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Author: Kwakiutl L. Dreher Publisher: State University of New York Press ISBN: 0791479129 Category : Social Science Languages : en Pages : 240
Book Description
Dancing on the White Page examines the popular autobiographies of six well-known Black women entertainers—Diahann Carroll, Dorothy Dandridge, Lena Horne, Eartha Kitt, Whoopi Goldberg, and Mary Wilson—and makes a case for adding Black celebrity autobiography to the African American literary canon. As she explores these women's fascinating stories, Kwakiutl L. Dreher reveals how each one improvises the choreography of her life to survive and thrive in the film, television, and music industries, as well as the politically charged environment of the Black community, most specifically represented by the NAACP. Reading each autobiography as a site of self-revelation, Dreher discovers stories of Black self-determination along with the fight for liberation from oppression and racial and gender discrimination. She explores each woman's full meaning in American culture at large and in American entertainment culture in particular.
Author: Kwakiutl L. Dreher Publisher: State University of New York Press ISBN: 0791479129 Category : Social Science Languages : en Pages : 240
Book Description
Dancing on the White Page examines the popular autobiographies of six well-known Black women entertainers—Diahann Carroll, Dorothy Dandridge, Lena Horne, Eartha Kitt, Whoopi Goldberg, and Mary Wilson—and makes a case for adding Black celebrity autobiography to the African American literary canon. As she explores these women's fascinating stories, Kwakiutl L. Dreher reveals how each one improvises the choreography of her life to survive and thrive in the film, television, and music industries, as well as the politically charged environment of the Black community, most specifically represented by the NAACP. Reading each autobiography as a site of self-revelation, Dreher discovers stories of Black self-determination along with the fight for liberation from oppression and racial and gender discrimination. She explores each woman's full meaning in American culture at large and in American entertainment culture in particular.
Author: Margarita Engle Publisher: Atheneum Books for Young Readers ISBN: 148148740X Category : Juvenile Nonfiction Languages : en Pages : 40
Book Description
Winner of the Pura Belpré Illustrator Award A Kirkus Reviews Best Picture Book In soaring words and stunning illustrations, Margarita Engle and Rafael López tell the story of Teresa Carreño, a child prodigy who played piano for Abraham Lincoln. As a little girl, Teresa Carreño loved to let her hands dance across the beautiful keys of the piano. If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee to the United States. Teresa felt lonely in this unfamiliar place, where few of the people she met spoke Spanish. Worst of all, there was fighting in her new home, too—the Civil War. Still, Teresa kept playing, and soon she grew famous as the talented Piano Girl who could play anything from a folk song to a sonata. So famous, in fact, that President Abraham Lincoln wanted her to play at the White House! Yet with the country torn apart by war, could Teresa’s music bring comfort to those who needed it most?
Author: Hal Leonard Corp. Publisher: Hal Leonard ISBN: 1476818193 Category : Music Languages : en Pages : 960
Book Description
(Guitar Chord Songbook). This fantastic collection features lyrics, chord symbols, and guitar chord diagrams for 400 hits across decades and genres, such as: All Along the Watchtower * Back to December * Band on the Run * Bennie and the Jets * Brick House * California Girls * Couldn't Stand the Weather * Daydream * Evil Woman * Footloose * The Gambler * Good Lovin' * Hey Jude * Hollywood Nights * I Love Rock 'N Roll * Jump * King of the Road * Livin' on a Prayer * Man in the Mirror * Ob-La-Di, Ob-La-Da * The Rainbow Connection * Smoke on the Water * That'll Be the Day * Walkin' After Midnight * Wild Thing * Your Mama Don't Dance * and many more.
Author: Gabriele Brandstetter Publisher: Oxford University Press ISBN: 019991656X Category : Performing Arts Languages : en Pages : 457
Book Description
When it was first published in Germany in 1995, Poetics of Dance was already seen as a path-breaking publication, the first to explore the relationships between the birth of modern dance, new developments in the visual arts, and the renewal of literature and drama in the form of avant-garde theatrical and movement productions of the early twentieth-century. Author Gabriele Brandstetter established in this book not only a relation between dance and critical theory, but in fact a full interdisciplinary methodology that quickly found foothold with other areas of research within dance studies. The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity. As Brandstetter demonstrates, the aesthetic renewal of dance vocabulary which was pursued by modern dancers on both sides of the Atlantic - Isadora Duncan and Loie Fuller, Valeska Gert and Oskar Schlemmer, Vaslav Nijinsky and Michel Fokine - unfurled itself in new ideas about gender and subjectivity in the arts more generally, thus reflecting the modern experience of life and the self-understanding of the individual as an individual. As a whole, the book makes an important contribution to the theory of modernity.
Author: Karen Barbour Publisher: Intellect Books ISBN: 1841505013 Category : Performing Arts Languages : en Pages : 194
Book Description
An innovative exploration of understanding through dance, Dancing across the Page draws on the frameworks of phenomenology, feminism, and postmodernism to offer readers an understanding of performance studies that is grounded in personal narrative and lived experience. Through accounts of contemporary dance making, improvisation, and dance education, Karen Barbour explores a diversity of themes, including power; activism; and cultural, gendered, and personal identity. An intimate yet rigorous investigation of creativity in dance, Dancing across the Page emphasizes embodied knowledge and imagination as a basis for creative action in the world.
Author: Adam Shoemaker Publisher: ANU E Press ISBN: 0975122967 Category : Literary Criticism Languages : en Pages : 335
Book Description
This award-winning study - the first comprehensive treatment of the nature and significance of Indigenous Australian literature - was based upon the author's doctoral research at the ANU.
Author: Kwakiutl L. Dreher Publisher: SUNY Press ISBN: 9780791472835 Category : Social Science Languages : en Pages : 237
Book Description
Investigates the literary voices of six Black women entertainers and how they negotiated the tensions between the entertainment industries and the Black community.
Author: Ruth Feldstein Publisher: Oxford University Press ISBN: 019971827X Category : History Languages : en Pages : 305
Book Description
Winner of the Benjamin L. Hooks National Book Award Winnter of the Michael Nelson Prize of the International Association for Media and History In 1964, Nina Simone sat at a piano in New York's Carnegie Hall to play what she called a "show tune." Then she began to sing: "Alabama's got me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam!" Simone, and her song, became icons of the civil rights movement. But her confrontational style was not the only path taken by black women entertainers. In How It Feels to Be Free, Ruth Feldstein examines celebrated black women performers, illuminating the risks they took, their roles at home and abroad, and the ways that they raised the issue of gender amid their demands for black liberation. Feldstein focuses on six women who made names for themselves in the music, film, and television industries: Simone, Lena Horne, Miriam Makeba, Abbey Lincoln, Diahann Carroll, and Cicely Tyson. These women did not simply mirror black activism; their performances helped constitute the era's political history. Makeba connected America's struggle for civil rights to the fight against apartheid in South Africa, while Simone sparked high-profile controversy with her incendiary lyrics. Yet Feldstein finds nuance in their careers. In 1968, Hollywood cast the outspoken Lincoln as a maid to a white family in For Love of Ivy, adding a layer of complication to the film. That same year, Diahann Carroll took on the starring role in the television series Julia. Was Julia a landmark for casting a black woman or for treating her race as unimportant? The answer is not clear-cut. Yet audiences gave broader meaning to what sometimes seemed to be apolitical performances. How It Feels to Be Free demonstrates that entertainment was not always just entertainment and that "We Shall Overcome" was not the only soundtrack to the civil rights movement. By putting black women performances at center stage, Feldstein sheds light on the meanings of black womanhood in a revolutionary time.
Author: Kwakiutl L. Dreher
Author: Kwakiutl L. Dreher
Author: Caroline Joan Picart
Author: Margarita Engle
Author: Hal Leonard Corp.
Author: Gabriele Brandstetter
Author: Karen Barbour
Author: Adam Shoemaker
Author: Kwakiutl L. Dreher
Author: Ruth Feldstein
Author: Ruth Feldstein