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Author: Sally Banes Publisher: Routledge ISBN: 1134833180 Category : Performing Arts Languages : en Pages : 294
Book Description
Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.
Author: Sally Banes Publisher: Routledge ISBN: 1134833180 Category : Performing Arts Languages : en Pages : 294
Book Description
Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.
Author: Usha Iyer Publisher: Oxford University Press ISBN: 0190938765 Category : Performing Arts Languages : en Pages : 305
Book Description
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia's most popular cultural forms — cinema and dance — historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the "choreomusicking body" and "dance musicalization," aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic "techno-spectacles," Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.
Author: Sharon E. Friedler Publisher: Routledge ISBN: 1134397976 Category : Performing Arts Languages : en Pages : 348
Book Description
How do women set up institutions? How has higher education helped or hindered women in the world of dance? These are some of the questions addressed through interviews and researched by the educators and dancers Sharon E. Friedler and Susan B. Glazer in Dancing Female . In dealing with some of the tensions, joys, frustrations, and fears women experience at various points of their creative lives, the contributors strike a balance between a theoretical sense of feminism and its practice in reality. This book presents answers to basic questions about women, power, and action. Why do women choreographers choose to create the dances they do in the manner they do? How do women in dance work independently and organizationally?
Author: Cutcha Risling Baldy Publisher: University of Washington Press ISBN: 029574345X Category : Social Science Languages : en Pages : 212
Book Description
“I am here. You will never be alone. We are dancing for you.” So begins Cutcha Risling Baldy’s deeply personal account of the revitalization of the women’s coming-of-age ceremony for the Hoopa Valley Tribe. At the end of the twentieth century, the tribe’s Flower Dance had not been fully practiced for decades. The women of the tribe, recognizing the critical importance of the tradition, undertook its revitalization using the memories of elders and medicine women and details found in museum archives, anthropological records, and oral histories. Deeply rooted in Indigenous knowledge, Risling Baldy brings us the voices of people transformed by cultural revitalization, including the accounts of young women who have participated in the Flower Dance. Using a framework of Native feminisms, she locates this revival within a broad context of decolonizing praxis and considers how this renaissance of women’s coming-of-age ceremonies confounds ethnographic depictions of Native women; challenges anthropological theories about menstruation, gender, and coming-of-age; and addresses gender inequality and gender violence within Native communities.
Author: Elizabeth Kane Buzzelli Publisher: Beyond The Page ISBN: 1940846951 Category : Fiction Languages : en Pages : 208
Book Description
Fans of Louise Penny will love the Emily Kincaid mysteries by Elizabeth Kane Buzzelli! “Every woman who’s ever struggled with saying no, fitting in, and balancing independence against loneliness will adore first-timer Emily.” —Kirkus Reviews Following an ugly divorce and the death of her father, Emily Kincaid decides what she needs most is peace and quiet and time to think, so the part-time journalist and full-time struggling mystery writer relocates to a remote house in the woods of northern Michigan. When a severed head shows up in her garbage can, Emily knows she’s been singled out, and suddenly her peaceful solitude feels a lot like isolation and vulnerability. Discovering that the victim was a member of the Women of the Moon, a group of older local ladies who sing and dance around a bonfire in the woods late at night, Emily’s at a loss to know why anyone would want to hurt one of them. The women claim it’s a harmless act in praise of Mother Earth, a way to feel young again, but certain townspeople don’t see it that way. As Emily digs deeper, more of the women are turning up dead. Knowing she’ll have to root out a killer to save her peaceful paradise, Emily teams up with the cantankerous Deputy Dolly and begins navigating between eccentric town gossips and reclusive neighbors who would rather be left alone. When the killer gets too close for comfort, Emily knows she’ll have to put aside her fears before the natural life she’s chosen comes to a grisly and very unnatural end. Rave reviews for the Emily Kincaid Mysteries: Dead Dogs and Englishmen A Kirkus Reviews Best Book of 2011! “Buzzelli will have you packing your bags for a move to northern Michigan.” —Kirkus Reviews (starred review) “Emily is a detective for our times: She can’t afford health care, but she can make flour out of cat tails and work three jobs at once.” —Christian Science Monitor Dead Sleeping Shaman “Buzzelli’s well-crafted third Emily Kincaid . . . [features] sharp prose and spirited characterizations.” —Publishers Weekly “The appeal of this third in the series comes both from Emily—a likable character forging a new life after her divorce—and the evocatively described, nicely detailed small-town setting.” —Booklist Praise for A Most Curious Murder: “Fans of [Lewis] Carroll will delight in Zoe’s flights of fancy, and the northern Michigan setting in all its splendor is a charmer . . . an entertaining series with a quirky premise and captivating characters.” —Library Journal “This quirky, clever cozy series launch . . . [is] hard to resist.” —Publishers Weekly “Quirky main characters, lyrical dialogue and a story sure to appeal to bookworms as well as cozy mystery fans are all elements that give this novel a distinctive voice. A clever mystery and intriguing supporting cast round out the mix.” —RT Book Reviews (four star review)
Author: Usha Iyer Publisher: ISBN: 0190938730 Category : Music Languages : en Pages : 305
Book Description
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia's most popular cultural forms -- cinema and dance -- historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the "choreomusicking body" and "dance musicalization," aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic "techno-spectacles," Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.
Author: Johanna Leseho Publisher: Findhorn Press ISBN: 1844093840 Category : Performing Arts Languages : en Pages : 225
Book Description
The essays in this dynamic compilation are a testament to dance as a healing art. Widely interdisciplinary in nature and written by women dancers from around the world, they illustrate a rich array of dance practices, cultures, and disciplines and show how this expressive therapy can be both empowering and exhilarating. The women’s narratives all share a deep appreciation for the connection between mental, spiritual, and physical dimensions, offering dance as a transformative power of renewing and rebuilding that bond. Both personal and professional, the stories weave a vivid tapestry of lived experiences and insights, balance, and a community healed by dance.
Author: Ananya Chatterjea Publisher: ISBN: 9780295749549 Category : Art and dance Languages : en Pages : 296
Book Description
"Dancing Transnational Feminisms brings together reflections and critical responses about the embodied creative practices that have been part of the work of Ananya Dance Theatre (ADT), a Twin Cities-based dance company of women of color who work at the intersections of artistic excellence and social justice. Focusing on ADT's creative processes and organizational strategies, the book highlights how women and femme artists of color, working with a marginalized movement aesthetic, claim and transform the spaces of contemporary concert dance into sites of empowerment, resistance, and knowledge production. Blending essays with epistolary texts, interviews and poems, the collection's contributors offer up a multigenre exploration of how dance and other artistic undertakings can be intersectionally reimagined. Building on more than fifteen years of collaborative dance-making and sustained dialogues, Dancing Transnational Feminisms delves into timely questions surrounding race and performance, art and politics, global and local inequities and the responsibilities of artists towards the communities they come from"--
Author: Carolyn Graves-Brown Publisher: Bloomsbury Publishing ISBN: 1441161228 Category : History Languages : en Pages : 264
Book Description
The fragmentary evidence allows us only tantalising glimpses of the sophisticated and complex society of the ancient Egyptians, but the Greek historian Herodotus believed that the Egyptians had 'reversed the ordinary practices of mankind' in treating their women better than any of the other civilizations of the ancient world . Carolyn Graves-Brown draws on funerary remains, tomb paintings, architecture and textual evidence to explore all aspects of women in Egypt from goddesses and queens to women as the 'vessels of creation'. Perhaps surprisingly the most common career for women, after housewife and mother, was the priesthood, where women served deities, notably Hathor, with music and dance. Many would come to the temples of Hathor to have their dreams interpreted, or to seek divine inspiration. This is a wide ranging and revealing account told with authority and verve.
Author: Sally Banes
Author: Sally Banes
Author: Usha Iyer
Author: Sharon E. Friedler
Author: Cutcha Risling Baldy
Author: Elizabeth Kane Buzzelli
Author: Usha Iyer
Author: Johanna Leseho
Author: Karen Eliot
Author: Ananya Chatterjea
Author: Carolyn Graves-Brown