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Author: Norman S. Poser Publisher: Routledge ISBN: 0429820038 Category : Performing Arts Languages : en Pages : 305
Book Description
The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick is a vivid description of the eighteenth-century London theatre scene—a time when the theatre took on many of the features of our modern stage. A natural and psychologically based acting style replaced the declamatory style of an earlier age. The theatres were mainly supported by paying audiences, no longer by royal or noble patrons. The press determined the success or failure of a play or a performance. Actors were no longer shunned by polite society, some becoming celebrities in the modern sense. The dominant figure for thirty years was David Garrick, actor, theatre manager and playwright, who, off the stage, charmed London with his energy, playfulness, and social graces. No less important in defining eighteenth-century theatre were its audiences, who considered themselves full-scale participants in theatrical performances; if they did not care for a play, an actor, or ticket prices, they would loudly make their wishes known, sometimes starting a riot. This book recounts the lives—and occasionally the scandals—of the actors and theatre managers and weaves them into the larger story of the theatre in this exuberant age, setting the London stage and its leading personalities against the background of the important social, cultural, and economic changes that shaped eighteenth-century Britain. The Birth of Modern Theatre brings all of this together to describe a moment in history that sowed the seeds of today’s stage.
Author: Norman S. Poser Publisher: Routledge ISBN: 0429820038 Category : Performing Arts Languages : en Pages : 305
Book Description
The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick is a vivid description of the eighteenth-century London theatre scene—a time when the theatre took on many of the features of our modern stage. A natural and psychologically based acting style replaced the declamatory style of an earlier age. The theatres were mainly supported by paying audiences, no longer by royal or noble patrons. The press determined the success or failure of a play or a performance. Actors were no longer shunned by polite society, some becoming celebrities in the modern sense. The dominant figure for thirty years was David Garrick, actor, theatre manager and playwright, who, off the stage, charmed London with his energy, playfulness, and social graces. No less important in defining eighteenth-century theatre were its audiences, who considered themselves full-scale participants in theatrical performances; if they did not care for a play, an actor, or ticket prices, they would loudly make their wishes known, sometimes starting a riot. This book recounts the lives—and occasionally the scandals—of the actors and theatre managers and weaves them into the larger story of the theatre in this exuberant age, setting the London stage and its leading personalities against the background of the important social, cultural, and economic changes that shaped eighteenth-century Britain. The Birth of Modern Theatre brings all of this together to describe a moment in history that sowed the seeds of today’s stage.
Author: Jean Benedetti Publisher: Methuen Publishing ISBN: Category : Biography & Autobiography Languages : en Pages : 274
Book Description
"Actor, director, impresario, author, David Garrick (1717-1779) is the most legendary man of the theatre of modern times. He reformed English theatre practice, established a 'natural' style of acting, and made the profession socially acceptable. As his great friend Dr. Johnson remarked, no actor before Garrick had made so much money nor achieved such an eminent position in society. Not for nothing is the most exclusive club in London named after him: Garrick was the first international 'megastar'." "Garrick's circle of friends was enormous and covered the social spectrum, from lawyers and wine merchants to the most famous men of letters and statesmen of his time: Pope, Boswell, Edmund Burke, Lord Burlington, Lord Chesterfield, the Prime Minister Pitt the Elder, the Lord Chancellor: the Duke of Devonshire, Lord Spencer. In France he counted Diderot, d'Alembert, Baron d'Holbach and the philosophes among his acquaintance. Though never honoured, he was at the very centre of his world." "Drawing on the large amount of source material available - from the accounts of Johnson's friendship with Garrick by James Boswell, through descriptions of his acting by English, French and German critics, to his own diaries and letters - Jean Benedetti has written a lively and fascinating account of Garrick's style and reforms, clearly establishing his pivotal role in the development of acting and directing."--Book Jacket.
Author: Nicholas D. Smith Publisher: ISBN: 9781584563624 Category : Book collecting Languages : en Pages : 0
Book Description
Book collecting, bibliomania and the eighteenth-century -- Building a library -- Garrick, book culture and The Club -- Collecting Shakespeare and other English dramatists -- Book-buying in France and Italy -- Dispersal -- Appendix A. Locations of Garrick's books -- Appendix B. Books to which Garrick subscribed -- Appendix C. Books addressed/dedicated to Garrick -- Appendix D. Lots purchased by Thomas Thorpe at the 1823 sale -- Appendix E. Garrick books formerly belonging to George Frederick Beltz -- Appendix F. Carrington Garrick's books
Author: Simon Trussler Publisher: Cambridge University Press ISBN: 9780521535892 Category : Drama Languages : en Pages : 108
Book Description
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 74 include: Joan Littlewood's Key to Creativity: 'Go on Stage to Fail'; Grandfathers and Orphans: the Family Saga of European Theatre; Decoding Myths in the Nepalese Festival of Indra Jatra; Theatre in Education in Britain: Current Practice and Future Potential; From Object to Subject: the Israeli Theatre of the Battered Women; 'The Spirits Wouldn't Let Me Be Anything Else': Shamanic Dimensions in Theatre Practice Today; The Contaminated Audience: Researching Amateur Theatre in Wales before 1939.
Author: B. King Publisher: Springer ISBN: 1137344288 Category : Performing Arts Languages : en Pages : 337
Book Description
This book explores, from a sociological perspective, the relationship between acting as symbolic work and the commercialization of popular culture. Particular attention is paid to the social conditions that gave rise to stardom in the theatre and cinema, and how shifts in the marketing of stars have impacted upon contemporary celebrity culture.
Author: Erika Fischer-Lichte Publisher: Routledge ISBN: 1135083886 Category : Performing Arts Languages : en Pages : 215
Book Description
Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study: Part 1 – Central Concepts for Theatre and Performance Research – introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline. Part 2 – Fields, Theories and Methods – looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks. Part 3 – Pushing Boundaries – expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice. Focused accounts of plays, practitioners and performances map the development of Theatre and Performance Studies as an academic discipline, and of the theatre itself as an art form. This is the most comprehensive and sophisticated introduction to the field available, written by one of its foremost scholars.
Author: Francesca Saggini Publisher: University of Virginia Press ISBN: 0813932645 Category : Literary Criticism Languages : en Pages : 521
Book Description
In Backstage in the Novel, Francesca Saggini traces the unique interplay between fiction and theater in the eighteenth century through an examination of the work of the English novelist, diarist, and playwright Frances Burney. Moving beyond the basic identification of affinities between the genres, Saggini establishes a literary-cultural context for Burney's work, considering the relation between drama, a long-standing tradition, and the still-emergent form of the novel. Through close semiotic analysis, intertextual comparison, and cultural contextualization, Saggini highlights the extensive metatextual discourse in Burney's novels, allowing the theater within the novels to surface. Saggini’s comparative analysis addresses, among other elements, textual structures, plots, characters, narrative discourse, and reading practices. The author explores the theatrical and spectacular elements that made the eighteenth-century novel a hybrid genre infused with dramatic conventions. She analyzes such conventions in light of contemporary theories of reception and of the role of the reader that underpinned eighteenth-century cultural consumption. In doing so, Saggini contextualizes the typical reader-spectator of Burney’s day, one who kept abreast of the latest publications and was able to move effortlessly between "high" (sentimental, dramatic) and "low" (grotesque, comedic) cultural forms that intersected on the stage. Backstage in the Novel aims to restore to Burney's entire literary corpus the dimensionality that characterized it originally. It is a vivid, close-up view of a writer who operated in a society saturated by theater and spectacle and who rendered that dramatic text into narrative. More than a study of Burney or an overview of eighteenth-century literature and theater, this book gives immediacy to an understanding of the broad forces informing, and channeled through, Burney's life and work.
Author: Norman S. Poser
Author: Norman S. Poser
Author: Jean Benedetti
Author: Paul Kuritz
Author: Nicholas D. Smith
Author: Leslie Ritchie
Author: Simon Trussler
Author: B. King
Author: David Roberts
Author: Erika Fischer-Lichte
Author: Francesca Saggini