Author: Nick Herman
Publisher:
ISBN: 9788992233712
Category : Monochrome painting
Languages : en
Pages : 0
Book Description
Korean Dansaekhwa painting emerged in the 1970s as a reaction to the academicism of the National Art Exhibition and the country's rapidly changing social and political landscape. Characterized by its emphasis on the monochrome, its refined approach to materiality and its philosophical interest in the relationship between the artist's consciousness and the act of making, Dansaekwha borrowed materials, techniques and motifs from both Eastern and Western painting traditions. The Art of Dansaekhwa explores how the Dansaekhwa movement flourished within the then-contemporary art scene in Korea and beyond, telling the story of the development of contemporary art practice in Korea through the work of Dansaekhwa artists Kim Guiline, Chung Sang-Hwa, Chung Chang-Sup, Ha Chong-Hyun, Lee Ufan, Park Seo-Bo and Yun Hyong-Keun.
The Art of Dansaekhwa
Author: Nick Herman
Publisher:
ISBN: 9788992233712
Category : Monochrome painting
Languages : en
Pages : 0
Book Description
Korean Dansaekhwa painting emerged in the 1970s as a reaction to the academicism of the National Art Exhibition and the country's rapidly changing social and political landscape. Characterized by its emphasis on the monochrome, its refined approach to materiality and its philosophical interest in the relationship between the artist's consciousness and the act of making, Dansaekwha borrowed materials, techniques and motifs from both Eastern and Western painting traditions. The Art of Dansaekhwa explores how the Dansaekhwa movement flourished within the then-contemporary art scene in Korea and beyond, telling the story of the development of contemporary art practice in Korea through the work of Dansaekhwa artists Kim Guiline, Chung Sang-Hwa, Chung Chang-Sup, Ha Chong-Hyun, Lee Ufan, Park Seo-Bo and Yun Hyong-Keun.
Publisher:
ISBN: 9788992233712
Category : Monochrome painting
Languages : en
Pages : 0
Book Description
Korean Dansaekhwa painting emerged in the 1970s as a reaction to the academicism of the National Art Exhibition and the country's rapidly changing social and political landscape. Characterized by its emphasis on the monochrome, its refined approach to materiality and its philosophical interest in the relationship between the artist's consciousness and the act of making, Dansaekwha borrowed materials, techniques and motifs from both Eastern and Western painting traditions. The Art of Dansaekhwa explores how the Dansaekhwa movement flourished within the then-contemporary art scene in Korea and beyond, telling the story of the development of contemporary art practice in Korea through the work of Dansaekhwa artists Kim Guiline, Chung Sang-Hwa, Chung Chang-Sup, Ha Chong-Hyun, Lee Ufan, Park Seo-Bo and Yun Hyong-Keun.
Contemporary Korean Art
Author: Joan Kee
Publisher:
ISBN: 9780816679881
Category : Art
Languages : en
Pages : 0
Book Description
A crucial artistic movement of twentieth-century Korea, Tansaekhwa (monochromatic painting) also became one of its most famous and successful. In this full-color, richly illustrated account--the first of its kind in English--Joan Kee provides a fresh interpretation of the movement's emergence and meaning that sheds new light on the history of abstraction, twentieth-century Asian art, and contemporary art in general.
Publisher:
ISBN: 9780816679881
Category : Art
Languages : en
Pages : 0
Book Description
A crucial artistic movement of twentieth-century Korea, Tansaekhwa (monochromatic painting) also became one of its most famous and successful. In this full-color, richly illustrated account--the first of its kind in English--Joan Kee provides a fresh interpretation of the movement's emergence and meaning that sheds new light on the history of abstraction, twentieth-century Asian art, and contemporary art in general.
From All Sides
Author: Joan Kee
Publisher: Blum & Poe Press
ISBN: 9780966350395
Category : Painting, Abstract
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition 'From All Sides: Tansaekhwa on Abstraction', September 13-November 8, 2014, Blum & Poe"--Page 167.
Publisher: Blum & Poe Press
ISBN: 9780966350395
Category : Painting, Abstract
Languages : en
Pages : 0
Book Description
"Published on the occasion of the exhibition 'From All Sides: Tansaekhwa on Abstraction', September 13-November 8, 2014, Blum & Poe"--Page 167.
Dansaekhwa
Author: Yong-u Yi
Publisher:
ISBN: 9788992233767
Category : Art, Korean
Languages : en
Pages : 0
Book Description
Dansaekhwa is an artistic approach founded on the experiences of those who participated in the first generation of Korean modernism. Among those compiled in this beautiful and substantial catalogue are Chung Chang-Sup, Chung Sang-Hwa, Ha Chong-Hyun, KIM Whanki, Kwon Young-Woo, Lee Ufan and Park Seo-Bo.
Publisher:
ISBN: 9788992233767
Category : Art, Korean
Languages : en
Pages : 0
Book Description
Dansaekhwa is an artistic approach founded on the experiences of those who participated in the first generation of Korean modernism. Among those compiled in this beautiful and substantial catalogue are Chung Chang-Sup, Chung Sang-Hwa, Ha Chong-Hyun, KIM Whanki, Kwon Young-Woo, Lee Ufan and Park Seo-Bo.
Korean Art since 1945: Challenges and Changes
Author: Youngna KIM
Publisher: BRILL
ISBN: 9004678727
Category : Art
Languages : en
Pages : 276
Book Description
Over the past decades, Korea has gradually risen to become one of the global representatives of Asian culture. Korean artists have been increasingly active at an international level, with many being invited for residencies and exhibitions all over the world. Nonetheless, for various reasons, the general understanding of Korean contemporary art remains insufficient. Although a few overviews of Korean contemporary art do exist, they typically focus on the history of art groups and movements. In addition, several anthologies have been published with articles on a range of topics, offering multiple perspectives. However, there have been few attempts to provide a unified synopsis of Korean contemporary art. Presenting a comprehensive, engaging survey that covers the full spectrum of Korean contemporary art, Korean Art since 1945: Challenges and Changes seeks to fill this lacuna. Drawing on primary sources, it discusses the main issues, including the ideological stakes that affected the art world, modernist art vs. political art, and the fluidity of concepts such as tradition and national identity. Moreover, the book also has a chapter on the art of North Korea. Korean Art since 1945: Challenges and Changes is an invaluable tool for those intent on grasping the entire scope of modern art in Asia.
Publisher: BRILL
ISBN: 9004678727
Category : Art
Languages : en
Pages : 276
Book Description
Over the past decades, Korea has gradually risen to become one of the global representatives of Asian culture. Korean artists have been increasingly active at an international level, with many being invited for residencies and exhibitions all over the world. Nonetheless, for various reasons, the general understanding of Korean contemporary art remains insufficient. Although a few overviews of Korean contemporary art do exist, they typically focus on the history of art groups and movements. In addition, several anthologies have been published with articles on a range of topics, offering multiple perspectives. However, there have been few attempts to provide a unified synopsis of Korean contemporary art. Presenting a comprehensive, engaging survey that covers the full spectrum of Korean contemporary art, Korean Art since 1945: Challenges and Changes seeks to fill this lacuna. Drawing on primary sources, it discusses the main issues, including the ideological stakes that affected the art world, modernist art vs. political art, and the fluidity of concepts such as tradition and national identity. Moreover, the book also has a chapter on the art of North Korea. Korean Art since 1945: Challenges and Changes is an invaluable tool for those intent on grasping the entire scope of modern art in Asia.
Chung Sang-Hwa: Excavations, 1964-78
Author:
Publisher: Levy Gorvy
ISBN: 9781944379339
Category : Art
Languages : en
Pages : 76
Book Description
A leading figure of the Korean avant-garde Dansaekhwa group in dialogue with European abstraction Chung Sang-Hwa (born 1932) is a central figure of Dansaekhwa (also known as Tansaekhwa), an artistic movement in postwar Korea that offered a fundamentally different approach to modernist abstraction. Though the term translates literally to "monochrome painting," Dansaekhwa is rather characterized by its labor-intensive processes, repetitive gestures and reductionist aesthetics. Over his nearly six-decades-long career, Chung has developed a singular, meditative process of repetitively applying and removing paint from his canvases, resulting in multilayered, tactile monochromatic surfaces. Chung Sang-Hwa: Excavations, 1964-78highlights a critical period in the artist's career in which he was immersed in the international avant-garde movements of both Asia and Europe. This fully illustrated volume includes an essay by critic Barry Schwabsky, a translated excerpt from the writings of Shin Young-Bok by Harvard professor David McCann, and an interview with Chung Sang-Hwa by Bona Yoo.
Publisher: Levy Gorvy
ISBN: 9781944379339
Category : Art
Languages : en
Pages : 76
Book Description
A leading figure of the Korean avant-garde Dansaekhwa group in dialogue with European abstraction Chung Sang-Hwa (born 1932) is a central figure of Dansaekhwa (also known as Tansaekhwa), an artistic movement in postwar Korea that offered a fundamentally different approach to modernist abstraction. Though the term translates literally to "monochrome painting," Dansaekhwa is rather characterized by its labor-intensive processes, repetitive gestures and reductionist aesthetics. Over his nearly six-decades-long career, Chung has developed a singular, meditative process of repetitively applying and removing paint from his canvases, resulting in multilayered, tactile monochromatic surfaces. Chung Sang-Hwa: Excavations, 1964-78highlights a critical period in the artist's career in which he was immersed in the international avant-garde movements of both Asia and Europe. This fully illustrated volume includes an essay by critic Barry Schwabsky, a translated excerpt from the writings of Shin Young-Bok by Harvard professor David McCann, and an interview with Chung Sang-Hwa by Bona Yoo.
Ha Chong-Hyun
Author:
Publisher: Gregory R. Miller
ISBN: 9781941366486
Category : Art
Languages : en
Pages : 127
Book Description
Sixty years of material innovation from the acclaimed Dansaekwha abstractionist Predominantly known for his minimalist "Dansaekwha" paintings, South Korean artist Ha Chong-Hyun (born 1935) has spent six decades pioneering new forms in abstract painting. Initially working in oil, collage, and mixed media, since the 1970s Ha's Conjunctionseries, colorful abstract works made by pushing thick oil paints through the back of coarse canvas to the front, have produced a wide array of textures and patterns that are entirely unique to his practice. This publication presents the work of the artist on the occasion of Ha's landmark retrospective exhibition as part of the 59th Biennale di Venezia. A curated selection of more than 20 works produced from the 1960s through today shows the breadth of the artist's creative experimentation in materials and methods, and is presented alongside images of the installation in Venice, essays, an illustrated historical timeline and artist biography.
Publisher: Gregory R. Miller
ISBN: 9781941366486
Category : Art
Languages : en
Pages : 127
Book Description
Sixty years of material innovation from the acclaimed Dansaekwha abstractionist Predominantly known for his minimalist "Dansaekwha" paintings, South Korean artist Ha Chong-Hyun (born 1935) has spent six decades pioneering new forms in abstract painting. Initially working in oil, collage, and mixed media, since the 1970s Ha's Conjunctionseries, colorful abstract works made by pushing thick oil paints through the back of coarse canvas to the front, have produced a wide array of textures and patterns that are entirely unique to his practice. This publication presents the work of the artist on the occasion of Ha's landmark retrospective exhibition as part of the 59th Biennale di Venezia. A curated selection of more than 20 works produced from the 1960s through today shows the breadth of the artist's creative experimentation in materials and methods, and is presented alongside images of the installation in Venice, essays, an illustrated historical timeline and artist biography.
Yun Hyong-keun
Author: David Anfam
Publisher:
ISBN: 9783775745826
Category : Monochrome painting
Languages : en
Pages : 153
Book Description
The comprehensive catalogue accompanying the exhibit at the Palazzo Fortuny in Venice features an internationally famous Korean artist whose work has received little attention in Germany until now. Yun Hyong-keun was one of the most prominent abstract monochromists. He belongs to a generation of artists whose influence over art has been crucial since the end of the Korean War. In the 1970s Yun Hyong-keun joined the Dansaekhwa movement, a leading group of Korean artists whose monochromatic paintings intensively explored the effects and nature of color. This volume is a cornucopia of artistic and personal materials from the estate of Yun Hyong-keun, which have provided profound insight into the life and work of one of the twentieth century's most important Korean artists.
Publisher:
ISBN: 9783775745826
Category : Monochrome painting
Languages : en
Pages : 153
Book Description
The comprehensive catalogue accompanying the exhibit at the Palazzo Fortuny in Venice features an internationally famous Korean artist whose work has received little attention in Germany until now. Yun Hyong-keun was one of the most prominent abstract monochromists. He belongs to a generation of artists whose influence over art has been crucial since the end of the Korean War. In the 1970s Yun Hyong-keun joined the Dansaekhwa movement, a leading group of Korean artists whose monochromatic paintings intensively explored the effects and nature of color. This volume is a cornucopia of artistic and personal materials from the estate of Yun Hyong-keun, which have provided profound insight into the life and work of one of the twentieth century's most important Korean artists.
Korean Art from 1953: Collision, Innovation and Interaction
Author: Yeon Shim Chung
Publisher: Phaidon Press
ISBN: 9780714878331
Category : Art
Languages : en
Pages : 0
Book Description
The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.
Publisher: Phaidon Press
ISBN: 9780714878331
Category : Art
Languages : en
Pages : 0
Book Description
The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.
Park Seo-Bo
Author: Rosa Maria Falvo
Publisher: Rizzoli Publications
ISBN: 8891833177
Category : Art
Languages : en
Pages : 0
Book Description
This is the definitive monograph on the “godfather” of Korean contemporary art, master painter Park Seo-Bo, also the founder of Korea’s Dansaekhwa movement. Park Seo-Bo was born in 1931, in Yecheon, Gyeo-ngbuk, South Korea, as part of a generation that was deeply affected by the Korean War (1950–1953). While in Paris in 1961, he initially experimented with Western abstraction. Returning to Korea, he began exploring a more introspective methodology based on Taoist and Buddhist philosophies, as well as traditional Korean calligraphy. Park is best known for his “Écriture” series of paintings. Beginning in the late 1960s, this lifelong work encapsulates his deeply spiritual approach, which is inextricably linked to notions of time, space, and materiality. Park began his practice using recurrent pencil lines incised into a monochromatic freshly painted surface. He later developed this language by applying hanji (traditional Korean handmade mulberry paper), to the surface of his canvases. Along with very precise introductions of color, this transformed his practice while continuing his quest for achieving “emptiness” through a meticulous process of reduction. Beautifully showcased in this seminal book, Park’s masterworks embody the core philosophy of contemplative mark-making. Evoking the natural landscapes and scenery of his motherland, Park’s keen sensibility for colors, shapes, and textures traces the memories of his childhood through to his invaluable artistic and educational legacies for Korea.
Publisher: Rizzoli Publications
ISBN: 8891833177
Category : Art
Languages : en
Pages : 0
Book Description
This is the definitive monograph on the “godfather” of Korean contemporary art, master painter Park Seo-Bo, also the founder of Korea’s Dansaekhwa movement. Park Seo-Bo was born in 1931, in Yecheon, Gyeo-ngbuk, South Korea, as part of a generation that was deeply affected by the Korean War (1950–1953). While in Paris in 1961, he initially experimented with Western abstraction. Returning to Korea, he began exploring a more introspective methodology based on Taoist and Buddhist philosophies, as well as traditional Korean calligraphy. Park is best known for his “Écriture” series of paintings. Beginning in the late 1960s, this lifelong work encapsulates his deeply spiritual approach, which is inextricably linked to notions of time, space, and materiality. Park began his practice using recurrent pencil lines incised into a monochromatic freshly painted surface. He later developed this language by applying hanji (traditional Korean handmade mulberry paper), to the surface of his canvases. Along with very precise introductions of color, this transformed his practice while continuing his quest for achieving “emptiness” through a meticulous process of reduction. Beautifully showcased in this seminal book, Park’s masterworks embody the core philosophy of contemplative mark-making. Evoking the natural landscapes and scenery of his motherland, Park’s keen sensibility for colors, shapes, and textures traces the memories of his childhood through to his invaluable artistic and educational legacies for Korea.