Author: Thomas De Quincey
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 222
Book Description
The Suspiria is a collection of prose poems, or what De Quincey called “impassioned prose,” erratically written and published starting in 1854. Each Suspiria is a short essay written in reflection of the opium dreams De Quincey would experience over the course of his lifetime addiction, and they are considered by some critics to be some of the finest examples of prose poetry in all of English literature. De Quincey originally planned them as a sequel of sorts to his Confessions of an English Opium-Eater, but the first set was published separately in Blackwood’s Magazine in the spring and summer of that 1854. De Quincey then published a revised version of those first Suspiria, along with several new ones, in his collected works. During his life he kept a master list of titles of the Suspiria he planned on writing, and completed several more before his death; those that survived time and fire were published posthumously in 1891.
Suspiria de Profundis
Author: Thomas De Quincey
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 222
Book Description
The Suspiria is a collection of prose poems, or what De Quincey called “impassioned prose,” erratically written and published starting in 1854. Each Suspiria is a short essay written in reflection of the opium dreams De Quincey would experience over the course of his lifetime addiction, and they are considered by some critics to be some of the finest examples of prose poetry in all of English literature. De Quincey originally planned them as a sequel of sorts to his Confessions of an English Opium-Eater, but the first set was published separately in Blackwood’s Magazine in the spring and summer of that 1854. De Quincey then published a revised version of those first Suspiria, along with several new ones, in his collected works. During his life he kept a master list of titles of the Suspiria he planned on writing, and completed several more before his death; those that survived time and fire were published posthumously in 1891.
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 222
Book Description
The Suspiria is a collection of prose poems, or what De Quincey called “impassioned prose,” erratically written and published starting in 1854. Each Suspiria is a short essay written in reflection of the opium dreams De Quincey would experience over the course of his lifetime addiction, and they are considered by some critics to be some of the finest examples of prose poetry in all of English literature. De Quincey originally planned them as a sequel of sorts to his Confessions of an English Opium-Eater, but the first set was published separately in Blackwood’s Magazine in the spring and summer of that 1854. De Quincey then published a revised version of those first Suspiria, along with several new ones, in his collected works. During his life he kept a master list of titles of the Suspiria he planned on writing, and completed several more before his death; those that survived time and fire were published posthumously in 1891.
Confessions of an English Opium-Eater
Author: Thomas de Quincey
Publisher: Gottfried & Fritz
ISBN:
Category : Literary Collections
Languages : en
Pages : 110
Book Description
A book about opium usage and the effects of addiction on the authors life.
Publisher: Gottfried & Fritz
ISBN:
Category : Literary Collections
Languages : en
Pages : 110
Book Description
A book about opium usage and the effects of addiction on the authors life.
The Opium-Eater
Author: David Morrell
Publisher: Mulholland Books
ISBN: 0316261386
Category : Fiction
Languages : en
Pages : 81
Book Description
From bestselling thriller author David Morrell comes a brooding Thomas De Quincey short story about the coldest of deaths and their heartbreaking aftermath. Thomas De Quincey -- the central character of Morrell's acclaimed Victorian mysteries, Murder as a Fine Art and Inspector of the Dead -- was one of the most notorious and brilliant literary personalities of the 1800s. His infamous Confessions of an English Opium-Eater made history as the first book about drug dependency. He invented the word "subconscious" and anticipated Freud's psychoanalytic theories by more than a half century. His blood-soaked essays and stories influenced Edgar Allan Poe, who in turn inspired Sir Arthur Conan Doyle to create Sherlock Holmes. But at the core of his literary success lies a terrible tragedy. In this special-edition novella, based on real-life events, Morrell shares De Quincey's story of a horrific snowstorm in which a mother and father died and their six children were trapped in the mountains of England's Lake District. Even more gripping is what happened after. This is the true tale of how Thomas De Quincey became the Opium-Eater, brought to life by award-winning storyteller David Morrell. An afterword contains numerous photographs of the dramatic locations in the story.
Publisher: Mulholland Books
ISBN: 0316261386
Category : Fiction
Languages : en
Pages : 81
Book Description
From bestselling thriller author David Morrell comes a brooding Thomas De Quincey short story about the coldest of deaths and their heartbreaking aftermath. Thomas De Quincey -- the central character of Morrell's acclaimed Victorian mysteries, Murder as a Fine Art and Inspector of the Dead -- was one of the most notorious and brilliant literary personalities of the 1800s. His infamous Confessions of an English Opium-Eater made history as the first book about drug dependency. He invented the word "subconscious" and anticipated Freud's psychoanalytic theories by more than a half century. His blood-soaked essays and stories influenced Edgar Allan Poe, who in turn inspired Sir Arthur Conan Doyle to create Sherlock Holmes. But at the core of his literary success lies a terrible tragedy. In this special-edition novella, based on real-life events, Morrell shares De Quincey's story of a horrific snowstorm in which a mother and father died and their six children were trapped in the mountains of England's Lake District. Even more gripping is what happened after. This is the true tale of how Thomas De Quincey became the Opium-Eater, brought to life by award-winning storyteller David Morrell. An afterword contains numerous photographs of the dramatic locations in the story.
The 100 Best Nonfiction Books of All Time
Author: Robert McCrum
Publisher:
ISBN: 9781903385838
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Beginning in 1611 with the King James Bible and ending in 2014 with Elizabeth Kolbert's 'The Sixth Extinction', this extraordinary voyage through the written treasures of our culture examines universally-acclaimed classics such as Pepys' 'Diaries', Charles Darwin's 'The Origin of Species', Stephen Hawking's 'A Brief History of Time' and a whole host of additional works --
Publisher:
ISBN: 9781903385838
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Beginning in 1611 with the King James Bible and ending in 2014 with Elizabeth Kolbert's 'The Sixth Extinction', this extraordinary voyage through the written treasures of our culture examines universally-acclaimed classics such as Pepys' 'Diaries', Charles Darwin's 'The Origin of Species', Stephen Hawking's 'A Brief History of Time' and a whole host of additional works --
On Murder Considered as One of the Fine Arts
Author: Thomas De Quincey
Publisher: Penguin UK
ISBN: 0141397896
Category : Literary Collections
Languages : en
Pages : 49
Book Description
'People begin to see that something more goes to the composition of a fine murder than two blockheads to kill and be killed - a knife - a purse - and a dark lane...' In this provocative and blackly funny essay, Thomas de Quincey considers murder in a purely aesthetic light and explains how practically every philosopher over the past two hundred years has been murdered - 'insomuch, that if a man calls himself a philosopher, and never had his life attempted, rest assured there is nothing in him'. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Thomas de Quincey (1785-1859). Thomas de Quincey's Confessions and an English Opium-Eater and Other Writings is available in Penguin Classics.
Publisher: Penguin UK
ISBN: 0141397896
Category : Literary Collections
Languages : en
Pages : 49
Book Description
'People begin to see that something more goes to the composition of a fine murder than two blockheads to kill and be killed - a knife - a purse - and a dark lane...' In this provocative and blackly funny essay, Thomas de Quincey considers murder in a purely aesthetic light and explains how practically every philosopher over the past two hundred years has been murdered - 'insomuch, that if a man calls himself a philosopher, and never had his life attempted, rest assured there is nothing in him'. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Thomas de Quincey (1785-1859). Thomas de Quincey's Confessions and an English Opium-Eater and Other Writings is available in Penguin Classics.
De Quincey's Confessions of an English Opium-eater
Author: Thomas De Quincey
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 282
Book Description
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 282
Book Description
Ann of Oxford Street
Author: Thomas De Quincey
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 56
Book Description
A Genealogy of the Modern Self
Author: Alina Clej
Publisher: Stanford University Press
ISBN: 0804780765
Category : Literary Criticism
Languages : en
Pages : 460
Book Description
As this book's title suggests, its main argument is that Thomas De Quincey's literary output, which is both a symptom and an effect of his addictions to opium and writing, plays an important and mostly unacknowledged role in the development of modern and modernist forms of subjectivity. At the same time, the book shows that intoxication, whether in the strict medical sense or in its less technical meaning ("strong excitement," "trance," "ecstasy"), is central to the ways in which modernity, and literary modernity in particular, functions and defines itself. In both its theoretical and practical implications, intoxication symbolizes and often comes to constitute the condition of the alienated artist in the age of the market. The book also offers new readings of the Confessions and some of De Quincey's posthumous writings, as well as an extended analysis of his relatively neglected diary. The discussion of De Quincey's work also elicits new insights into his relationship with William and Dorothy Wordsworth, as well as his imaginary investment in Coleridge.
Publisher: Stanford University Press
ISBN: 0804780765
Category : Literary Criticism
Languages : en
Pages : 460
Book Description
As this book's title suggests, its main argument is that Thomas De Quincey's literary output, which is both a symptom and an effect of his addictions to opium and writing, plays an important and mostly unacknowledged role in the development of modern and modernist forms of subjectivity. At the same time, the book shows that intoxication, whether in the strict medical sense or in its less technical meaning ("strong excitement," "trance," "ecstasy"), is central to the ways in which modernity, and literary modernity in particular, functions and defines itself. In both its theoretical and practical implications, intoxication symbolizes and often comes to constitute the condition of the alienated artist in the age of the market. The book also offers new readings of the Confessions and some of De Quincey's posthumous writings, as well as an extended analysis of his relatively neglected diary. The discussion of De Quincey's work also elicits new insights into his relationship with William and Dorothy Wordsworth, as well as his imaginary investment in Coleridge.
De Quincey's Romanticism
Author: Margaret Russett
Publisher: Cambridge University Press
ISBN: 9780521572361
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Margaret Russett uses the example of Thomas De Quincey, the nineteenth-century essayist best remembered for his Confessions of an English Opium-Eater and his memoirs of Wordsworth and Coleridge, to examine the idea of the 'minor' author, and how it is related to what we now call the Romantic canon. The case of De Quincey, neither a canonical figure nor a disenfranchised marginal author, offers a point of access to specifically Romantic problems of literary transmission and periodization. Taking an intertextual approach, Russett situates De Quincey's career against the works of Wordsworth and Coleridge; the essays of Lamb, Hazlitt, and other writers for the London Magazine; and discourses of ethics and political economy which are central to the problem of determining literary value. De Quincey's Romanticism shows how De Quincey helped to shape the canon by which his career was defined.
Publisher: Cambridge University Press
ISBN: 9780521572361
Category : Literary Criticism
Languages : en
Pages : 318
Book Description
Margaret Russett uses the example of Thomas De Quincey, the nineteenth-century essayist best remembered for his Confessions of an English Opium-Eater and his memoirs of Wordsworth and Coleridge, to examine the idea of the 'minor' author, and how it is related to what we now call the Romantic canon. The case of De Quincey, neither a canonical figure nor a disenfranchised marginal author, offers a point of access to specifically Romantic problems of literary transmission and periodization. Taking an intertextual approach, Russett situates De Quincey's career against the works of Wordsworth and Coleridge; the essays of Lamb, Hazlitt, and other writers for the London Magazine; and discourses of ethics and political economy which are central to the problem of determining literary value. De Quincey's Romanticism shows how De Quincey helped to shape the canon by which his career was defined.
The Infection of Thomas De Quincey
Author: John Barrell
Publisher: Yale University Press
ISBN: 9780300049329
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
Thomas De Quincey, best known for his book Confessions of an English Opium Eater, was a journalist and propagandist of Empire, of oriental aggression, and of racial paranoia. The greater part of the fourteen volumes of his collected writings concerns the history, the colonial development, and increasingly the threat presented by the Orient in all its manifestations--human, animal, and microbiological. This remarkable book, which is an account of De Quincey's fears of all things oriental, is also an extraordinary analysis of the psychopathology of mid-Victorian imperialist culture. John Barrell paints a picture of De Quincey as a happy family man, apparently at ease with himself and with the rest of the world, but in fact harboring and expressing the most ferocious and brutal denunciation of Orientals of all kinds and dreaming of exacting from them a terrible retribution. Barrell shows that throughout De Quincey's writings there is a repeated story of the murder or violation of a female victim--either within or outside De Quincey's family--by an oriental criminal This story finds its way into almost everything he wrote: the various versions of his autobiography, his novels and short stories, his biographical and critical writings, his essays on politics, history, and science. Barrell attempts to understand this European terror of the East by an approach that is both historical and psychoanalytic. In particular, he explores the relation between childhood anxiety and imperial guilt in a body of writing in which the fear of violence within the family is imaged as a fear of the oriental, and the private and the public, the sexual and the imperial, the feminine and the exotic are endlessly intertwined. This book will be fascinating reading for those interested in Victorian literature, in psychoanalysis and its relation to literature, in the history of imperialism, and in debates about the characteristics and effects of colonial discourse.
Publisher: Yale University Press
ISBN: 9780300049329
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
Thomas De Quincey, best known for his book Confessions of an English Opium Eater, was a journalist and propagandist of Empire, of oriental aggression, and of racial paranoia. The greater part of the fourteen volumes of his collected writings concerns the history, the colonial development, and increasingly the threat presented by the Orient in all its manifestations--human, animal, and microbiological. This remarkable book, which is an account of De Quincey's fears of all things oriental, is also an extraordinary analysis of the psychopathology of mid-Victorian imperialist culture. John Barrell paints a picture of De Quincey as a happy family man, apparently at ease with himself and with the rest of the world, but in fact harboring and expressing the most ferocious and brutal denunciation of Orientals of all kinds and dreaming of exacting from them a terrible retribution. Barrell shows that throughout De Quincey's writings there is a repeated story of the murder or violation of a female victim--either within or outside De Quincey's family--by an oriental criminal This story finds its way into almost everything he wrote: the various versions of his autobiography, his novels and short stories, his biographical and critical writings, his essays on politics, history, and science. Barrell attempts to understand this European terror of the East by an approach that is both historical and psychoanalytic. In particular, he explores the relation between childhood anxiety and imperial guilt in a body of writing in which the fear of violence within the family is imaged as a fear of the oriental, and the private and the public, the sexual and the imperial, the feminine and the exotic are endlessly intertwined. This book will be fascinating reading for those interested in Victorian literature, in psychoanalysis and its relation to literature, in the history of imperialism, and in debates about the characteristics and effects of colonial discourse.