Author: Barbara Yates Rothwell
Publisher: Trafford Publishing
ISBN: 1490777660
Category : Fiction
Languages : en
Pages : 171
Book Description
In early 2016, my book Death at the Festival was published by Trafford. It was my first entry into writing a crime novel though I have written several short stories in the genre. This is the second, Death in Titipu. Like the first, it draws on my musical training; the previous one used a classical music festival as its background. This new book brings to life a small-town performance of the famous Gilbert and Sullivan operetta The Mikado, which, as devotees will recall, takes place in the town of Titipu. Who has taken all the fun out of it by killing . . . ? But read the book, and all will be revealed. There was a time within our memory when the police had fewer aids to assist in their search for the criminal than our contemporary peace keepers have access to. This story takes place at that time.
Death in Titipu
Author: Barbara Yates Rothwell
Publisher: Trafford Publishing
ISBN: 1490777660
Category : Fiction
Languages : en
Pages : 171
Book Description
In early 2016, my book Death at the Festival was published by Trafford. It was my first entry into writing a crime novel though I have written several short stories in the genre. This is the second, Death in Titipu. Like the first, it draws on my musical training; the previous one used a classical music festival as its background. This new book brings to life a small-town performance of the famous Gilbert and Sullivan operetta The Mikado, which, as devotees will recall, takes place in the town of Titipu. Who has taken all the fun out of it by killing . . . ? But read the book, and all will be revealed. There was a time within our memory when the police had fewer aids to assist in their search for the criminal than our contemporary peace keepers have access to. This story takes place at that time.
Publisher: Trafford Publishing
ISBN: 1490777660
Category : Fiction
Languages : en
Pages : 171
Book Description
In early 2016, my book Death at the Festival was published by Trafford. It was my first entry into writing a crime novel though I have written several short stories in the genre. This is the second, Death in Titipu. Like the first, it draws on my musical training; the previous one used a classical music festival as its background. This new book brings to life a small-town performance of the famous Gilbert and Sullivan operetta The Mikado, which, as devotees will recall, takes place in the town of Titipu. Who has taken all the fun out of it by killing . . . ? But read the book, and all will be revealed. There was a time within our memory when the police had fewer aids to assist in their search for the criminal than our contemporary peace keepers have access to. This story takes place at that time.
Death of a Pooh-bah
Author: Karen Sturges
Publisher: Bantam
ISBN: 0553581317
Category : Fiction
Languages : en
Pages : 306
Book Description
The second volume in Karen Sturges's acclaimed musical mystery series features the return of sleuth Phoebe Mullins and a medley of malice and murder at an amateur theatre company's production of Gilbert and Sullivan's "Mikado".
Publisher: Bantam
ISBN: 0553581317
Category : Fiction
Languages : en
Pages : 306
Book Description
The second volume in Karen Sturges's acclaimed musical mystery series features the return of sleuth Phoebe Mullins and a medley of malice and murder at an amateur theatre company's production of Gilbert and Sullivan's "Mikado".
The Albany Law Journal
Albany Law Journal
Virginia Law Journal
Our Corner
The Complete Annotated Gilbert and Sullivan
Author: Arthur Sullivan
Publisher:
ISBN: 9780198167105
Category : Music
Languages : en
Pages : 1224
Book Description
The comic operas of Gilbert and Sullivan are a performing arts phenomenon. Wildly popular when first produced, they are if anything even more popular today. The Complete Annotated Gilbert & Sullivan provides the complete text of all thirteen of the Gilbert and Sullivan operas still being performed today, including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado. Each work is thoroughly annotated, with the text, including stage directions, given on the right-hand page, and the notes on the left. The annotations provide a wealth of information--everything from the identity of real-life people mentioned in the opera, to clear explanations of obscure words and phrases (such as legal terms) and other literary references, to comments from first-night critics, and much more. In addition, Bradley has written a marvelously informative introduction to the book as well as superb introductions to each piece, describing the genesis of the work, its performance history, and other fascinating tidbits. A goldmine of information, The Complete Annotated Gilbert & Sullivan will delight the hearts of Savoyards everywhere.
Publisher:
ISBN: 9780198167105
Category : Music
Languages : en
Pages : 1224
Book Description
The comic operas of Gilbert and Sullivan are a performing arts phenomenon. Wildly popular when first produced, they are if anything even more popular today. The Complete Annotated Gilbert & Sullivan provides the complete text of all thirteen of the Gilbert and Sullivan operas still being performed today, including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado. Each work is thoroughly annotated, with the text, including stage directions, given on the right-hand page, and the notes on the left. The annotations provide a wealth of information--everything from the identity of real-life people mentioned in the opera, to clear explanations of obscure words and phrases (such as legal terms) and other literary references, to comments from first-night critics, and much more. In addition, Bradley has written a marvelously informative introduction to the book as well as superb introductions to each piece, describing the genesis of the work, its performance history, and other fascinating tidbits. A goldmine of information, The Complete Annotated Gilbert & Sullivan will delight the hearts of Savoyards everywhere.
Operetta
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443885088
Category : Music
Languages : en
Pages : 500
Book Description
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The second volume provides a survey of the national schools of Germany, Spain, England, America, the Slavonic countries (especially Russia), Hungary, Italy and Greece. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary. This volume also contains a discography and an index covering both volumes (general entries, singers and theatres).
Publisher: Cambridge Scholars Publishing
ISBN: 1443885088
Category : Music
Languages : en
Pages : 500
Book Description
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The second volume provides a survey of the national schools of Germany, Spain, England, America, the Slavonic countries (especially Russia), Hungary, Italy and Greece. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary. This volume also contains a discography and an index covering both volumes (general entries, singers and theatres).
Crowell's Handbook of Gilbert and Sullivan
Author: Frank Ledlie Moore
Publisher: New York : Crowell
ISBN:
Category : Operas
Languages : en
Pages : 288
Book Description
Includes a detailed synopsis of each operetta, a cast of characters, biographies of William Gilbert, Arthur Sullivan, and Richard D'Oyly Carte, and actual music and lyrics from famous songs.
Publisher: New York : Crowell
ISBN:
Category : Operas
Languages : en
Pages : 288
Book Description
Includes a detailed synopsis of each operetta, a cast of characters, biographies of William Gilbert, Arthur Sullivan, and Richard D'Oyly Carte, and actual music and lyrics from famous songs.
The Mikado, Or, The Town of Titipu
Author: Arthur Sullivan
Publisher:
ISBN:
Category : First loves
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category : First loves
Languages : en
Pages : 96
Book Description