Del arte objetual al arte de concepto PDF Download

Author: Simón Marchán Fiz
Publisher: Ediciones AKAL
ISBN: 9788476001059
Category : Art
Languages : es
Pages : 488

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Book Description
Aspirando a ofrecer un balance de los años 60 y sus estribaciones en la década siguiente, esta obra ahonda en la poética de cada tendencia y logra sintonizar nuestra peculiar situación cultural, artística y política con el panorama artístico internacional. Entre la información positivista y la obsesión fenomenológica por retornar a las obras mismas, Marchán Fiz rebasa todo sociologismo como realismo social, lo que transluce las preocupaciones metodológicas del momento y los estímulos estéticos en sus análisis sobre las figuras de lo moderno y en su preocupación por los lenguajes artísticos. El texto que se convertiría en legitimador de lo “nuevo” y, es ahora, un ensayo clásico sobre el periodo abordado, presenta un epílogo sobre la sensibilidad “postmoderna” junto a numerosas reproducciones y una antología de textos, que permiten contrastar las numerosas oscilaciones experimentadas por el gusto.

Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 483

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Book Description

Author: Simón Marchán Fiz
Publisher:
ISBN:
Category :
Languages : es
Pages : 483

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Book Description

Author: Simón Marchán Fiz
Publisher:
ISBN: 9788420670539
Category :
Languages : es
Pages : 483

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Book Description

Author: Simón Marchán Fiz
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 236

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Book Description

Author: Simón Marchán Fiz
Publisher:
ISBN:
Category :
Languages : es
Pages : 0

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Author: Elena Shtromberg
Publisher: University of Texas Press
ISBN: 1477308091
Category : Art
Languages : en
Pages : 239

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Book Description
From currency and maps to heavily censored newspapers and television programming, Art Systems explores visual forms of critique and subversion during the height of Brazilian dictatorship, drawing sometimes surprising connections between artistic production and broader processes of social exchange during a period of authoritarian modernization. Positioning the works beyond the prism of politics, Elena Shtromberg reveals subtle forms of subversion and critique that reinvented the artists’ political terrain. Analyzing key examples from Cildo Meireles, Antonio Manuel, Artur Barrio, Anna Bella Geiger, Sonia Andrade, Geraldo Mello, and others, the book offers a new framework for theorizing artistic practice. By focusing on the core economic, media, technological, and geographic conditions that circumscribed artistic production during this pivotal era, Shtromberg excavates an array of art systems that played a role in the everyday lives of Brazilians. An examination of the specific historical details of the social systems that were integrated into artistic production, this unique study showcases works that were accessed by audiences far outside the confines of artistic institutions. Proliferating during one of Brazil’s most socially and politically fraught decades, the works—spanning cartography to video art—do not conform to an easily identifiable style, form, material use, or medium. As a result of this breadth, Art Systems gives voice to the multifaceted forces at play in a unique chapter of Latin American cultural history.

Author: Karen Benezra
Publisher: University of California Press
ISBN: 0520307062
Category : Art
Languages : en
Pages : 253

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Book Description
Dematerialization examines the intertwined experimental practices and critical discourses of art and industrial design in Argentina, Mexico, and Chile in the 1960s and 1970s. Provocative in nature, this book investigates the way that artists, critics, and designers considered the relationship between the crisis of the modernist concept of artistic medium and the radical social transformation brought about by the accelerated capitalist development of the preceding decades. Beginning with Oscar Masotta’s sui generis definition of the term, Karen Benezra proposes dematerialization as a concept that allows us to see how disputes over the materiality of the art and design object functioned in order to address questions concerning the role of appearance, myth, and ideology in the dynamic logic structuring social relations in contemporary discussions of aesthetics, artistic collectivism, and industrial design. Dematerialization brings new insights to the fields of contemporary art history, critical theory, and Latin American cultural studies.

Author: Juan Carlos Palenzuela
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416

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Book Description
Extensive study of a significant period in the development of modern art production in Venezuela by historian and art critic Palenzuela. The 1960s and 1970s were turning points in the country's artistic development, after the last military dictator Marcos Perez Jimenez, when new generations of artists, cultural events and artistic groups lead the way and set Venezuela's in the international scene of contemporary art during 2 decades that included El Techo de la Ballena, a cultural movement that started simultaneously in Colombia and Venezuela, and that was fundamental for 20th century Venezuelan art that included amongst its members artists and writers such as: Carlos Contramaestre, Juan Calzadilla, Caupolicán Ovalles, Edmundo Aray, Francisco Pérez Perdomo, Efraín Hurtado, Dámaso Ogaz, Salvador Garmendia, Alberto Brandt, Perán Erminy, Angel Luque, Gonzalo Castellanos and Antonio Moya. The edition also studies movements, salons and collective events sponsored by the State like the "School of Maracaibo", the Ruptura and the annual exhibitions "11 Tipos" of the Mendoza Exhibition Rooms representing the best examples of Informalist, Abstract, Cinetism, Conceptual and Figurative art lead by artist like: Hugo Baptista, Luisa Palacios, Mercedes Pardo, Luis Guevara Moreno, Alirio Rodriguez, Manuel Espinoza, Jesus Soto and Alejandro Otero and. A great contribution to the literature.

Author: Claudia Hopkins
Publisher: Routledge
ISBN: 1000061698
Category : Art
Languages : en
Pages : 836

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Book Description
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.