Author: Anna Gruetzner Robins
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
"Between 1870 and 1910 the burgeoning populations and hectic speed of life in London and Paris fascinated artists on both sides of the English Channel. French artists such as Edgar Degas and Henri Toulouse-Lautrec pioneered new ways of representing city life, profoundly influencing many British artists." "This publication examines the exciting and controversial exchange of pictorial and aesthetic ideas that took place as British art adapted to modernity, and explores the rich interplay between the making, exhibiting and collecting of new figurative art." "The pivotal figures in this cross-cultural dialogue are Degas, hailed in Britain as a genius; Sickert, whose Degas-inspired art explored the gritty, urban side of modern life; and Henri de Toulouse-Lautrec, whose largest one-man show was staged in Regent Street, London. Works by these and other key artists, including Vuillard, Bonnard, Tissot, Whistler, Steer and Rothenstein, involved society portraiture and posters, scenes of the street and public entertainment, creating evocative images of the decadence and spectacle of the fin-de-siecle metropolis."--BOOK JACKET.
Degas, Sickert and Toulouse-Lautrec
Author: Anna Gruetzner Robins
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
"Between 1870 and 1910 the burgeoning populations and hectic speed of life in London and Paris fascinated artists on both sides of the English Channel. French artists such as Edgar Degas and Henri Toulouse-Lautrec pioneered new ways of representing city life, profoundly influencing many British artists." "This publication examines the exciting and controversial exchange of pictorial and aesthetic ideas that took place as British art adapted to modernity, and explores the rich interplay between the making, exhibiting and collecting of new figurative art." "The pivotal figures in this cross-cultural dialogue are Degas, hailed in Britain as a genius; Sickert, whose Degas-inspired art explored the gritty, urban side of modern life; and Henri de Toulouse-Lautrec, whose largest one-man show was staged in Regent Street, London. Works by these and other key artists, including Vuillard, Bonnard, Tissot, Whistler, Steer and Rothenstein, involved society portraiture and posters, scenes of the street and public entertainment, creating evocative images of the decadence and spectacle of the fin-de-siecle metropolis."--BOOK JACKET.
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 240
Book Description
"Between 1870 and 1910 the burgeoning populations and hectic speed of life in London and Paris fascinated artists on both sides of the English Channel. French artists such as Edgar Degas and Henri Toulouse-Lautrec pioneered new ways of representing city life, profoundly influencing many British artists." "This publication examines the exciting and controversial exchange of pictorial and aesthetic ideas that took place as British art adapted to modernity, and explores the rich interplay between the making, exhibiting and collecting of new figurative art." "The pivotal figures in this cross-cultural dialogue are Degas, hailed in Britain as a genius; Sickert, whose Degas-inspired art explored the gritty, urban side of modern life; and Henri de Toulouse-Lautrec, whose largest one-man show was staged in Regent Street, London. Works by these and other key artists, including Vuillard, Bonnard, Tissot, Whistler, Steer and Rothenstein, involved society portraiture and posters, scenes of the street and public entertainment, creating evocative images of the decadence and spectacle of the fin-de-siecle metropolis."--BOOK JACKET.
Radical Art and the Formation of the Avant-Garde
Author: David Cottington
Publisher: Yale University Press
ISBN: 0300265077
Category : Art
Languages : en
Pages : 418
Book Description
An authoritative re-definition of the social, cultural and visual history of the emergence of the “avant-garde” in Paris and London Over the past fifty years, the term "avant-garde" has come to shape discussions of European culture and modernity, ubiquitously taken for granted but rarely defined. This ground-breaking book develops an original and searching methodology that fundamentally reconfigures the social, cultural, and visual context of the emergence of the artistic avant-garde in Paris and London before 1915, bringing the material history of its formation into clearer and more detailed focus than ever before. Drawing on a wealth of disciplinary evidence, from socio-economics to histories of sexuality, bohemia, consumerism, politics, and popular culture, David Cottington explores the different models of cultural collectivity in, and presumed hierarchies between, these two focal cities, while identifying points of ideological influence and difference between them. He reveals the avant-garde to be at once complicit with, resistant to, and a product of the modernizing forces of professionalization, challenging the conventional wisdom on this moment of cultural formation and offering the means to reset the terms of avant-garde studies.
Publisher: Yale University Press
ISBN: 0300265077
Category : Art
Languages : en
Pages : 418
Book Description
An authoritative re-definition of the social, cultural and visual history of the emergence of the “avant-garde” in Paris and London Over the past fifty years, the term "avant-garde" has come to shape discussions of European culture and modernity, ubiquitously taken for granted but rarely defined. This ground-breaking book develops an original and searching methodology that fundamentally reconfigures the social, cultural, and visual context of the emergence of the artistic avant-garde in Paris and London before 1915, bringing the material history of its formation into clearer and more detailed focus than ever before. Drawing on a wealth of disciplinary evidence, from socio-economics to histories of sexuality, bohemia, consumerism, politics, and popular culture, David Cottington explores the different models of cultural collectivity in, and presumed hierarchies between, these two focal cities, while identifying points of ideological influence and difference between them. He reveals the avant-garde to be at once complicit with, resistant to, and a product of the modernizing forces of professionalization, challenging the conventional wisdom on this moment of cultural formation and offering the means to reset the terms of avant-garde studies.
Sickert
Author: Wendy Baron
Publisher: Yale University Press
ISBN: 0300111290
Category : Art
Languages : en
Pages : 614
Book Description
Walter Richard Sickert (1860-1942) was an artist of prodigious creativity. For sixty years, in his roles as painter, teacher, and polemicist, he was a source of inspiration and influence to successive generations of British painters. With his roots in the Victorian era, Sickert broke all taboos. He was uncompromisingly truthful, revealing beauty in the squalid as in the sublime: in cockney music halls, the crumbling streets of Dieppe, the grand sites of Venice, and the low-life of Camden Town. Decades before Warhol, he exploited the potential of photo-based imagery and of studio production lines to create iconic portraits of the grandees of theatrical, social, and political life. This catalogue is divided into two parts: essay chapters describe Sickert's chronology in terms of stylistic and technical development, and a fully illustrated catalogue presents more than 2800 drawings and paintings, many of which have never been published before.
Publisher: Yale University Press
ISBN: 0300111290
Category : Art
Languages : en
Pages : 614
Book Description
Walter Richard Sickert (1860-1942) was an artist of prodigious creativity. For sixty years, in his roles as painter, teacher, and polemicist, he was a source of inspiration and influence to successive generations of British painters. With his roots in the Victorian era, Sickert broke all taboos. He was uncompromisingly truthful, revealing beauty in the squalid as in the sublime: in cockney music halls, the crumbling streets of Dieppe, the grand sites of Venice, and the low-life of Camden Town. Decades before Warhol, he exploited the potential of photo-based imagery and of studio production lines to create iconic portraits of the grandees of theatrical, social, and political life. This catalogue is divided into two parts: essay chapters describe Sickert's chronology in terms of stylistic and technical development, and a fully illustrated catalogue presents more than 2800 drawings and paintings, many of which have never been published before.
Dialogues with Degas
Author: Kathryn Brown
Publisher: Bloomsbury Publishing
ISBN: 1350258709
Category : Art
Languages : en
Pages : 299
Book Description
Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices. The first in-depth examination of this major artist's impact on contemporary art, this book explores how contemporary practitioners have used Degas's creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. Individual chapters are devoted to dialogues between Degas's art and works produced by Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren. Through close analyses of selected paintings, drawings, prints and sculptures, Kathryn Brown explores how Degas's technical and compositional experiments have been extended or challenged in innovative ways. By experimenting with the materials and methods of existing works, contemporary artists generate visual palimpsests that make new demands of the viewer and prompt a reconsideration of ideas that have informed histories of 19th-century French art. The book overturns familiar conceptions of influence by eschewing a genealogical approach and prioritizing, instead, the analysis of non-linear encounters between artworks. This encourages a new conception of the agency of visual artefacts and of the conversations they are capable of entertaining with each other. While this study sheds new light on Degas's art and that of his interlocutors, it also has methodological significance for the writing of art history.
Publisher: Bloomsbury Publishing
ISBN: 1350258709
Category : Art
Languages : en
Pages : 299
Book Description
Dialogues with Degas demonstrates the ongoing relevance of Edgar Degas to 20th- and 21st-century ideas and art practices. The first in-depth examination of this major artist's impact on contemporary art, this book explores how contemporary practitioners have used Degas's creativity as a springboard to engage imaginatively and critically with themes of colonialism, gender, race and class. Individual chapters are devoted to dialogues between Degas's art and works produced by Frank Auerbach, Cecily Brown, Xinyi Cheng, Ryan Gander, Maggi Hambling, Damien Hirst, Howard Hodgkin, Chantal Joffe, Leon Kossoff, R.B. Kitaj, Juan Muñoz, Paula Rego, Jenny Saville, Yinka Shonibare, Cy Twombly and Rebecca Warren. Through close analyses of selected paintings, drawings, prints and sculptures, Kathryn Brown explores how Degas's technical and compositional experiments have been extended or challenged in innovative ways. By experimenting with the materials and methods of existing works, contemporary artists generate visual palimpsests that make new demands of the viewer and prompt a reconsideration of ideas that have informed histories of 19th-century French art. The book overturns familiar conceptions of influence by eschewing a genealogical approach and prioritizing, instead, the analysis of non-linear encounters between artworks. This encourages a new conception of the agency of visual artefacts and of the conversations they are capable of entertaining with each other. While this study sheds new light on Degas's art and that of his interlocutors, it also has methodological significance for the writing of art history.
Portraits by Degas
Author: Jean Sutherland Boggs
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 328
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 328
Book Description
The Painter of Modern Life
Author: George Moore
Publisher:
ISBN: 9781843680802
Category :
Languages : en
Pages : 0
Book Description
Two essays remembering Degas by the most acute observers of the avant-garde art of their time, Walter Sickert and George Moore. Introduced by Professor Anna Gruezner Robins, a leading expert on Degas and his British admirers
Publisher:
ISBN: 9781843680802
Category :
Languages : en
Pages : 0
Book Description
Two essays remembering Degas by the most acute observers of the avant-garde art of their time, Walter Sickert and George Moore. Introduced by Professor Anna Gruezner Robins, a leading expert on Degas and his British admirers
Federal Register
Federal Register Index
Fashionability, Exhibition Culture and Gender Politics
Author: Meaghan Clarke
Publisher: Routledge
ISBN: 135102776X
Category : Art
Languages : en
Pages : 233
Book Description
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects. Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition. This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.
Publisher: Routledge
ISBN: 135102776X
Category : Art
Languages : en
Pages : 233
Book Description
Fair Women was the Victorian equivalent of a ‘blockbuster’ exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects. Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition. This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.
Global Art Markets
Author: Iain Robertson
Publisher: Taylor & Francis
ISBN: 1040256961
Category : Art
Languages : en
Pages : 323
Book Description
The art market is worth billions globally, despite the effects of the Covid-19 health pandemic. This book brings together a strong cast of contributors to explore contemporary and historical themes. Readers of the book will gain awareness of how historical foundations of arts markets continue to impact on contemporary global developments, while transformational digital technology shakes up the art world. With new insights into emerging arts markets, the book also covers themes and phenomena such as NFTs, secrecy, platforms, and financialization in the arts. The result is a book that will prove valuable reading for scholars involved in art markets studies.
Publisher: Taylor & Francis
ISBN: 1040256961
Category : Art
Languages : en
Pages : 323
Book Description
The art market is worth billions globally, despite the effects of the Covid-19 health pandemic. This book brings together a strong cast of contributors to explore contemporary and historical themes. Readers of the book will gain awareness of how historical foundations of arts markets continue to impact on contemporary global developments, while transformational digital technology shakes up the art world. With new insights into emerging arts markets, the book also covers themes and phenomena such as NFTs, secrecy, platforms, and financialization in the arts. The result is a book that will prove valuable reading for scholars involved in art markets studies.