-gothic. This takes the reader to the main core of Gothic: a genre which is always ready to admit new forms of the unreal to enter and change whatever has become mainstream literature, and a way of reading and a mode profoundly affecting the reading experience. The Gothic mode cultivates its wicked ways in literature, working through it as a leavening yeast.
Author: David Atkinson Publisher: Routledge ISBN: 1317049209 Category : Literary Criticism Languages : en Pages : 372
Book Description
In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.
Author: Yvonne Bennett Publisher: Vernon Press ISBN: 1648895921 Category : Social Science Languages : en Pages : 218
Book Description
Little is written about the lived religious lives of women in 21st-century Britain. The authors of this book seek to address this gap by exploring contemporary women’s spirituality in Britain. As the authors inhabit different academic fields, we bring together an interdisciplinary collection of voices to address this subject. We examine a range of ways in which religion continues to impact the lives of women in Britain today. The chapters of this book examine the manner in which religion and spirituality continue to impact women’s lives, and by doing so, we offer a heterogeneous look at religion in the 21st century. We not only tackle the spirituality of our research participants but, by writing about our experiences as ‘women being spiritual’, we offer a hybrid academic-practitioner viewpoint. From Islamic marriage laws to the ordination of female Anglican clergy, we focus on the concept of belonging (or not) through culture and the use of female-only spaces and organisations. Belonging is an important social motive; the need for acceptance and belonging is a fundamental concept that drives behaviours. Exploring how we belong grants an understanding of how choices are made, both by the individual and the group.
Author: Katherine Binhammer Publisher: Cambridge University Press ISBN: 113948172X Category : Literary Criticism Languages : en Pages : 255
Book Description
Eighteenth-century literature displays a fascination with the seduction of a virtuous young heroine, most famously illustrated by Samuel Richardson's Clarissa and repeated in 1790s radical women's novels, in the many memoirs by fictional or real penitent prostitutes, and in street print. Across fiction, ballads, essays and miscellanies, stories were told of women's mistaken belief in their lovers' vows. In this book Katherine Binhammer surveys seduction narratives from the late eighteenth century within the context of the new ideal of marriage-for-love and shows how these tales tell varying stories of women's emotional and sexual lives. Drawing on new historicism, feminism, and narrative theory, Binhammer argues that the seduction narrative allowed writers to explore different fates for the heroine than the domesticity that became the dominant form in later literature. This study will appeal to scholars of eighteenth-century literature, social and cultural history, and women's and gender studies.