Author: Renaissance Society of America (New York, City of)Publisher: Burns & Oates
ISBN: 9780804416863
Category : Education, Humanistic
Languages : en
Pages : 216
Book Description
De Fructu Qui Ex Doctrina Percipitur
Author: Renaissance Society of America (New York, City of)Publisher: Burns & Oates
ISBN: 9780804416863
Category : Education, Humanistic
Languages : en
Pages : 216
Book Description
De Fructu Qui Ex Doctrina Percipitur; the Benefit of a Liberal Education
Author: Richard PacePublisher:
ISBN:
Category : Education
Languages : en
Pages : 224
Book Description
R. Pacei ... de Fructu Qui Ex Doctrina Percipitur, Liber. [With a Preliminary Epistle by P. Bombasius.].
![R. Pacei ... de Fructu Qui Ex Doctrina Percipitur, Liber. [With a Preliminary Epistle by P. Bombasius.]. PDF](https://books.google.com/books/content/images/frontcover/OJIBoQEACAAJ?fife=w80-h100)
Author: Richard PACE (Dean of St. Paul's.)Publisher:
ISBN:
Category :
Languages : en
Pages : 114
Book Description
The Life of Sir Thomas More
Author: Cresacre MorePublisher:
ISBN:
Category : Christian martyrs
Languages : en
Pages : 470
Book Description
The Early Tudor Court and International Musical Relations
Author: Theodor DumitrescuPublisher: Routledge
ISBN: 1351544950
Category : Music
Languages : en
Pages : 392
Book Description
Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
De fructu qui ex doctrina percipitur (the benefit of ...).
Author: Richard Pace ((ca.))The Places of Early Modern Criticism
Author: Gavin AlexanderPublisher: Oxford University Press
ISBN: 0192571737
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
What is criticism? And where is it to be found? Thinking about literature and the visual arts is found in many places - in treatises, apologies, and paragoni; in prefaces, letters, and essays; in commentaries, editions, reading notes, and commonplace books; in images, sculptures, and built spaces; within or on the thresholds of works of poetry and visual art. It is situated between different disciplines and methods. Critical ideas and methods come into England from other countries, and take root in particular locations - the court, the Inns of Court, the theatre, the great house, the printer's shop, the university. The practice of criticism is transplanted to the Americas and attempts to articulate the place of poetry in a new world. And commonplaces of classical poetics and rhetoric serve both to connect and to measure the space between different critical discourses. Tracing the history of the development of early modern thinking about literature and the visual arts requires consideration of various kinds of place - material, textual, geographical - and the practices particular to those places; it also requires that those different places be brought into dialogue with each other. This book brings together scholars working in departments of English, modern languages, and art history to look at the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history.
Religious Identities in Henry VIII's England
Author: Peter MarshallPublisher: Routledge
ISBN: 1317066936
Category : History
Languages : en
Pages : 315
Book Description
Henry VIII's decision to declare himself supreme head of the church in England, and thereby set himself in opposition to the authority of the papacy, had momentous consequences for the country and his subjects. At a stroke people were forced to reconsider assumptions about their identity and loyalties, in rapidly shifting political and theological circumstances. Whilst many studies have investigated Catholic and Protestant identities during the reigns of Elizabeth and Mary, much less is understood about the processes of religious identity-formation during Henry's reign.
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