Author: Catherine Francblin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 88
Book Description
Daniel Buren
Author: Catherine Francblin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 88
Book Description
Eye on Europe
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870703713
Category : Art
Languages : en
Pages : 338
Book Description
An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
Publisher: The Museum of Modern Art
ISBN: 9780870703713
Category : Art
Languages : en
Pages : 338
Book Description
An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
Metamorphoses-- Works in Situ
Author: Daniel Buren
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 26
Book Description
Neo-Avantgarde and Culture Industry
Author: Benjamin H. D. Buchloh
Publisher: MIT Press
ISBN: 9780262523479
Category : Design
Languages : en
Pages : 638
Book Description
Eighteen essays written by Buchloh over the last twenty years, each looking at a single artist within the framework of specific theoretical and historical questions. Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Realisme in France (Arman, Yves Klein, Jacques de la Villegle) art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman). One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchloh's method, which integrates formalist and socio-historical approaches specific to each subject.
Publisher: MIT Press
ISBN: 9780262523479
Category : Design
Languages : en
Pages : 638
Book Description
Eighteen essays written by Buchloh over the last twenty years, each looking at a single artist within the framework of specific theoretical and historical questions. Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Realisme in France (Arman, Yves Klein, Jacques de la Villegle) art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman). One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchloh's method, which integrates formalist and socio-historical approaches specific to each subject.
Achtung! Texte 1969-1994
Author: Daniel Buren
Publisher: Routledge
ISBN: 100016117X
Category : Political Science
Languages : de
Pages : 426
Book Description
Für diesen Band wurden Texte von Daniel Buren ausgewählt, die seine künstlerische wie theoretische Arbeit seit 1967 besonders anschaulich dokumentieren. Vor allem die Schriften, die bereits einen festen Platz in der kunstgeschichtlichen Literatur einnehmen, wurden ausnahmslos aufgenommen. Für eine detaillierte Auseinandersetzung mit allen Formen der Textproduktion Bürens - vor allem den zahlreichen Werkbeschreibungen und Interviews - verweisen wir auf die dreibändige Schriftenausgabe Daniel Buren. Les Ecrits (1965-1990), die 1991 vom Musée d’art contemporain de Bordeaux herausgegeben wurde. Die Texte erscheinen in chronologischer Reihenfolge. Texts by Daniel Buren were selected for this volume, his artistic and theoretical work Documented particularly clearly since 1967. In front all the fonts that already have a permanent place in the occupy literature on art history recorded without exception. For a detailed discussion with all forms of text production Bürens - especially the numerous work descriptions and interviews - we refer to the three-volume. Written edition by Daniel Buren. Les Ecrits (1965-1990), the 1991 of the Musée d’art contemporain de Bordeaux was issued. The texts appear in chronological order.
Publisher: Routledge
ISBN: 100016117X
Category : Political Science
Languages : de
Pages : 426
Book Description
Für diesen Band wurden Texte von Daniel Buren ausgewählt, die seine künstlerische wie theoretische Arbeit seit 1967 besonders anschaulich dokumentieren. Vor allem die Schriften, die bereits einen festen Platz in der kunstgeschichtlichen Literatur einnehmen, wurden ausnahmslos aufgenommen. Für eine detaillierte Auseinandersetzung mit allen Formen der Textproduktion Bürens - vor allem den zahlreichen Werkbeschreibungen und Interviews - verweisen wir auf die dreibändige Schriftenausgabe Daniel Buren. Les Ecrits (1965-1990), die 1991 vom Musée d’art contemporain de Bordeaux herausgegeben wurde. Die Texte erscheinen in chronologischer Reihenfolge. Texts by Daniel Buren were selected for this volume, his artistic and theoretical work Documented particularly clearly since 1967. In front all the fonts that already have a permanent place in the occupy literature on art history recorded without exception. For a detailed discussion with all forms of text production Bürens - especially the numerous work descriptions and interviews - we refer to the three-volume. Written edition by Daniel Buren. Les Ecrits (1965-1990), the 1991 of the Musée d’art contemporain de Bordeaux was issued. The texts appear in chronological order.
On Kawara - Silence
Author: Daniel Buren
Publisher: Guggenheim Museum
ISBN: 9780892075195
Category : Art
Languages : en
Pages : 264
Book Description
"Published on the occasion of the exhibition On Kawara -- Silence. Organized by Jeffrey Weiss with Anne Wheeler, Solomon R. Guggenheim Museum, New York, February 6-May 3, 2015"--Colophon.
Publisher: Guggenheim Museum
ISBN: 9780892075195
Category : Art
Languages : en
Pages : 264
Book Description
"Published on the occasion of the exhibition On Kawara -- Silence. Organized by Jeffrey Weiss with Anne Wheeler, Solomon R. Guggenheim Museum, New York, February 6-May 3, 2015"--Colophon.
The Fall of the Studio
Author: Wouter Davidts
Publisher: Valiz
ISBN:
Category : Art criticism
Languages : en
Pages : 264
Book Description
Valiz's Antennae series picks up new currents in the arts and commissions essays that transmit current waves of thought. The Fall of the Studio: Artists at Work, a collection of new essays examining the role and significance of the artist's studio in the cultural production and criticism of the second half of the twentieth century, is its first publication. It critically assesses the changes that have occurred in the nature and function of the artist's studio from the postwar period on. A blend of art history, art criticism and art theory, written in an accessible, non-academic style, the book illuminates a number of artists' studio habits--from the 1960s through the present--including Eva Hesse, Mark Rothko, Olafur Eliasson, Bruce Nauman, Robert Morris, Daniel Buren, Martin Kippenberger, Paul McCarthy, Jason Rhoades and Jan De Cock.
Publisher: Valiz
ISBN:
Category : Art criticism
Languages : en
Pages : 264
Book Description
Valiz's Antennae series picks up new currents in the arts and commissions essays that transmit current waves of thought. The Fall of the Studio: Artists at Work, a collection of new essays examining the role and significance of the artist's studio in the cultural production and criticism of the second half of the twentieth century, is its first publication. It critically assesses the changes that have occurred in the nature and function of the artist's studio from the postwar period on. A blend of art history, art criticism and art theory, written in an accessible, non-academic style, the book illuminates a number of artists' studio habits--from the 1960s through the present--including Eva Hesse, Mark Rothko, Olafur Eliasson, Bruce Nauman, Robert Morris, Daniel Buren, Martin Kippenberger, Paul McCarthy, Jason Rhoades and Jan De Cock.
Art in the Periphery of the Center
Author: Christoph Behnke
Publisher:
ISBN: 9783956790775
Category : Art, Modern
Languages : en
Pages : 0
Book Description
This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law-based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows - which also included the works of winners of the Daniel Frese Prize - at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.
Publisher:
ISBN: 9783956790775
Category : Art, Modern
Languages : en
Pages : 0
Book Description
This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today's power law-based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows - which also included the works of winners of the Daniel Frese Prize - at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.
Cuba Talks
Author: Laura Salas Redondo
Publisher: Rizzoli Publications
ISBN: 8891820601
Category : Art
Languages : en
Pages : 346
Book Description
A stunning visual survey of the arts scene of Cuba since the 1980s, this is a must-have book for all contemporary art lovers. This unique volume describes how powerful the Cuban art experience has become, especially after the emergence of Cuba's strong generation of young creatives on the Latin American art scene in the 1980s. It includes twenty-eight artists selected by the curators and introduced through contributions and interviews. Today, many of the contemporary Cuban artists can be found in the collections of some of the world's premier museums and art galleries. Now that Cuba and the United States have opened a new chapter in their relations, Cuban art is poised to be the next big thing in the art world.
Publisher: Rizzoli Publications
ISBN: 8891820601
Category : Art
Languages : en
Pages : 346
Book Description
A stunning visual survey of the arts scene of Cuba since the 1980s, this is a must-have book for all contemporary art lovers. This unique volume describes how powerful the Cuban art experience has become, especially after the emergence of Cuba's strong generation of young creatives on the Latin American art scene in the 1980s. It includes twenty-eight artists selected by the curators and introduced through contributions and interviews. Today, many of the contemporary Cuban artists can be found in the collections of some of the world's premier museums and art galleries. Now that Cuba and the United States have opened a new chapter in their relations, Cuban art is poised to be the next big thing in the art world.
Jérémy Demester
Author: JRMY. DEMESTER
Publisher:
ISBN: 9783947127030
Category : Installations (Art)
Languages : en
Pages : 62
Book Description
This book presents a show of interrelated paintings and sculptures by French artist Jérémy Demester (born 1988). An essay by psychoanalyst Annabelle Gugnon, exploring the mythical themes of his work, accompanies images of "undead still lifes," sky paintings and totemlike sculptures.
Publisher:
ISBN: 9783947127030
Category : Installations (Art)
Languages : en
Pages : 62
Book Description
This book presents a show of interrelated paintings and sculptures by French artist Jérémy Demester (born 1988). An essay by psychoanalyst Annabelle Gugnon, exploring the mythical themes of his work, accompanies images of "undead still lifes," sky paintings and totemlike sculptures.