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Author: David Rosetzky Publisher: ISBN: 9780648489948 Category : Photobooks Languages : en Pages : 0
Book Description
This exquisite limited-edition book, designed by Anna Zagala/Sweet Polka brings together 45 photographs by artist David Rosetzky accompanied by an essay from Dr Shaune Lakin, Senior Curator of Photography at the National Gallery of Australia, and a Q & A between David Rosetzky and fellow artist Hoda Afshar.Rosetzky's use of the double-exposure results in a single, combined image that is created through a process of chance - and the random placement of pictorial elements within the frame. This process enables the artist a fluid and hybrid approach to representation - and is suggestive of relative and shifting states of being and ways of looking that extends beyond conventional portrait formats. This ongoing series explores new ways of representing queer, non-binary, and marginal identities through photography.
Author: David Rosetzky Publisher: ISBN: 9780648489948 Category : Photobooks Languages : en Pages : 0
Book Description
This exquisite limited-edition book, designed by Anna Zagala/Sweet Polka brings together 45 photographs by artist David Rosetzky accompanied by an essay from Dr Shaune Lakin, Senior Curator of Photography at the National Gallery of Australia, and a Q & A between David Rosetzky and fellow artist Hoda Afshar.Rosetzky's use of the double-exposure results in a single, combined image that is created through a process of chance - and the random placement of pictorial elements within the frame. This process enables the artist a fluid and hybrid approach to representation - and is suggestive of relative and shifting states of being and ways of looking that extends beyond conventional portrait formats. This ongoing series explores new ways of representing queer, non-binary, and marginal identities through photography.
Author: Publisher: ISBN: Category : Art Languages : en Pages : 368
Book Description
Current: Contemporary Art From Australia and New Zealand is the first comprehensive survey of all that is cutting edge in Australian and New Zealand contemporary practice. In a landmark publication, the book features eighty artists, carefully chosen to best reflect the vibrancy of art of the moment. While Current could be seen as a hot list of contemporary taste in the tradition of Taschen's Art Now, inclusivity is the book's abiding theme. Current is also underpinned by scholarship with commissioned essays by the region's leading writers and curators. Current's beautifully designed pages are filled with many names familiar to followers of contemporary art - including Paddy Bedford, Simryn Gill, Ah Xian, Tracey Moffatt, Shaun Gladwell and Del Kathryn Barton - along with some of the region's freshest new talents, such as Benjamin Armstrong, Monica Tichacek, Rohan Wealleans, Francis Upritchard and Sean Cordeiro & Claire Healy, whose photograph of the contents of a German apartment wrapped in orange twine graces the book's front cover. Current captures the unique essence of contemporary practice in Australia and New Zealand, charged with the dynamic between Indigenous, western and Asian cultures. The eighty selected artists encompass a diversity of culture and subject and employ every available medium, from painting, photography and performance to installation and video art. Current's contextual essays are written by leading authorities in their fields, including Robert Leonard, Victoria Lynn, Justin Paton, Rachel Kent, Nick Waterlow and Brenda L. Croft, who has convened an important roundtable of Indigenous curators to explore the question of the contemporary within Aboriginal art.
Author: Victoria Wynne-Jones Publisher: Springer Nature ISBN: 3030405850 Category : Performing Arts Languages : en Pages : 255
Book Description
This book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.
Author: Cyrus Manasseh Publisher: Cambria Press ISBN: 1604976500 Category : Art Languages : en Pages : 278
Book Description
Cyrus Manasseh is an academic, writer, and editor. He holds a PhD from the University of Western Australia in art history and philosophy and a BA (Hons.) from the University of Reading, England, in film and drama and art history. Dr. Manasseh is an associate editor for Design Principles and Practices: An International Journal and The International Journal of the Arts in Society. He has also published articles in The International Journal of the Arts in Society, The Melbourne Art Journal, and other academic journals and conference proceedings in the field of visual arts. --Book Jacket.
Author: Silvia Anna Barillà Publisher: Hatje Cantz Verlag ISBN: 3775749039 Category : Art Languages : en Pages : 257
Book Description
The revised and expanded BMW Art Guide by Independent Collectors presents 256 private collections of contemporary art accessible to the public—large and small, famous and still undiscovered. Succinct portraits of the collections with countless color illustrations take the reader to more than forty countries, often to regions or urban districts that are off the beaten path. This practical guide is a collaborative publication stemming from the partnership between BMW and Independent Collectors, the international online network for collectors of contemporary art. Collectors, gallerists, artists, and journalists assisted in the extensive research and revision of this unique standard work. To date, neither the internet nor any book has ever contained a comparable assembly of international private collections, including several that have opened their doors to art lovers and connoisseurs for the first time. (German edition ISBN 978-3-7757-4144-6) Collections featured (selection): Museum of Old and New Art (MONA), White Rabbit – Contemporary Chinese Art Collection, Lyon Housemuseum, Museum Liaunig, Maison Particulière, Vanhaerents Art Collection, Herbert Foundation, Verbeke Foundation, Inhotim – Instituto de Arte Contemporânea & Jardim Botânico, Rennie Collection at Wing Sang, M Woods, Collection Lambert, Peyrassol – Parc de Sculptures, La Maison Rouge, Rosenblum Collection, Museum Frieder Burda, Sammlung Boros, Sammlung Barbara und Axel Haubrok - Haubrokprojects, Sammlung Hoffmann, Museum Biedermann, Julia Stoschek Collection, Sammlung Goetz, The Walther Collection, Schauwerk Sindelfingen, Sammlung Schroth, Sammlung Grässlin – Kunstraum Grässlin & Räume für Kunst, Das Maximum - KunstGegenwart, Jupiter Artland, Saatchi Gallery, Zabludowicz Collection, Deste Foundation for Contemporary Art, Devi Art Foundation, Il Giardino dei Lauri, Collezione Gori – Fattoria di Celle, Fondazione Sandretto Re Rebaudengo, La Colección Júmex, Art Stations Foundation, The Hess Art Collection, Fundació Suñol, Centro de Artes Visuales Fundación - Helga de Alvear, Fondation Beyeler, Nesrin Esirtgen Collection, Pizzuti Collection, Girls' Club, The Menil Collection, de la Cruz Collection Contemporary Art Space, The Margulies Collection at the Warehouse, Rubell Family, Collection and Contemporary Arts Foundation
Author: Erin Brannigan Publisher: University of Michigan Press ISBN: 0472903896 Category : Performing Arts Languages : en Pages : 375
Book Description
There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau, The Persistence of Dance traces the relationship between the third-wave and gallery-based work. Looking at these artists highlights how the discussions and practices associated with “conceptual dance” resonate with the categories of conceptual and post-conceptual art as well as with the critical work on the function of visual art categories. Brannigan concludes that within the current post-disciplinary context, there is a persistence of dance and that a model of post-dance exists that encompasses dance as a contemporary art medium.
Author: David Rosetzky
Author: David Rosetzky
Author: David Rosetzky
Author: 
Author: Victoria Wynne-Jones
Author: David Rosetzky
Author: Elena Galimberti
Author: Cyrus Manasseh
Author: Carole Bois de Chesne
Author: Silvia Anna Barillà
Author: Erin Brannigan