Author: Charles AddamsPublisher:
ISBN:
Category : American wit and humor, Pictorial
Languages : en
Pages : 140
Book Description
Dear Dead Days
Author: Charles AddamsPublisher:
ISBN:
Category : American wit and humor, Pictorial
Languages : en
Pages : 140
Book Description
Dear Dead Days. A Family Album. Chas Addams
Author: Dear Dead Days
Author: Charles AddamsPublisher:
ISBN:
Category : American wit and humor, Pictorial
Languages : en
Pages : 126
Book Description
The Continent
Author: Albion W TourgéeA Book of Dear Dead Women
Author: Edna Worthley UnderwoodPublisher:
ISBN:
Category : American fiction
Languages : en
Pages : 344
Book Description
Dear Dead Days
Author: Jay BarbetteTiny Beautiful Things
Author: Cheryl StrayedPublisher: Vintage
ISBN: 0307949338
Category : Biography & Autobiography
Languages : en
Pages : 370
Book Description
NATIONAL BESTSELLER • Soon to be a Hulu Original series • The internationally acclaimed author of Wild collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor and insight—and absolute honesty—this "wise and compassionate" (New York Times Book Review) book is a balm for everything life throws our way. Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.
Our Dear Dead Drug Lord
Author: Alexis ScheerPublisher: Samuel French, Incorporated
ISBN: 9780573709470
Category :
Languages : en
Pages : 88
Book Description
A gang of teenage girls gathers in an abandoned treehouse to summon the ghost of Pablo Escobar. Are they messing with the actual spirit of the infamous cartel kingpin? Or are they really just messing with each other? A roller coaster ride through the danger and damage of girlhood - the teenage wasteland - has never been so much twisted fun. Critic's Pick! "Highly entertaining - equally funny and scary." - The New York Times Four Stars! "Just when you think you know where the play is heading, there's a disorienting coup de théâtre that leaves you shaken. Our Dear Dead Drug Lord isn't for the faint of heart, but neither is coming of age." - Raven Snook, Time Out Critic's Pick! "Highly entertaining - equally funny and scary - the play starts off as a hoot and winds up a primal scream. They're throwing quite a seance at the McGinn/Cazale Theater." - Ben Brantley, The New York Times "As funny as it is violent and dark... Our Dear Dead Drug Lord is not quiet, small, or apologetic. It is loud and messy and truthful. It is incredibly complicated and a thing of extreme beauty. It is everything in women that society tells them they need to repress, and in this I found it incredibly enjoyable and inspiring." - Brittany Crowell, New York Theatre Guide "The challenges of female adolescence... explored with a remarkably fresh, honest and sometimes hilarious perspective." - Brian Scott Lipton, Theater Pizzazz "Unsettling... Scheer's characters are brilliantly drawn... the work of a born playwright and a unique new voice... As a story of female empowerment, it is both scary and revealing." - Victor Gluck, Theater Scene "An imaginative and ultimately savage new play... An offbeat Mean Girls sort of dramedy that unexpectedly concludes in a violent burst of magical realism." - Michael Sommers, New York Stage Review
Dear Death,
Author: Diane R. ButtonPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Dear Death, written by author and end-of-life doula Diane Button, is an insightful and deeply personal, ground-breaking look at how to really live until the moment you die. Both practical and inspirational, Dear Death explores the "Four Pillars of a Meaningful Life" and what ultimately brings us joy in life and peace in death. How can we heal, change, forgive, and grow, even until the very last hours of life? Through the lens of the aging and the dying, this book explores these important questions, inviting you on a journey that begins right here and now, lasting until the moment you take your final breath.
Music and the Irish Literary Imagination
Author: Harry WhitePublisher: OUP Oxford
ISBN: 0191563161
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W.B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition of speech and song in his poetry, Synge, Shaw and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing. Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin and Janácek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry as music.