Delft Masters, Vermeer's Contemporaries PDF Download

Author: Michiel Kersten
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 232

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Author: Robert D. Huerta
Publisher: Bucknell University Press
ISBN: 0838756069
Category : Art
Languages : en
Pages : 149

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Book Description
There are thirty-six illustrations."--Jacket.

Author: Wayne Franits
Publisher: Routledge
ISBN: 135154621X
Category : Art
Languages : en
Pages : 599

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Book Description
Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.

Author: Michiel C.C. Kersten
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Jochai Rosen
Publisher: Cambridge Scholars Publishing
ISBN: 1036404730
Category : Art
Languages : en
Pages : 601

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Book Description
This book is the first complete study of the life and work of the 17th-century Dutch painter Anthonie Palamedes (1602-1673). Palamedes was active in Delft, one of the most important cities during the Dutch Golden Age, alongside Vermeer. Unlike his famous compatriot Vermeer, Anthonie Palamedes was a successful painter. He was socially acceptable, was recognized and appreciated by his colleagues, painted hundreds of pictures and achieved financial success that allowed him to live comfortably. Palamedes is therefore the embodiment of the successful painter in the Dutch "Golden Age". The book includes a biography of the painter as well as a systematic and comparative iconographical and stylistic study of his work, with an attached critical oeuvre catalogue.

Author: Daniela Hammer-Tugendhat
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110423049
Category : Art
Languages : en
Pages : 394

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Book Description
The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.

Author: Joseph Parry
Publisher: Routledge
ISBN: 1136846859
Category : Art
Languages : en
Pages : 256

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Book Description
Art and Phenomenology is one of the first books to explore visual art as a mode of experiencing the world itself, showing how in the words of Merleau-Ponty ‘Painting does not imitate the world, but is a world of its own’. Essential reading for anyone interested in phenomenology, aesthetics, and visual culture.

Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 0870999737
Category : Art, Dutch
Languages : en
Pages : 642

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Book Description
Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.

Author: Fran Lloyd
Publisher: Berghahn Books
ISBN: 1789205913
Category : Social Science
Languages : en
Pages : 320

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Book Description
In this highly original approach to the study of the construction of culture, this collection of previously unpublished essays explore the topography of the secret and the forbidden, focusing on specific moments in recent cultural and political history. By bringing together writers from different disciplines and different locations, this volume provides a rich and diverse mapping of how the secret and forbidden operate across different subjects and different geographies, extending far beyond physical locations. It is present in domains ranging from language, literature, and cinema to social and political life. This refreshing and thought-provoking collection of essays will prove invaluable for researchers and students.

Author: Timothy Brook
Publisher: Profile Books
ISBN: 1847652549
Category : History
Languages : en
Pages : 294

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Book Description
'Effortless and compelling, Brooks is a wonderful storyteller. I doubt I will read a better book this year.' Sunday Telegraph Each of Vermeer's paintings tells a story. In one, a military officer leans toward a laughing girl; in another, a woman stands by a window and weighs silver; in a third, fruit spills from a porcelain bowl onto a lavish Turkish carpet. Hiding in plain sight, these details hint at the intricate threads that bound Vermeer's world together - the officer's hat is made from North American beaver, bought with silver extracted from the mines of Peru, while beaver pelts were traded in their thousands for the Chinese porcelain so beloved by the Dutch in the Golden Age. From a view of Delft, Vermeer gives us the world. As a new Vermeer exhibition opens at the Rijksmuseum, the largest of its kind in history, Vermeer's Hat offers a fascinating perspective on how the burgeoning forces of trade and commerce shaped Vermeer's masterpieces.