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Author: Hans Vlieghe Publisher: Brepols Publishers ISBN: 9782503536774 Category : Engraving, Dutch Languages : en Pages : 0
Book Description
Despite the fact that David Teniers the Younger has always been considered one of the most important and prolific Flemish painters of the seventeenth-century, no critical biography of the artist exists which draws on the comprehensive documentary evidence of his life and work. Hans Vlieghe's monograph aims to fill this gap. Based on the corpus of all known documentary sources as well as some newly discovered ones, this book traces the path of Teniers's success and provides a detailed survey of his relations with his patrons and clientele, while also illuminating his studio practice and associations with fellow artists in Antwerp and Brussels. The author in addition examines Teniers's manifold activities against the background of his ever-changing social and familial context. The resulting analysis draws a picture of a painter who came from the artistic milieu of Antwerp, yet deliberately made different choices from those of his father, from whom the young Teniers received his initial training. In order to meet changing tastes and satisfy the demands of the market, and following the example of Adriaen Brouwer, Teniers quickly acquired a reputation as a painter of low-life genre scenes. Vlieghe goes on to clarify how Teniers rose to become court painter to the Habsburg governors in Brussels, and the means used by the artist to achieve greater social recognition, which included extensive self-representation and considerable conspicuous consumption. Teniers's later years were marred by difficulties, brought on by his diminishing success as an artist and by financial difficulties with his children. Vlieghe shows how these circumstances led to Teniers dying in rather deplorable circumstances.
Author: Hans Vlieghe Publisher: Brepols Publishers ISBN: 9782503536774 Category : Engraving, Dutch Languages : en Pages : 0
Book Description
Despite the fact that David Teniers the Younger has always been considered one of the most important and prolific Flemish painters of the seventeenth-century, no critical biography of the artist exists which draws on the comprehensive documentary evidence of his life and work. Hans Vlieghe's monograph aims to fill this gap. Based on the corpus of all known documentary sources as well as some newly discovered ones, this book traces the path of Teniers's success and provides a detailed survey of his relations with his patrons and clientele, while also illuminating his studio practice and associations with fellow artists in Antwerp and Brussels. The author in addition examines Teniers's manifold activities against the background of his ever-changing social and familial context. The resulting analysis draws a picture of a painter who came from the artistic milieu of Antwerp, yet deliberately made different choices from those of his father, from whom the young Teniers received his initial training. In order to meet changing tastes and satisfy the demands of the market, and following the example of Adriaen Brouwer, Teniers quickly acquired a reputation as a painter of low-life genre scenes. Vlieghe goes on to clarify how Teniers rose to become court painter to the Habsburg governors in Brussels, and the means used by the artist to achieve greater social recognition, which included extensive self-representation and considerable conspicuous consumption. Teniers's later years were marred by difficulties, brought on by his diminishing success as an artist and by financial difficulties with his children. Vlieghe shows how these circumstances led to Teniers dying in rather deplorable circumstances.
Author: Margret Klinge Publisher: Paul Holberton Publishing ISBN: Category : Art Languages : en Pages : 144
Book Description
This is an overdue investigation into one of the most remarkable artistic enterprises of the seventeenth century, David Teniers the Younger's publication in 1660 of the magnificent Theatrum Pictorium or Theatre of Painting, the first illustrated and printed collection catalogue. This book provides a detailed and richly layered account of this extraordinary project. In 1651, David Teniers (1610-1690) was appointed painter to the Brussels court of Archduke Leopold Wilhelm, Governor of the Hapsburg Netherlands and owner of one of the finest princely collections in Europe, which now forms the core of the Kunsthistorisches Museum. Teniers first documented this collection in a series of detailed views of the interior of the Archduke's picture gallery. But his far more ambitious project was a lavishly illustrated single-volume catalogue of 243 of the Archduke's Italian paintings. Fundamental to the project was Tenier's production of small copies in oil of each of the selected paintings for use by the Theatrum's engravers, many of which are illustrated in this book.
Author: Jane P. Davidson Publisher: Routledge ISBN: 042972778X Category : Biography & Autobiography Languages : en Pages : 181
Book Description
For some time there has existed a need for a new account of the life and stylistic development of David Teniers the Younger (1610-1690). This need is made all the more obvious by the fact that Adolf Rosenberg's book, writ-ten in 1898, remains a most complete study of Teniers. 1 De Peyre's Biogra-phie Critique of 1910 added little information not already published by Rosenberg.2 A number of recent articles have dealt with various aspects of Teniers's life or style, but none has been entirely satisfactory. 5 Some are incomplete; others contain errors gleaned from earlier sources. None has dealt with the artist's stylistic evolution from his early works to the works of the mature Teniers.
Author: Wolfram Koeppe Publisher: Metropolitan Museum of Art ISBN: 1588396770 Category : Art Languages : en Pages : 315
Book Description
Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.
Author: Emile Michel Publisher: Parkstone International ISBN: 1780429886 Category : Art Languages : en Pages : 256
Book Description
Pieter Brueghel was the first important member of a family of artists who were active for four generations. Firstly a drawer before becoming a painter later, he painted religious themes, such as Babel Tower, with very bright colours. Influenced by Hieronymus Bosch, he painted large, complex scenes of peasant life and scripture or spiritual allegories, often with crowds of subjects performing a variety of acts, yet his scenes are unified with an informal integrity and often with wit. In his work, he brought a new humanising spirit. Befriending the Humanists, Brueghel composed true philosophical landscapes in the heart of which man accepts passively his fate, caught in the track of time.
Author: Susan Merriam Publisher: Routledge ISBN: 1351549073 Category : Art Languages : en Pages : 214
Book Description
Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.
Author: Antoine Watteau Publisher: Metropolitan Museum of Art ISBN: 1588393356 Category : Artists and theater Languages : en Pages : 162
Book Description
"Accompanying an exhibition in honor of Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, this engaging book examines the influence of music and theater on the art of Jean-Antoine Watteau (1684-1721). Fifteen major paintings and a number of drawings by Watteau that illustrate the connections between painting and the performing arts in Paris are explored. In addition, drawings and prints by other 18th-century artists featuring musical or theatrical subjects and objects and musical instruments are included."--Publisher description.
Author: Maria H. Loh Publisher: Getty Publications ISBN: 089236873X Category : Imitation in art Languages : en Pages : 218
Book Description
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Author: Metropolitan Museum of Art. Robert Lehman Collection Publisher: Metropolitan Museum of Art ISBN: 0870998811 Category : Languages : en Pages : 257
Author: Koenraad Brosens Publisher: Brepols Publishers ISBN: 9782503542270 Category : Art, Belgian Languages : en Pages : 0
Book Description
Contents: Hessel Miedema, Kinship and Network in Karel van Mander; Axel Marx, Why Social Network Analysis Might Be Relevant for Art Historians: a Management Perspective; Koenraad Brosens, Can Tapestry Research Benefit from Economic Sociology and Social Network Analysis?; Neil De Marchi and Hans J. Van Miegroet, Uncertainty, Family Ties and Derivative Painting in Seventeenth-Century Antwerp; Rudi Ekkart, Dutch Family Ties: Painter Families in Seventeenth-Century Holland; Brecht Dewilde, On Noble Artists and Poor Painters: Networking Artists in Renaissance Bruges; Natasja Peeters, From Nicolaas to Constantijn: the Francken Family and their Rich Artistic Heritage (c. 1550-1717); Miroslav Kindl, The De Herdt (De Harde) Family in the Service of Emperor Leopold in Vienna; Nils Buttner, Rubens & Son; Jeremy Howarth, The Steenwyck Paintings, Products of Family Enterprise; Hans Vlieghe, Going their Separate Ways: the Artistic Inclinations and Paths of David Teniers I, II and III; Prisca Valkeneers, Justus van Egmont (1602-1674) and his Workshop in Paris; Bert Timmermans, 'Siet wat een vrucht dat baert hen kercken te vercieren'. Family, Agency and Networks of Patronage: towards a Mapping of the Revival of the Family Chapel in Seventeenth-Century Antwerp; Alison Stoesser, Lucas and Cornelis de Wael: their Family Network in Antwerp and Beyond.
Author: Hans Vlieghe
Author: Hans Vlieghe
Author: Margret Klinge
Author: Jane P. Davidson
Author: Wolfram Koeppe
Author: Emile Michel
Author: Susan Merriam
Author: Antoine Watteau
Author: Maria H. Loh
Author: Metropolitan Museum of Art. Robert Lehman Collection
Author: Koenraad Brosens