Author: Roy Howat
Publisher: Cambridge University Press
ISBN: 9780521311458
Category : Music
Languages : en
Pages : 264
Book Description
An analysis that accounts precisely for the nature of Debussy's musical forms and how forms of different works are related. Geometric systems found here throw new light on Debussy's intense interest in the other arts and provide links with artists he admired in other fields.
Debussy in Proportion
Author: Roy Howat
Publisher: Cambridge University Press
ISBN: 9780521311458
Category : Music
Languages : en
Pages : 264
Book Description
An analysis that accounts precisely for the nature of Debussy's musical forms and how forms of different works are related. Geometric systems found here throw new light on Debussy's intense interest in the other arts and provide links with artists he admired in other fields.
Publisher: Cambridge University Press
ISBN: 9780521311458
Category : Music
Languages : en
Pages : 264
Book Description
An analysis that accounts precisely for the nature of Debussy's musical forms and how forms of different works are related. Geometric systems found here throw new light on Debussy's intense interest in the other arts and provide links with artists he admired in other fields.
The Art of French Piano Music
Author: Roy Howat
Publisher: Yale University Press
ISBN: 0300159773
Category : Music
Languages : en
Pages : 417
Book Description
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Fauré and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat’s direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime’s scholarship with practical experience of teaching and the concert platform
Publisher: Yale University Press
ISBN: 0300159773
Category : Music
Languages : en
Pages : 417
Book Description
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Fauré and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat’s direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime’s scholarship with practical experience of teaching and the concert platform
Debussy's Resonance
Author: François De Médicis
Publisher:
ISBN: 1580465250
Category :
Languages : en
Pages : 642
Book Description
Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds.
Publisher:
ISBN: 1580465250
Category :
Languages : en
Pages : 642
Book Description
Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds.
The Life of Debussy
Author: Roger Nichols
Publisher: Cambridge University Press
ISBN: 9780521578875
Category : Biography & Autobiography
Languages : en
Pages : 198
Book Description
'That great blue Sphinx', Debussy called the sea. Debussy himself was something of a Sphinx: in the early 1890s he was thinking of 'founding a society for musical esotericism', and although, on the surface, most of his music is instantly engaging and accessible, at a deeper level run currents that are dangerous, unpredictable, destructive. In this new biography, Roger Nichols considers the life and music of this seminal figure charting the currents and the whirlpools in which other humans were sometimes unlucky enough to get caught. Debussy's status is such that no modern composer has been able to ignore him, asking, as he does, any number of riddles to which late twentieth-century music is still searching answers.
Publisher: Cambridge University Press
ISBN: 9780521578875
Category : Biography & Autobiography
Languages : en
Pages : 198
Book Description
'That great blue Sphinx', Debussy called the sea. Debussy himself was something of a Sphinx: in the early 1890s he was thinking of 'founding a society for musical esotericism', and although, on the surface, most of his music is instantly engaging and accessible, at a deeper level run currents that are dangerous, unpredictable, destructive. In this new biography, Roger Nichols considers the life and music of this seminal figure charting the currents and the whirlpools in which other humans were sometimes unlucky enough to get caught. Debussy's status is such that no modern composer has been able to ignore him, asking, as he does, any number of riddles to which late twentieth-century music is still searching answers.
Debussy and the Theatre
Author: Robert Orledge
Publisher: Cambridge University Press
ISBN: 9780521228077
Category : Music
Languages : en
Pages : 412
Book Description
Debussy and the Theatre means, in effect, 'Debussy and Pellias et Milisande', the opera both established Debussy's mature style and changed the course of operatic history.
Publisher: Cambridge University Press
ISBN: 9780521228077
Category : Music
Languages : en
Pages : 412
Book Description
Debussy and the Theatre means, in effect, 'Debussy and Pellias et Milisande', the opera both established Debussy's mature style and changed the course of operatic history.
The Cambridge Companion to Debussy
Author: Simon Trezise
Publisher: Cambridge University Press
ISBN: 9780521654784
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.
Publisher: Cambridge University Press
ISBN: 9780521654784
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.
Debussy, Bergson and the Music of 'la duree'
Author: Charles Frantz
Publisher: Taylor & Francis
ISBN: 1040132936
Category : Music
Languages : en
Pages : 177
Book Description
Charles Frederick Frantz provides a quantitative and qualitative analysis of Debussy’s music through the lens of Bergson’s philosophical perspective of durée, revealing his "revolution" in musical time. In fin-de-siècle Paris, Debussy was revolutionizing musical time while Bergson was establishing a metaphysics that challenged the notion of measured or spatialized time. Bergson argued that real time or durée could be grasped only through intuition as opposed to analysis. Debussy eschewed analysis of music, declaring that separating it into parts was better left to engineers. Debussy’s music and Bergson’s durée were conceived and imagined in the environs of nature. The cycle of seasons, the gracefulness of a blooming flower, or a gentle breeze all suggest continuity, flow, and uninterrupted rhythm. The time of nature is the time of Debussy’s music and Bergson’s durée. Debussy’s use of open forms and Golden Sections create a time world of an expanded present, never ceasing. Bergson’s perception of real time is ever-changing, bringing the past into the present and open to unforeseen novelty. This book is intended primarily for scholars in the disciplines of musicology, music theory, and philosophy and can be used as a text for upper-level undergraduate or graduate courses in musicology or music theory.
Publisher: Taylor & Francis
ISBN: 1040132936
Category : Music
Languages : en
Pages : 177
Book Description
Charles Frederick Frantz provides a quantitative and qualitative analysis of Debussy’s music through the lens of Bergson’s philosophical perspective of durée, revealing his "revolution" in musical time. In fin-de-siècle Paris, Debussy was revolutionizing musical time while Bergson was establishing a metaphysics that challenged the notion of measured or spatialized time. Bergson argued that real time or durée could be grasped only through intuition as opposed to analysis. Debussy eschewed analysis of music, declaring that separating it into parts was better left to engineers. Debussy’s music and Bergson’s durée were conceived and imagined in the environs of nature. The cycle of seasons, the gracefulness of a blooming flower, or a gentle breeze all suggest continuity, flow, and uninterrupted rhythm. The time of nature is the time of Debussy’s music and Bergson’s durée. Debussy’s use of open forms and Golden Sections create a time world of an expanded present, never ceasing. Bergson’s perception of real time is ever-changing, bringing the past into the present and open to unforeseen novelty. This book is intended primarily for scholars in the disciplines of musicology, music theory, and philosophy and can be used as a text for upper-level undergraduate or graduate courses in musicology or music theory.
Four Musical Minimalists
Author: Keith Potter
Publisher: Cambridge University Press
ISBN: 9780521015011
Category : Biography & Autobiography
Languages : en
Pages : 412
Book Description
Offers the most detailed account yet of the early works of these four minimalist composers.
Publisher: Cambridge University Press
ISBN: 9780521015011
Category : Biography & Autobiography
Languages : en
Pages : 412
Book Description
Offers the most detailed account yet of the early works of these four minimalist composers.
Recovering the Orient
Author: C. Andrew Gerstle
Publisher: Psychology Press
ISBN: 9783718656875
Category : Art
Languages : en
Pages : 382
Book Description
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
Publisher: Psychology Press
ISBN: 9783718656875
Category : Art
Languages : en
Pages : 382
Book Description
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
Debussy and the Fragment
Author: Linda Cummins
Publisher: Rodopi
ISBN: 9042020652
Category : Art
Languages : en
Pages : 193
Book Description
Rather than solid frames, some less than perfect aesthetic objects have permeable membranes which allow them to diffuse effortlessly into the everyday world. In the parallel universes of music and literature, Linda Cummins extols the poetry of such imperfection. She places Debussy's work within a tradition thriving on anti-Aristotelian principles: motley collections, crumbling ruins real or fake, monstrous hybrids, patchwork and palimpsest, hasty sketches, ellipses, truncated beginnings and endings, meandering arabesques, irrelevant digressions, auto-quotations. Sensitive to the intermittences of memory and experience and with a keen ear for ironic intrusion, Cummins draws the reader into the Western cultural past in search of the surprisingly ubiquitous aesthetic of the unfinished, negatively silhouetted against expectations of rational coherence. Theories popularized by Schlegel and embraced by the French Symbolists are only the first waypoint on an elaborately illustrated tour reaching back to Petrarch. Cummins meticulously applies the derived results to Debussy's scores and finds convincing correlations in this chiasmatic crossover.
Publisher: Rodopi
ISBN: 9042020652
Category : Art
Languages : en
Pages : 193
Book Description
Rather than solid frames, some less than perfect aesthetic objects have permeable membranes which allow them to diffuse effortlessly into the everyday world. In the parallel universes of music and literature, Linda Cummins extols the poetry of such imperfection. She places Debussy's work within a tradition thriving on anti-Aristotelian principles: motley collections, crumbling ruins real or fake, monstrous hybrids, patchwork and palimpsest, hasty sketches, ellipses, truncated beginnings and endings, meandering arabesques, irrelevant digressions, auto-quotations. Sensitive to the intermittences of memory and experience and with a keen ear for ironic intrusion, Cummins draws the reader into the Western cultural past in search of the surprisingly ubiquitous aesthetic of the unfinished, negatively silhouetted against expectations of rational coherence. Theories popularized by Schlegel and embraced by the French Symbolists are only the first waypoint on an elaborately illustrated tour reaching back to Petrarch. Cummins meticulously applies the derived results to Debussy's scores and finds convincing correlations in this chiasmatic crossover.