De la musique avant toute chose PDF Download

Author: Elizabeth Przybylski
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Paul Verlaine
Publisher: Oxford Paperbacks
ISBN: 0199554013
Category : Poetry
Languages : en
Pages : 368

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Book Description
`Verlaine, possessed by the madnesses of love, brimming over with desires and prayers, the rebel railing against the complacent platitudes of society, of love, of language'. Jean Rousselot Verlaine ranks alongside Baudelaire, Mallarmé, and Rimbaud as one of the most outstanding poets of late nineteenth-century France whose work is associated with the early Symbolists, the Decadents, and the Parnassiens. Remarkable not only for his delicacy and exquisitely crafted verse, Verlaine is also the poet of strong emotions and appetites, with an unrivalled gift for the sheer music of poetry, and an inventive approach to its technique. This bilingual edition provides the most comprehensive selection of his poetry yet, offering some 170 poems in lively and fresh translations and providing a lucid introduction which illuminates Verlaine's poetic form within the context of French Impressionism and the poetry of sensation. Parallel text ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Author: Barbara Meister
Publisher: Indiana University Press
ISBN: 9780253211750
Category : Music
Languages : en
Pages : 420

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Book Description
"Song by song, this comprehensive study addresses each composer's complete works for solo voice and piano. When necessary, errors in popular published editions are pointed out and corrected. For each song, the full French text is given, followed by Barbara Meister's translation."--Page 4 of cover.

Author: Elizabeth McCombie
Publisher: Oxford University Press
ISBN: 9780199266371
Category : Literary Criticism
Languages : en
Pages : 246

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Book Description
This book examines afresh the web of similarities and differences between music and poetry using works by Mallarm and Debussy as case studies. It challenges the easy metaphorical impressionism that has characterized much of the scholarly literature to date. Analyzing Mallarm 's vision of a shared musico-poetic aesthetic, Elizabeth McCombie derives a set of performative structural motifs, analytical tools that express our experience of the two arts and their middle ground.

Author:
Publisher: Odile Jacob
ISBN: 2738172202
Category :
Languages : en
Pages : 298

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Author: Douglas W. Alden
Publisher: Susquehanna University Press
ISBN: 9780945636861
Category : Reference
Languages : en
Pages : 564

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This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.

Author:
Publisher:
ISBN:
Category : England
Languages : en
Pages : 1468

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Author: A.E. Carter
Publisher: University of Toronto Press
ISBN: 1442654473
Category : Biography & Autobiography
Languages : en
Pages : 255

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The contradictions of Verlaine's nature are mirrored in his verse, which is alternately mystic, sensuous, exquisite and prosaic. He had extraordinary lyric powers; he was a master of eerie harmonies such as few other poets have achieved, and, in Sagesse, he produced religious verse which challenges comparison with the very best of its kind. Yet here and there can be found a curious weakening in the texture of thought and inspiration: he turns and twists, takes flight, seeks reassurance in platitude and convention – marriage, dogmatic theology, reactionary political creeds. He is even capable of lamenting (as Rimbaud shows him in Une Saison en Enfer) the emotional and poetic experiments which give his work its supreme value. It is almost as though he were afraid of his own talent. The explanation, as far as there is one, lies in a combination of personality and circumstance. This biography attempts to explore the "parallels" (Verlaine's own term) between his life and his poetry. Nearly everything he produced, whether good or bad, was a reflection of some crisis of thought or feeling. No one demonstrates better than Verlaine the antinomies between the artist and his work, between the man and the genius; and in every case we are obliged to admit that the one explains the other. Without the weakness and the squalor we might indeed have had a rational human being and a good husband for Mathilde Mauté, but we should have had no poet, or no poet like Paul Verlaine. Professor Carter concentrates on the combination of Verlaine's personality and experiences that produced some of the most brilliant poetry in the French language. The result is one of the best critical biographies of Verlaine published to date.

Author: Arthur Wenk
Publisher: Univ of California Press
ISBN: 9780520028272
Category : Music
Languages : en
Pages : 358

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Book Description
Paul Dukas wrote about Debussy that the strongest influence he experienced was that of the poets, not that of the musicians. This book undertakes to demonstrate that thesis by studying Debussy's settings of songs by Banville, Verlaine, Baudelaire, Mallarmé, Louÿs, and Debussy himself. A particular insight may be gained in the comparison of six poems by Verlaine set to music by both Fauré and Debussy. The book includes a poetic/musical analysis of Debussy's Prelude to the Afternoon of a Faun, based on the poem by Mallarmé.

Author: Herbert H. Hoffman
Publisher: Scarecrow Press
ISBN: 9780810818316
Category : Literary Criticism
Languages : en
Pages : 694

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