Author: Robert Lewis
Publisher: Simon and Schuster
ISBN: 0857209191
Category : Social Science
Languages : en
Pages : 516
Book Description
One July afternoon in 2003, in a quiet part of Oxfordshire, a scientist went out for a walk and never came back. Dr David Kelly had been all over the news in the preceding days; as an investigator on the team which went into Iraq to check whether they had weapons of mass destruction, he had been accused of anonymously briefing a BBC reporter that the government's case for the Iraq War had been deliberately falsified. When the news came through that his body had been found in woods near his country home, for the briefest of moments, a stunned Britain held its breath and wondered if this was what it had come to. Our intelligence services were already collaborating in the torture of British citizens for reasons of national security. Had they committed murder too? Tony Blair himself was for once without answer. At a press conference in Japan a reporter stood up and asked him if he had blood on his hands. The Prime Minister stood there blinking behind his mask until he walked, shocked, from the podium. But Britain kept calm and carried on. Normal service was resumed, and the world began spinning again. David Kelly, we were told, had committed suicide for personal reasons that had nothing to do with Downing Street or the Iraq War. But not all could believe that. For those that couldn't, they too lost a part of themselves that afternoon. Conspiracy theorists, eccentrics, obsessives, lunatics, paranoids, fantasists, zealots: they had been awarded all these sobriquets and more. Yet it was easy enough to see, lurking behind the cracks and gaps in the government's account, the hulk of a great and deliberate dishonesty. Simply to read about what transpired in Longworth, Oxfordshire on the 17thJuly 2003 made it impossible to believe otherwise.
Dark Actors
Author: Robert Lewis
Publisher: Simon and Schuster
ISBN: 0857209191
Category : Social Science
Languages : en
Pages : 516
Book Description
One July afternoon in 2003, in a quiet part of Oxfordshire, a scientist went out for a walk and never came back. Dr David Kelly had been all over the news in the preceding days; as an investigator on the team which went into Iraq to check whether they had weapons of mass destruction, he had been accused of anonymously briefing a BBC reporter that the government's case for the Iraq War had been deliberately falsified. When the news came through that his body had been found in woods near his country home, for the briefest of moments, a stunned Britain held its breath and wondered if this was what it had come to. Our intelligence services were already collaborating in the torture of British citizens for reasons of national security. Had they committed murder too? Tony Blair himself was for once without answer. At a press conference in Japan a reporter stood up and asked him if he had blood on his hands. The Prime Minister stood there blinking behind his mask until he walked, shocked, from the podium. But Britain kept calm and carried on. Normal service was resumed, and the world began spinning again. David Kelly, we were told, had committed suicide for personal reasons that had nothing to do with Downing Street or the Iraq War. But not all could believe that. For those that couldn't, they too lost a part of themselves that afternoon. Conspiracy theorists, eccentrics, obsessives, lunatics, paranoids, fantasists, zealots: they had been awarded all these sobriquets and more. Yet it was easy enough to see, lurking behind the cracks and gaps in the government's account, the hulk of a great and deliberate dishonesty. Simply to read about what transpired in Longworth, Oxfordshire on the 17thJuly 2003 made it impossible to believe otherwise.
Publisher: Simon and Schuster
ISBN: 0857209191
Category : Social Science
Languages : en
Pages : 516
Book Description
One July afternoon in 2003, in a quiet part of Oxfordshire, a scientist went out for a walk and never came back. Dr David Kelly had been all over the news in the preceding days; as an investigator on the team which went into Iraq to check whether they had weapons of mass destruction, he had been accused of anonymously briefing a BBC reporter that the government's case for the Iraq War had been deliberately falsified. When the news came through that his body had been found in woods near his country home, for the briefest of moments, a stunned Britain held its breath and wondered if this was what it had come to. Our intelligence services were already collaborating in the torture of British citizens for reasons of national security. Had they committed murder too? Tony Blair himself was for once without answer. At a press conference in Japan a reporter stood up and asked him if he had blood on his hands. The Prime Minister stood there blinking behind his mask until he walked, shocked, from the podium. But Britain kept calm and carried on. Normal service was resumed, and the world began spinning again. David Kelly, we were told, had committed suicide for personal reasons that had nothing to do with Downing Street or the Iraq War. But not all could believe that. For those that couldn't, they too lost a part of themselves that afternoon. Conspiracy theorists, eccentrics, obsessives, lunatics, paranoids, fantasists, zealots: they had been awarded all these sobriquets and more. Yet it was easy enough to see, lurking behind the cracks and gaps in the government's account, the hulk of a great and deliberate dishonesty. Simply to read about what transpired in Longworth, Oxfordshire on the 17thJuly 2003 made it impossible to believe otherwise.
Black Acting Methods
Author: Sharrell Luckett
Publisher: Taylor & Francis
ISBN: 1317441222
Category : Art
Languages : en
Pages : 255
Book Description
Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts. Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Publisher: Taylor & Francis
ISBN: 1317441222
Category : Art
Languages : en
Pages : 255
Book Description
Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts. Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Black Acting Methods
Author: Sharrell Luckett
Publisher: Routledge
ISBN: 1317441214
Category : Art
Languages : en
Pages : 254
Book Description
Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts.
Publisher: Routledge
ISBN: 1317441214
Category : Art
Languages : en
Pages : 254
Book Description
Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts.
The Dark Comedy
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521095297
Category : Drama
Languages : en
Pages : 324
Book Description
Anyone who takes an intelligent interest in theatre-going will find profit and stimulus in this book.
Publisher: Cambridge University Press
ISBN: 9780521095297
Category : Drama
Languages : en
Pages : 324
Book Description
Anyone who takes an intelligent interest in theatre-going will find profit and stimulus in this book.
Black Hollywood
Author: Kimberly Fain
Publisher: Bloomsbury Publishing USA
ISBN: 1440831912
Category : Social Science
Languages : en
Pages : 281
Book Description
This thought-provoking work examines the dehumanizing depictions of black males in the movies since 1910, analyzing images that were once imposed on black men and are now appropriated and manipulated by them. Moving through cinematic history decade by decade since 1910, this important volume explores the appropriation, exploitation, and agency of black performers in Hollywood by looking at the black actors, directors, and producers who have shaped the image of African American males in film. To determine how these archetypes differentiate African American males in the public's subconscious, the book asks probing questions—for example, whether these images are a reflection of society's fears or realistic depictions of a pluralistic America. Even as the work acknowledges the controversial history of black representation in film, it also celebrates the success stories of blacks in the industry. It shows how blacks in Hollywood manipulate degrading stereotypes, gain control, advance their careers, and earn money while making social statements or bringing about changes in culture. It discusses how social activist performers—such as Paul Robeson, Sidney Poitier, Harry Belafonte, and Spike Lee—reflect political and social movements in their movies, and it reviews the interactions between black actors and their white counterparts to analyze how black males express their heritage, individual identity, and social issues through film.
Publisher: Bloomsbury Publishing USA
ISBN: 1440831912
Category : Social Science
Languages : en
Pages : 281
Book Description
This thought-provoking work examines the dehumanizing depictions of black males in the movies since 1910, analyzing images that were once imposed on black men and are now appropriated and manipulated by them. Moving through cinematic history decade by decade since 1910, this important volume explores the appropriation, exploitation, and agency of black performers in Hollywood by looking at the black actors, directors, and producers who have shaped the image of African American males in film. To determine how these archetypes differentiate African American males in the public's subconscious, the book asks probing questions—for example, whether these images are a reflection of society's fears or realistic depictions of a pluralistic America. Even as the work acknowledges the controversial history of black representation in film, it also celebrates the success stories of blacks in the industry. It shows how blacks in Hollywood manipulate degrading stereotypes, gain control, advance their careers, and earn money while making social statements or bringing about changes in culture. It discusses how social activist performers—such as Paul Robeson, Sidney Poitier, Harry Belafonte, and Spike Lee—reflect political and social movements in their movies, and it reviews the interactions between black actors and their white counterparts to analyze how black males express their heritage, individual identity, and social issues through film.
Author: Dennis Schaefer
Publisher: Univ of California Press
ISBN: 0520907655
Category :
Languages : en
Pages : 364
Book Description
Fifteen top cinematographers discuss their approaches to filmmaking, the films on which they have worked, and the techniques they have used to solve specific problems.
Publisher: Univ of California Press
ISBN: 0520907655
Category :
Languages : en
Pages : 364
Book Description
Fifteen top cinematographers discuss their approaches to filmmaking, the films on which they have worked, and the techniques they have used to solve specific problems.
The Cambridge Companion to Shakespearean Tragedy
Author: Claire McEachern
Publisher: Cambridge University Press
ISBN: 1107470137
Category : Literary Criticism
Languages : en
Pages : 325
Book Description
This revised and updated Companion acquaints the student reader with the forms, contexts, critical and theatrical lives of the ten plays considered to be Shakespeare's tragedies. Thirteen essays, written by leading scholars in Britain and North America, address the ways in which Shakespearean tragedy originated, developed and diversified, as well as how it has fared on stage, as text and in criticism. Topics covered include the literary precursors of Shakespeare's tragedies, cultural backgrounds, sub-genres and receptions of the plays. The book examines the four major tragedies and, in addition, Titus Andronicus, Romeo and Juliet, Julius Caesar, Antony and Cleopatra, Coriolanus and Timon of Athens. Essays from the first edition have been fully revised to reflect the most up-to-date scholarship; the bibliography has been extensively updated; and four new chapters have been added, discussing Shakespearean form, Shakespeare and philosophy, Shakespeare's tragedies in performance, and Shakespeare and religion.
Publisher: Cambridge University Press
ISBN: 1107470137
Category : Literary Criticism
Languages : en
Pages : 325
Book Description
This revised and updated Companion acquaints the student reader with the forms, contexts, critical and theatrical lives of the ten plays considered to be Shakespeare's tragedies. Thirteen essays, written by leading scholars in Britain and North America, address the ways in which Shakespearean tragedy originated, developed and diversified, as well as how it has fared on stage, as text and in criticism. Topics covered include the literary precursors of Shakespeare's tragedies, cultural backgrounds, sub-genres and receptions of the plays. The book examines the four major tragedies and, in addition, Titus Andronicus, Romeo and Juliet, Julius Caesar, Antony and Cleopatra, Coriolanus and Timon of Athens. Essays from the first edition have been fully revised to reflect the most up-to-date scholarship; the bibliography has been extensively updated; and four new chapters have been added, discussing Shakespearean form, Shakespeare and philosophy, Shakespeare's tragedies in performance, and Shakespeare and religion.
The Cambridge Companion to Shakespeare on Film
Author: Russell Jackson
Publisher: Cambridge University Press
ISBN: 9780521639750
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided.
Publisher: Cambridge University Press
ISBN: 9780521639750
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided.
Masters of Light
Author: Dennis Schaefer
Publisher: Univ of California Press
ISBN: 0520956494
Category : Performing Arts
Languages : en
Pages : 376
Book Description
Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.
Publisher: Univ of California Press
ISBN: 0520956494
Category : Performing Arts
Languages : en
Pages : 376
Book Description
Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.
(Extra)Ordinary Presence
Author: Markus Gottwald
Publisher: transcript Verlag
ISBN: 3839427215
Category : Social Science
Languages : en
Pages : 207
Book Description
Taking its cue from contemporary western debates on presence in the social sciences and the humanities, this volume focuses on 'presence' both as everyday experience and as an experience of intense moments. It raises questions about diverse social configurations of presence as well as about the specific cultural repertoires which encode, articulate, and shape discourses of presence. The contributions take as a premise that phenomena of presence are connected to particular forms of knowledge. Especially tacit knowledge (pre)determines experiences of individual and collective presence and becomes tangible in moments of presence or presentification.
Publisher: transcript Verlag
ISBN: 3839427215
Category : Social Science
Languages : en
Pages : 207
Book Description
Taking its cue from contemporary western debates on presence in the social sciences and the humanities, this volume focuses on 'presence' both as everyday experience and as an experience of intense moments. It raises questions about diverse social configurations of presence as well as about the specific cultural repertoires which encode, articulate, and shape discourses of presence. The contributions take as a premise that phenomena of presence are connected to particular forms of knowledge. Especially tacit knowledge (pre)determines experiences of individual and collective presence and becomes tangible in moments of presence or presentification.