David, Delacroix, and Revolutionary France PDF Download

Author: Louis-Antoine Prat
Publisher:
ISBN: 9780875981598
Category : Art and revolutions
Languages : en
Pages : 203

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Book Description
Issued in connection with an exhibition held Sept. 23-Dec. 31, 2011, Morgan Library & Museum, New York.

Author: Walter F. Friedlaender
Publisher: Harvard University Press
ISBN: 9780674194014
Category : Art
Languages : en
Pages : 220

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Book Description
This renowned study follows the evolution of French painting from the Revolution through the Napoleonic era. Beginning with David's revolutionary classicism, Friedlaender scrutinizes the work of early-nineteenth-century artists against the background of their times. He reveals the baroque tendencies diffused into the art of Prudhon and the same predisposition, mixed with a strong realism, in the work of Géricault. Two distinct trends appear, deriving from Pussin and Rubens. The author follows the styles as they mature, and represents their consumation in two great masters—the refined and abstract classicism of Ingres and the baroque of Delacroix with its flamboyant colorism and exotic subjects.

Author: Elisabeth Ann Fraser
Publisher:
ISBN: 9780521828291
Category : Art
Languages : en
Pages : 261

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Book Description
This book focuses on Delacroix's paintings produced during the Bourbon Restoration.

Author: Dorothy Johnson
Publisher: Univ of North Carolina Press
ISBN: 0807877751
Category : Art
Languages : en
Pages : 260

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Book Description
In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influence of the natural sciences and psychology on artistic depiction of myth. Highlighting the work of major painters such as David, Girodet, Gerard, Ingres, and Delacroix and sculptors such as Houdon and Pajou, David to Delacroix reveals how these artists offered innovative reinterpretations of myth while incorporating contemporaneous and revolutionary discoveries in the disciplines of anatomy, biology, physiology, psychology, and medicine. The interplay among these disciplines, Johnson argues, led to a reexamination by visual artists of the historical and intellectual structures of myth, its social and psychological dimensions, and its construction as a vital means of understanding the self and the individual's role in society. This confluence is studied in depth for the first time here, and each chapter includes rich examples chosen from the vast number of mythological representations of the period. While focused on mythical subjects, French Romantic artists, Johnson argues, were creating increasingly modern modes of interpreting and meditating on culture and the human condition.

Author: Walter Friedlaender
Publisher:
ISBN: 9780674332515
Category :
Languages : en
Pages : 216

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Book Description
This renowned study follows the evolution of French painting from the Revolution through the Napoleonic era. Beginning with David's revolutionary classicism, Friedlaender scrutinizes the work of early-nineteenth-century artists against the background of their times. He reveals the baroque tendencies diffused into the art of Prudhon and the same predisposition, mixed with a strong realism, in the work of Géricault. Two distinct trends appear, deriving from Pussin and Rubens. The author follows the styles as they mature, and represents their consumation in two great masters—the refined and abstract classicism of Ingres and the baroque of Delacroix with its flamboyant colorism and exotic subjects.

Author: Jonathan P. Ribner
Publisher: Univ of California Press
ISBN: 0520308891
Category : Art
Languages : en
Pages : 472

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Book Description
In this first study of art, law, and the legislator, Jonathan Ribner provides a revealing look at French art from 1789 to 1848, the period in which constitutional law was established in France. Drawing on several disciplines, he discusses how each of the early constitutional regimes in France used imagery suggesting the divine origin and sacred character of its laws. Primarily a study of art and politics, Broken Tablets discusses painting, sculpture, prints, and medals (many reproduced here for the first time), as well as contemporary literature, including the poetry of Alfred de Vigny, Alphonse de Lamartine, and Victor Hugo. Ribner assesses the ways in which legislation imagery became an instrument of political propaganda, and he clearly illuminates the cult of the law as it became personalized under Napoleon, monarchist under the Restoration, and defensive under Louis-Phillipe.

Author: Warren Roberts
Publisher: SUNY Press
ISBN: 9780791442883
Category : History
Languages : en
Pages : 396

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Book Description
A comparative study of the French Revolution's most famous artist and a little-known illustrator.

Author: Dorothy Johnson
Publisher: Univ of North Carolina Press
ISBN: 0807834513
Category : Art
Languages : en
Pages : 249

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Book Description
In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influen

Author: Walter Friedlaender
Publisher:
ISBN:
Category : Painting, French
Languages : en
Pages : 136

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Book Description

Author: Amy Freund
Publisher: Penn State Press
ISBN: 0271065699
Category : Art
Languages : en
Pages : 312

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Book Description
Portraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.