Author: Jose L. Contreras-Vidal
Publisher: Springer Nature
ISBN: 3030243265
Category : Medical
Languages : en
Pages : 231
Book Description
Mobile Brain–Body Imaging and the Neuroscience of Art, Innovation and Creativity is a trans-disciplinary, collective, multimedia collaboration that critically uncovers the challenges and opportunities for transformational and innovative research and performance at the nexus of art, science and engineering. This book addresses a set of universal and timeless questions with a profound impact on the human condition: How do the creative arts and aesthetic experiences engage the brain and mind and promote innovation? How do arts–science collaborations employ aesthetics as a means of problem-solving and thereby create meaning? How can the creative arts and neuroscience advance understanding of individuality and social cognition, improve health and promote life-long learning? How are neurotechnologies changing science and artistic expression? How are the arts and citizen science innovating neuroscience studies, informal learning and outreach in the public sphere? Emerging from the 2016 and 2017 International Conferences on Mobile Brain–Body Imaging and the Neuroscience of Art, Innovation and Creativity held in Cancun, Mexico and Valencia, Spain to explore these topics, this book intertwines disciplines and investigates not only their individual products—art and data—but also something more substantive and unique; the international pool of contributors reveals something larger about humanity by revealing the state of the art in collaboration between arts and sciences and providing an investigational roadmap projected from recent advances. Mobile Brain–Body Imaging and the Neuroscience of Art, Innovation and Creativity is written for academic researchers, professionals working in industrial and clinical centers, independent researchers and artists from the performing arts, and other readers interested in understanding emergent innovations at the nexus of art, science, engineering, medicine and the humanities. The book contains language, design features (illustrations, diagrams) to develop a conversational bridge between the disciplines involved supplemented by access to video, artistic presentations and the results of a hackathon from the MoBI conferences.
Mobile Brain-Body Imaging and the Neuroscience of Art, Innovation and Creativity
Contact: Art and the Pull of Print
Author: Jennifer L. Roberts
Publisher: Princeton University Press
ISBN: 0691255865
Category : Art
Languages : en
Pages : 232
Book Description
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington
Publisher: Princeton University Press
ISBN: 0691255865
Category : Art
Languages : en
Pages : 232
Book Description
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington
Dario Robleto Unknown and Solitary Seas
Author: Jennifer Roberts
Publisher:
ISBN: 9781733497404
Category :
Languages : en
Pages :
Book Description
Dario Robleto's Exhibition at the Radcliffe Institute examines the 19th-century origins of the pulse wave as a graphic expression of internal life. The artist explores the profundity and confusion of this moment, when ineffable sensory and emotional experiences-everything from the pleasure of eating chocolate to the panic of heart failure-were first made visible as data. Rendering historic pulse waves in gleaming steel and brass, printing and retrieving them from layers of soot, converting them into video and engineered sound, Robleto encourages us to attend to them with resonant forms of empathy, to reflect upon the lives of the 19th-century subjects who bequeathed them to us, and ultimately to imagine more heartfelt ways of inheriting and interpreting data.In keeping with Robleto's commitment to innovative historical research and the Radcliffe Institute's commitment to curatorial experimentation, the essay in this publication pursues a deep investigation of just one of the waveforms on display in the exhibition. Although the origins of this pulse wave may seem vanishingly distant and elusive - produced in just a few seconds' time by blood pulsing through the brain of an Italian farmer named Michele Bertino in 1877- its story provides an expansive perspective on the themes, techniques, and implications of Robleto's work.
Publisher:
ISBN: 9781733497404
Category :
Languages : en
Pages :
Book Description
Dario Robleto's Exhibition at the Radcliffe Institute examines the 19th-century origins of the pulse wave as a graphic expression of internal life. The artist explores the profundity and confusion of this moment, when ineffable sensory and emotional experiences-everything from the pleasure of eating chocolate to the panic of heart failure-were first made visible as data. Rendering historic pulse waves in gleaming steel and brass, printing and retrieving them from layers of soot, converting them into video and engineered sound, Robleto encourages us to attend to them with resonant forms of empathy, to reflect upon the lives of the 19th-century subjects who bequeathed them to us, and ultimately to imagine more heartfelt ways of inheriting and interpreting data.In keeping with Robleto's commitment to innovative historical research and the Radcliffe Institute's commitment to curatorial experimentation, the essay in this publication pursues a deep investigation of just one of the waveforms on display in the exhibition. Although the origins of this pulse wave may seem vanishingly distant and elusive - produced in just a few seconds' time by blood pulsing through the brain of an Italian farmer named Michele Bertino in 1877- its story provides an expansive perspective on the themes, techniques, and implications of Robleto's work.
Alexander Von Humboldt and the United States
Author: Eleanor Jones Harvey
Publisher: Princeton University Press
ISBN: 0691200807
Category : Art
Languages : en
Pages : 445
Book Description
The enduring influence of naturalist and explorer Alexander von Humboldt on American art, culture, and politics Alexander von Humboldt (1769–1859) was one of the most influential scientists and thinkers of his age. A Prussian-born geographer, naturalist, explorer, and illustrator, he was a prolific writer whose books graced the shelves of American artists, scientists, philosophers, and politicians. Humboldt visited the United States for six weeks in 1804, engaging in a lively exchange of ideas with such figures as Thomas Jefferson and the painter Charles Willson Peale. It was perhaps the most consequential visit by a European traveler in the young nation's history, one that helped to shape an emerging American identity grounded in the natural world. In this beautifully illustrated book, Eleanor Jones Harvey examines how Humboldt left a lasting impression on American visual arts, sciences, literature, and politics. She shows how he inspired a network of like-minded individuals who would go on to embrace the spirit of exploration, decry slavery, advocate for the welfare of Native Americans, and extol America's wilderness as a signature component of the nation's sense of self. Harvey traces how Humboldt's ideas influenced the transcendentalists and the landscape painters of the Hudson River School, and laid the foundations for the Smithsonian Institution, the Sierra Club, and the National Park Service. Alexander von Humboldt and the United States looks at paintings, sculptures, maps, and artifacts, and features works by leading American artists such as Albert Bierstadt, George Catlin, Frederic Church, and Samuel F. B. Morse. Published in association with the Smithsonian American Art Museum, Washington, DC Exhibition Schedule Smithsonian American Art Museum, Washington, DC September 18, 2020–January 3, 2021
Publisher: Princeton University Press
ISBN: 0691200807
Category : Art
Languages : en
Pages : 445
Book Description
The enduring influence of naturalist and explorer Alexander von Humboldt on American art, culture, and politics Alexander von Humboldt (1769–1859) was one of the most influential scientists and thinkers of his age. A Prussian-born geographer, naturalist, explorer, and illustrator, he was a prolific writer whose books graced the shelves of American artists, scientists, philosophers, and politicians. Humboldt visited the United States for six weeks in 1804, engaging in a lively exchange of ideas with such figures as Thomas Jefferson and the painter Charles Willson Peale. It was perhaps the most consequential visit by a European traveler in the young nation's history, one that helped to shape an emerging American identity grounded in the natural world. In this beautifully illustrated book, Eleanor Jones Harvey examines how Humboldt left a lasting impression on American visual arts, sciences, literature, and politics. She shows how he inspired a network of like-minded individuals who would go on to embrace the spirit of exploration, decry slavery, advocate for the welfare of Native Americans, and extol America's wilderness as a signature component of the nation's sense of self. Harvey traces how Humboldt's ideas influenced the transcendentalists and the landscape painters of the Hudson River School, and laid the foundations for the Smithsonian Institution, the Sierra Club, and the National Park Service. Alexander von Humboldt and the United States looks at paintings, sculptures, maps, and artifacts, and features works by leading American artists such as Albert Bierstadt, George Catlin, Frederic Church, and Samuel F. B. Morse. Published in association with the Smithsonian American Art Museum, Washington, DC Exhibition Schedule Smithsonian American Art Museum, Washington, DC September 18, 2020–January 3, 2021
Anarchism in Latin America
Author: Ángel J. Cappelletti
Publisher: AK Press
ISBN: 1849352836
Category : History
Languages : en
Pages : 232
Book Description
The available material in English discussing Latin American anarchism tends to be fragmentary, country-specific, or focused on single individuals. This new translation of Ángel Cappelletti's wide-ranging, country-by-country historical overview of anarchism's social and political achievements in fourteen Latin American nations is the first book-length regional history ever published in English. With a foreword by the translator. Ángel J. Cappelletti (1927–1995) was an Argentinian philosopher who taught at Simon Bolivar University in Venezuela. He is the author of over forty works primarily investigating philosophy and anarchism. Gabriel Palmer-Fernandez is Distinguished Professor of Philosophy and Religious Studies at Youngstown State University.
Publisher: AK Press
ISBN: 1849352836
Category : History
Languages : en
Pages : 232
Book Description
The available material in English discussing Latin American anarchism tends to be fragmentary, country-specific, or focused on single individuals. This new translation of Ángel Cappelletti's wide-ranging, country-by-country historical overview of anarchism's social and political achievements in fourteen Latin American nations is the first book-length regional history ever published in English. With a foreword by the translator. Ángel J. Cappelletti (1927–1995) was an Argentinian philosopher who taught at Simon Bolivar University in Venezuela. He is the author of over forty works primarily investigating philosophy and anarchism. Gabriel Palmer-Fernandez is Distinguished Professor of Philosophy and Religious Studies at Youngstown State University.
A Sand Book
Author: Ariana Reines
Publisher: Tin House Books
ISBN: 1947793330
Category : Poetry
Languages : en
Pages : 422
Book Description
Longlisted for the National Book Award "Mind-blowing." —Kim Gordon DEADPAN, EPIC, AND SEARINGLY CHARISMATIC, A Sand Book chronicles climate change and climate grief, gun violence and bystanderism, state violence and complicity, mourning and ecstasy, sex and love, and the transcendent shock of prophecy, tracking new dimensions of consciousness for our strange and desperate times.
Publisher: Tin House Books
ISBN: 1947793330
Category : Poetry
Languages : en
Pages : 422
Book Description
Longlisted for the National Book Award "Mind-blowing." —Kim Gordon DEADPAN, EPIC, AND SEARINGLY CHARISMATIC, A Sand Book chronicles climate change and climate grief, gun violence and bystanderism, state violence and complicity, mourning and ecstasy, sex and love, and the transcendent shock of prophecy, tracking new dimensions of consciousness for our strange and desperate times.
Who Cares
Author: Anne Pasternak
Publisher: Creative Time
ISBN: 9781928570028
Category : Art
Languages : en
Pages : 0
Book Description
Foreword and essay by Doug Ashford. Introduction by Anne Pasternak.
Publisher: Creative Time
ISBN: 9781928570028
Category : Art
Languages : en
Pages : 0
Book Description
Foreword and essay by Doug Ashford. Introduction by Anne Pasternak.
Designing for Empathy
Author: Elif M. Gokcigdem
Publisher: American Alliance of Museums
ISBN: 9781538118283
Category : Business & Economics
Languages : en
Pages : 466
Book Description
Designing for Empathy is a volume of twenty-three essays contributed by multidisciplinary experts, collectively exploring the state of empathy for its design elements that might lead to positive behavior change and a paradigm shift towards unifying, compassionate worldviews and actions. As museums are currently shaping their tools for fostering empathy as an intentional outcome of museum experiences, the idea of empathy-building is shaping them back as socially relevant institutions that increasingly value diversity, accessibility, and equality. This is a non-linear, multi-layered, and multi-dimensional transformation that requires multidisciplinary, cross-industries, and cross-sectors alliances for its sustainability. The potential of this collective transformation effort includes the invention of unconventional, evidence-based, and sustainable solutions that can be scaled up beyond the walls of traditional museums to all kinds of informal learning platforms to help eliminate the empathy-deficit in our world. Designing for Empathy expands our understanding of empathy and its potential for fostering compassionate worldviews and actions through a multidisciplinary exploration in three parts: "The Object of Our Empathy" explores how we define and perceive the "Other," "The Alchemy of Empathy" introduces thirteen design elements of empathy that might lead to transformative learning experiences, and "The Scope and the Spectrum of Empathy" highlights the importance of positioning empathy as a cross-industrial shared value for the benefit of people and the planet. Designing for Empathy will inspire and empower those who are interested in intentionally designing for empathy to cultivate compassionate worldviews and actions that celebrate and preserve the oneness of all people, the environment, and our planet.
Publisher: American Alliance of Museums
ISBN: 9781538118283
Category : Business & Economics
Languages : en
Pages : 466
Book Description
Designing for Empathy is a volume of twenty-three essays contributed by multidisciplinary experts, collectively exploring the state of empathy for its design elements that might lead to positive behavior change and a paradigm shift towards unifying, compassionate worldviews and actions. As museums are currently shaping their tools for fostering empathy as an intentional outcome of museum experiences, the idea of empathy-building is shaping them back as socially relevant institutions that increasingly value diversity, accessibility, and equality. This is a non-linear, multi-layered, and multi-dimensional transformation that requires multidisciplinary, cross-industries, and cross-sectors alliances for its sustainability. The potential of this collective transformation effort includes the invention of unconventional, evidence-based, and sustainable solutions that can be scaled up beyond the walls of traditional museums to all kinds of informal learning platforms to help eliminate the empathy-deficit in our world. Designing for Empathy expands our understanding of empathy and its potential for fostering compassionate worldviews and actions through a multidisciplinary exploration in three parts: "The Object of Our Empathy" explores how we define and perceive the "Other," "The Alchemy of Empathy" introduces thirteen design elements of empathy that might lead to transformative learning experiences, and "The Scope and the Spectrum of Empathy" highlights the importance of positioning empathy as a cross-industrial shared value for the benefit of people and the planet. Designing for Empathy will inspire and empower those who are interested in intentionally designing for empathy to cultivate compassionate worldviews and actions that celebrate and preserve the oneness of all people, the environment, and our planet.
Pine Tree Ballads
Author:
Publisher:
ISBN: 9780984573974
Category :
Languages : en
Pages : 198
Book Description
In the early 1900s, artist Paul Thulin's great-grandfather settled on an island off the coast of Maine because it resembled his homeland of Sweden. As a result, his family has returned to Gray's Point each summer for over a century. Throughout his life, his great-grandfather shared exquisitely detailed accounts of the early settlers of the New England apple orchard that included such characters as a one-legged ship cook, a widowed schoolteacher, and an ingenious Native American blacksmith. The tales were an intricate mix of facts and lore that fueled imagination and often had the power to transform daily floorboard creaks and shadows into enduring ancestral spirits. "Pine Tree Ballads" is a poetic memoir that embraces this spirit of magic realism. This deeply personal photographic sequence is a family generated folktale of place and origins; a story infused with both imagination and reality which, in most instances, are the true ingredients of history.This book adopts a unique"docu-literary" structure that celebrates and fully exploits the duplicitous nature of photography/text to be simultaneously interpreted as both fact and fiction. The project explores the emotive, contextual, and material constructs of history, culture, personal identity, memory, and folklore. The images are made with a variety of photo-based processes including both large format b/w and color film, and hi-resolution digital capture. An "aura aesthetic" purposely exposes the formal beauty and conceptual profundity of analog-based photographic material disruptions, such as film light leaks, dust and scratches, lens distortion, chemical stains, loss of color integrity, film grain, mold, and the multitude of ways paper stains, rips, and deteriorates over time.
Publisher:
ISBN: 9780984573974
Category :
Languages : en
Pages : 198
Book Description
In the early 1900s, artist Paul Thulin's great-grandfather settled on an island off the coast of Maine because it resembled his homeland of Sweden. As a result, his family has returned to Gray's Point each summer for over a century. Throughout his life, his great-grandfather shared exquisitely detailed accounts of the early settlers of the New England apple orchard that included such characters as a one-legged ship cook, a widowed schoolteacher, and an ingenious Native American blacksmith. The tales were an intricate mix of facts and lore that fueled imagination and often had the power to transform daily floorboard creaks and shadows into enduring ancestral spirits. "Pine Tree Ballads" is a poetic memoir that embraces this spirit of magic realism. This deeply personal photographic sequence is a family generated folktale of place and origins; a story infused with both imagination and reality which, in most instances, are the true ingredients of history.This book adopts a unique"docu-literary" structure that celebrates and fully exploits the duplicitous nature of photography/text to be simultaneously interpreted as both fact and fiction. The project explores the emotive, contextual, and material constructs of history, culture, personal identity, memory, and folklore. The images are made with a variety of photo-based processes including both large format b/w and color film, and hi-resolution digital capture. An "aura aesthetic" purposely exposes the formal beauty and conceptual profundity of analog-based photographic material disruptions, such as film light leaks, dust and scratches, lens distortion, chemical stains, loss of color integrity, film grain, mold, and the multitude of ways paper stains, rips, and deteriorates over time.
T.L. Solien
Author: Colleen Josephine Sheehy
Publisher: University of Minnesota Press
ISBN: 9780934266406
Category : Art
Languages : en
Pages : 0
Book Description
When T. L. Solien embarks on a journey, he travels through epic topics of American literature, history, and culture. This nationally recognized artist, based in northern Minnesota and Madison, Wisconsin, has recently addressed Melville's classic novel Moby-Dick and the Oregon Trail in his painting series and mixed media art. Whether imagining the nomadic life of Ahab's widow or contemplating the restlessness that settled the American West, Solien employs inventive combinations of collage, paint, paper, and canvas to explore American myths. Solien's artistic sources range from Matisse's cutouts to children's coloring books to Winslow Homer and Picasso. His vivid imagery offers a surreal mix of characters, scale, and media and engages historic events and themes with an innovative aesthetic. The artist has exhibited at the Whitney Biennial, the Walker Art Center, and the American Center in Paris and has received awards from the Rockefeller Foundation, the Bush Foundation, and the McKnight Foundation. T. L. Solien: Toward the Setting Sun features sixty color images of Solien's artworks, as well as essays by Elizabeth A. Schultz, Michael Duncan, and Colleen J. Sheehy and an interview by Erika Doss that place him in the context of American modernism, Melville studies, nineteenth-century landscape painting, and film. Moving from whaling adventures in New England to vast territories of land and opportunity in the West, Solien continues the eternal American search for self-fulfillment and rebirth in his art.
Publisher: University of Minnesota Press
ISBN: 9780934266406
Category : Art
Languages : en
Pages : 0
Book Description
When T. L. Solien embarks on a journey, he travels through epic topics of American literature, history, and culture. This nationally recognized artist, based in northern Minnesota and Madison, Wisconsin, has recently addressed Melville's classic novel Moby-Dick and the Oregon Trail in his painting series and mixed media art. Whether imagining the nomadic life of Ahab's widow or contemplating the restlessness that settled the American West, Solien employs inventive combinations of collage, paint, paper, and canvas to explore American myths. Solien's artistic sources range from Matisse's cutouts to children's coloring books to Winslow Homer and Picasso. His vivid imagery offers a surreal mix of characters, scale, and media and engages historic events and themes with an innovative aesthetic. The artist has exhibited at the Whitney Biennial, the Walker Art Center, and the American Center in Paris and has received awards from the Rockefeller Foundation, the Bush Foundation, and the McKnight Foundation. T. L. Solien: Toward the Setting Sun features sixty color images of Solien's artworks, as well as essays by Elizabeth A. Schultz, Michael Duncan, and Colleen J. Sheehy and an interview by Erika Doss that place him in the context of American modernism, Melville studies, nineteenth-century landscape painting, and film. Moving from whaling adventures in New England to vast territories of land and opportunity in the West, Solien continues the eternal American search for self-fulfillment and rebirth in his art.