Author: Simon Knell
Publisher: Routledge
ISBN: 1317432428
Category : Social Science
Languages : en
Pages : 274
Book Description
Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fundamentally rewrites the history of these institutions and encourages the reader to dispense with elitist views of their worth, Knell reveals an unseen geography and a rich complexity of performance. He considers the ways the national galleries entangle art and nation, and the differing trajectories and purposes of international and national art. Exploring galleries, artists and artworks from around the world, National Galleries is an argument about how we think about and study these institutions. Privileging the situatedness of each national gallery performance, and valuing localism over universalism, Knell looks particularly at how national art is constructed and represented. He ends with examples that show the mutability of national art and by questioning the necessity of art nationalism.
National Galleries
Author: Simon Knell
Publisher: Routledge
ISBN: 1317432428
Category : Social Science
Languages : en
Pages : 274
Book Description
Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fundamentally rewrites the history of these institutions and encourages the reader to dispense with elitist views of their worth, Knell reveals an unseen geography and a rich complexity of performance. He considers the ways the national galleries entangle art and nation, and the differing trajectories and purposes of international and national art. Exploring galleries, artists and artworks from around the world, National Galleries is an argument about how we think about and study these institutions. Privileging the situatedness of each national gallery performance, and valuing localism over universalism, Knell looks particularly at how national art is constructed and represented. He ends with examples that show the mutability of national art and by questioning the necessity of art nationalism.
Publisher: Routledge
ISBN: 1317432428
Category : Social Science
Languages : en
Pages : 274
Book Description
Are national galleries different from other kinds of art gallery or museum? What value is there for the nation in a collection of international masterpieces? How are national galleries involved in the construction national art? National Galleries is the first book to undertake a panoramic view of a type of national institution – which are sometimes called national museums of fine art – that is now found in almost every nation on earth. Adopting a richly illustrated, globally inclusive, comparative view, Simon Knell argues that national galleries should not be understood as ‘great galleries’ but as peculiar sites where art is made to perform in acts of nation building. A book that fundamentally rewrites the history of these institutions and encourages the reader to dispense with elitist views of their worth, Knell reveals an unseen geography and a rich complexity of performance. He considers the ways the national galleries entangle art and nation, and the differing trajectories and purposes of international and national art. Exploring galleries, artists and artworks from around the world, National Galleries is an argument about how we think about and study these institutions. Privileging the situatedness of each national gallery performance, and valuing localism over universalism, Knell looks particularly at how national art is constructed and represented. He ends with examples that show the mutability of national art and by questioning the necessity of art nationalism.
Venetian Drawings
Author: Matthias Wivel
Publisher:
ISBN: 9788775510719
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9788775510719
Category :
Languages : en
Pages :
Book Description
Kirchner and Nolde
Author: Dorthe Aagesen
Publisher: Hirmer Verlag GmbH
ISBN: 9783777436883
Category : Art
Languages : en
Pages : 0
Book Description
The artists as explorers: the Expressionist artists Kirchner and Nolde studied non-Western lifestyles and incorporated them into their artistic projects. Between "armchair anthropology" practised in the museums and "field-work anthropology", which also took place in the colonies, both artists contributed to the construction of an (imagined) "other", offering an alternative to bourgeois, "civilised" society in Germany. Ernst Ludwig Kirchner and Emil Nolde both spent time between 1910-11 studying objects and materials in ethnographic museums, but before long they expanded their investigations to include travels to colonial regions (Nolde) and the staging of "exotic" studio environments (Kirchner). The publication examines how both approaches evolved through an interplay between art, early German anthropology and colonial enterprise within the German Empire at the beginning of the 20th century. It contains not only paintings, drawings, sculptures, photographs, posters and documents, but also a variety of texts offering a broad overview as well as relating a specific narrative.
Publisher: Hirmer Verlag GmbH
ISBN: 9783777436883
Category : Art
Languages : en
Pages : 0
Book Description
The artists as explorers: the Expressionist artists Kirchner and Nolde studied non-Western lifestyles and incorporated them into their artistic projects. Between "armchair anthropology" practised in the museums and "field-work anthropology", which also took place in the colonies, both artists contributed to the construction of an (imagined) "other", offering an alternative to bourgeois, "civilised" society in Germany. Ernst Ludwig Kirchner and Emil Nolde both spent time between 1910-11 studying objects and materials in ethnographic museums, but before long they expanded their investigations to include travels to colonial regions (Nolde) and the staging of "exotic" studio environments (Kirchner). The publication examines how both approaches evolved through an interplay between art, early German anthropology and colonial enterprise within the German Empire at the beginning of the 20th century. It contains not only paintings, drawings, sculptures, photographs, posters and documents, but also a variety of texts offering a broad overview as well as relating a specific narrative.
Baltic Light
Author: Catherine Johnston
Publisher: Yale University Press
ISBN: 0300081669
Category : Art
Languages : en
Pages : 244
Book Description
During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window from which light emanates. Essays by eminent authorities discuss various aspects of the Danish and North German open air movement. They note, for example, that the paintings reflect a direct view of nature devoid of the intellectual and moral overtones of the neoclassical paintings that preceded them. They also discuss the fact that Schleswig Holstein was closely allied with Denmark until 1848, and this favored many Hamburg and north German artists studying at the Academy in Copenhagen where painting out of doors was encouraged. In addition to the essays, the book presents 108 works by twenty-three artists, catalogue entries for each work, and a biography of each artist.
Publisher: Yale University Press
ISBN: 0300081669
Category : Art
Languages : en
Pages : 244
Book Description
During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window from which light emanates. Essays by eminent authorities discuss various aspects of the Danish and North German open air movement. They note, for example, that the paintings reflect a direct view of nature devoid of the intellectual and moral overtones of the neoclassical paintings that preceded them. They also discuss the fact that Schleswig Holstein was closely allied with Denmark until 1848, and this favored many Hamburg and north German artists studying at the Academy in Copenhagen where painting out of doors was encouraged. In addition to the essays, the book presents 108 works by twenty-three artists, catalogue entries for each work, and a biography of each artist.
Asger Jorn
Author: Dorthe Aagesen
Publisher:
ISBN: 9788792023537
Category : Art, Abstract
Languages : da
Pages : 279
Book Description
Publisher:
ISBN: 9788792023537
Category : Art, Abstract
Languages : da
Pages : 279
Book Description
Denmark
Author: Denmark. Udenrigsministeriet
Publisher:
ISBN:
Category : Denmark
Languages : en
Pages : 306
Book Description
1924- include also "Danish export firms."
Publisher:
ISBN:
Category : Denmark
Languages : en
Pages : 306
Book Description
1924- include also "Danish export firms."
Michel Sittow
Author: John Oliver Hand
Publisher: Yale University Press
ISBN: 9780300232868
Category : Art, Netherlandish
Languages : en
Pages : 0
Book Description
Michel Sittow (c. 1469-1525) was the greatest Estonian artist of the Renaissance. As his renown as a portraitist spread among the royal courts of Europe in the late fifteenth century, Sittow led the life of the itinerant artist, leaving his native Reval, the Hanseatic port city known today as Tallinn, to reside at courts in Spain, The Netherlands, and Denmark. Michel Sittow: Estonian Painter at the Courts of Renaissance Europe is the first monographic exhibit of this masterful artist's oeuvre. The 144-page catalog with 90 illustrations features rare paintings by Sittow and other art works by his contemporaries, along with insightful essays by leading European and American scholars including John Oliver Hand of the National Gallery of Art, Washington, and Greta Koppel of the Art Museum of Estonia, Tallinn.--Provided by publisher.
Publisher: Yale University Press
ISBN: 9780300232868
Category : Art, Netherlandish
Languages : en
Pages : 0
Book Description
Michel Sittow (c. 1469-1525) was the greatest Estonian artist of the Renaissance. As his renown as a portraitist spread among the royal courts of Europe in the late fifteenth century, Sittow led the life of the itinerant artist, leaving his native Reval, the Hanseatic port city known today as Tallinn, to reside at courts in Spain, The Netherlands, and Denmark. Michel Sittow: Estonian Painter at the Courts of Renaissance Europe is the first monographic exhibit of this masterful artist's oeuvre. The 144-page catalog with 90 illustrations features rare paintings by Sittow and other art works by his contemporaries, along with insightful essays by leading European and American scholars including John Oliver Hand of the National Gallery of Art, Washington, and Greta Koppel of the Art Museum of Estonia, Tallinn.--Provided by publisher.
Frames
Author: Henrik Bjerre
Publisher:
ISBN:
Category : Picture frames and framing
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Picture frames and framing
Languages : en
Pages : 256
Book Description
Danish Golden Age Painting
Author: David Jackson
Publisher:
ISBN: 9780300249996
Category :
Languages : en
Pages : 224
Book Description
A vibrant survey of visual culture in Golden Age Denmark (1801-1864).
Publisher:
ISBN: 9780300249996
Category :
Languages : en
Pages : 224
Book Description
A vibrant survey of visual culture in Golden Age Denmark (1801-1864).
Beyond the Light: Identity and Place in Nineteenth-Century Danish Art
Author: Freyda Spira
Publisher: Metropolitan Museum of Art
ISBN: 1588397335
Category : Art
Languages : en
Pages : 234
Book Description
Though known as the Danish Golden Age, nineteenth-century Denmark was one of the most tumultuous periods in the nation's history—from the disastrous siege of Copenhagen and the collapse of Denmark's monarchy to the swelling tide of nationalism that eventually engulfed all of Europe. This volume places artists at the center of Denmark's dramatic cultural, political, and philosophical transformation by bringing together 90 drawings, paintings, and oil sketches by Christoffer Wilhelm Eckersberg, Christen Købke, Constantin Hansen, Martinus Rørbye, Johan Thomas Lundbye, Vilhelm Hammershøi, and others. Five thematic essays by leading scholars in Denmark and the United States explore the way Danish artists manifested the pride, traditions, and anxieties of their nation; the sea's ever-changing role as a marker of Danish identity; the evolving nature of portraiture; nostalgia for the Danish landscape and folk traditions; and the influence on Danish artists of their travels throughout Europe.
Publisher: Metropolitan Museum of Art
ISBN: 1588397335
Category : Art
Languages : en
Pages : 234
Book Description
Though known as the Danish Golden Age, nineteenth-century Denmark was one of the most tumultuous periods in the nation's history—from the disastrous siege of Copenhagen and the collapse of Denmark's monarchy to the swelling tide of nationalism that eventually engulfed all of Europe. This volume places artists at the center of Denmark's dramatic cultural, political, and philosophical transformation by bringing together 90 drawings, paintings, and oil sketches by Christoffer Wilhelm Eckersberg, Christen Købke, Constantin Hansen, Martinus Rørbye, Johan Thomas Lundbye, Vilhelm Hammershøi, and others. Five thematic essays by leading scholars in Denmark and the United States explore the way Danish artists manifested the pride, traditions, and anxieties of their nation; the sea's ever-changing role as a marker of Danish identity; the evolving nature of portraiture; nostalgia for the Danish landscape and folk traditions; and the influence on Danish artists of their travels throughout Europe.