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El Teatro Pánico de Fernando Arrabal

El Teatro Pánico de Fernando Arrabal PDF Author: Diego Santos Sánchez
Publisher: Boydell & Brewer Ltd
ISBN: 1855662418
Category : Drama
Languages : en
Pages : 212

Book Description
Este libro es el primero en examinar lo radicalmente nuevo y desafiante Teatro Pánico, un grupo de obras compuestas por Arrabal entre 1957 y 1966, en el apogeo del movimiento avant-garde. ENGLISH VERSION This book is the first to examine closely the radically new and challenging Panic Theatre, a group of plays composed by Arrabal between 1957 and 1966, at the zenith of the avant-garde movement. El presente libro estudia el Teatro Pánico de Fernando Arrabal, un conjunto de textos concebidos durante los primeros años del autor en París, entre 1957 y 1966. Escritas en el momento de mayor auge de la vanguardia, las obras vehiculan una teatralidad radicalmente innovadora cuya piedra angular la constituye el lenguaje ceremonial. La ceremonia pánica que subyace a toda esa dramaturgia es objeto de un profundo análisis a la luz de Le Panique, texto programático del propio Arrabal en que el autor identifica los tres conceptos que desencadenan la creación artística: memoria, azar y confusión. El estudio se detiene en los procesos por los que la memoria determina que las obras abandonen la mímesis, y el azar articula los materiales recuperados de la memoria en tramas y estructuras hilvanadas con gran precisión. Asimismo se incide en cómo los sujetos, objetos, marcos espacio-temporales y palabras se ven sometidos a un proceso de confusión que genera una forma teatral absolutamente innovadora. El concepto de lo pánico, situado en el epicentro de esta experimentación formal, dota de coherencia y unicidad teórica a este aparentementeheterogéneo grupo de obras. Diego Santos Sánchez es Alexander von Humboldt Fellow en la Humboldt-Universität en Berlin. ENGLISH VERSION The Panic Theatre is a set of plays conceived by Fernando Arrabal between1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatic text Le Panique, that singles out three key concepts responsible for artistic creation: memory, chance and confusion. This study shows how memory determines the plays' departure from mimesis and how chance articulates the materials recalled from memory into precisely arranged plots. Furthermore, subjects, objects, spatial-temporal frames and words are subject to confusion, inan attempt to create an utterly innovative form of theatre. This group of seemingly heterogeneous plays is given theoretical coherence and consistency by placing the idea of panic at the centre of a great formal experimentation. Diego Santos Sánchez is an Alexander von Humboldt Fellow at Humboldt-Universität in Berlin.

El Teatro Pánico de Fernando Arrabal

El Teatro Pánico de Fernando Arrabal PDF Author: Diego Santos Sánchez
Publisher: Boydell & Brewer Ltd
ISBN: 1855662418
Category : Drama
Languages : en
Pages : 212

Book Description
Este libro es el primero en examinar lo radicalmente nuevo y desafiante Teatro Pánico, un grupo de obras compuestas por Arrabal entre 1957 y 1966, en el apogeo del movimiento avant-garde. ENGLISH VERSION This book is the first to examine closely the radically new and challenging Panic Theatre, a group of plays composed by Arrabal between 1957 and 1966, at the zenith of the avant-garde movement. El presente libro estudia el Teatro Pánico de Fernando Arrabal, un conjunto de textos concebidos durante los primeros años del autor en París, entre 1957 y 1966. Escritas en el momento de mayor auge de la vanguardia, las obras vehiculan una teatralidad radicalmente innovadora cuya piedra angular la constituye el lenguaje ceremonial. La ceremonia pánica que subyace a toda esa dramaturgia es objeto de un profundo análisis a la luz de Le Panique, texto programático del propio Arrabal en que el autor identifica los tres conceptos que desencadenan la creación artística: memoria, azar y confusión. El estudio se detiene en los procesos por los que la memoria determina que las obras abandonen la mímesis, y el azar articula los materiales recuperados de la memoria en tramas y estructuras hilvanadas con gran precisión. Asimismo se incide en cómo los sujetos, objetos, marcos espacio-temporales y palabras se ven sometidos a un proceso de confusión que genera una forma teatral absolutamente innovadora. El concepto de lo pánico, situado en el epicentro de esta experimentación formal, dota de coherencia y unicidad teórica a este aparentementeheterogéneo grupo de obras. Diego Santos Sánchez es Alexander von Humboldt Fellow en la Humboldt-Universität en Berlin. ENGLISH VERSION The Panic Theatre is a set of plays conceived by Fernando Arrabal between1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatic text Le Panique, that singles out three key concepts responsible for artistic creation: memory, chance and confusion. This study shows how memory determines the plays' departure from mimesis and how chance articulates the materials recalled from memory into precisely arranged plots. Furthermore, subjects, objects, spatial-temporal frames and words are subject to confusion, inan attempt to create an utterly innovative form of theatre. This group of seemingly heterogeneous plays is given theoretical coherence and consistency by placing the idea of panic at the centre of a great formal experimentation. Diego Santos Sánchez is an Alexander von Humboldt Fellow at Humboldt-Universität in Berlin.

Theatre of the Sphere

Theatre of the Sphere PDF Author: Luis Valdez
Publisher: Routledge
ISBN: 1000398676
Category : Performing Arts
Languages : en
Pages : 156

Book Description
Theatre of the Sphere is Luis Valdez’s exploration of the principles that underlie his innovations as a playwright, teacher, and theatrical innovator. He discusses the unique aesthetic, more than five decades in the making, that defines the work of his group El Teatro Campesino—from shows staged on the backs of flatbed trucks by the participants in the Delano Grape Strike of the 1960s to international megahits like Zoot Suit. Opening with a history of El Teatro Campesino, rich with Valdez’s insights and remembrances, the book’s first part provides context for the development of the Theatre of the Sphere acting method. The second part delivers the conceptual framework for Valdez’s acting theory and practice, situating it in Mayan mathematics and metaphysics. The third part of the book applies this methodology to describe the "viente pasos," the 20-element exercise sequence that comprises the core practice of El Teatro Campesino—strengthening the body, balance, precision, and flexibility but also leadership, collaboration, observation, vulnerability, trust, and expression of passion; of consciousness of time, place, self, community, language, and belief; of honour, faith, morality, and commitment. The book concludes with the full text of Valdez’s poem, "El Buen Actor/El Mal Actor," and a comprehensive bibliography for further study. This is a vital and indispensable text for today’s actor, as well as scholars and students of contemporary theatre, American and Chicano performance, and the process of theatre-making, actor training, and community performance.

El Teatro Campesino

El Teatro Campesino PDF Author: Yolanda Broyles-González
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 312

Book Description
This pioneering work demythologizes and reinterprets the company's history from its origins in California's farm labor struggles to its successes in Europe and on Broadway until the disbanding of the original collective ensemble in 1980 with the subsequent adoption of mainstream production practices.

El Teatro

El Teatro PDF Author: Guillermo Díaz-Plaja
Publisher:
ISBN:
Category : Drama
Languages : es
Pages : 772

Book Description


El teatro por dentro, estudios del natural

El teatro por dentro, estudios del natural PDF Author: Eduardo Saco
Publisher:
ISBN:
Category : Theater
Languages : es
Pages : 342

Book Description


World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre PDF Author: Don Rubin
Publisher: Routledge
ISBN: 1136359214
Category : Performing Arts
Languages : en
Pages : 641

Book Description
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.

El Arte de el teatro

El Arte de el teatro PDF Author:
Publisher:
ISBN:
Category : Theater
Languages : es
Pages : 172

Book Description


El teatro y sus enemigos

El teatro y sus enemigos PDF Author: Enrique Díez-Canedo
Publisher:
ISBN:
Category : Drama
Languages : es
Pages : 176

Book Description


Perspectivas de la comedia: Colección de ensayos sobre el teatro de Lope, G. de Castro, Calderón y otros

Perspectivas de la comedia: Colección de ensayos sobre el teatro de Lope, G. de Castro, Calderón y otros PDF Author:
Publisher:
ISBN:
Category : Spanish drama
Languages : en
Pages : 150

Book Description


El Teatro, ó sea, El origen de la tragedia, comedia, opera y baile

El Teatro, ó sea, El origen de la tragedia, comedia, opera y baile PDF Author:
Publisher:
ISBN:
Category : Actors i actrius
Languages : es
Pages : 130

Book Description