Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Dancing Black, Dancing White PDF full book. Access full book title Dancing Black, Dancing White by Julie Malnig. Download full books in PDF and EPUB format.
Author: Julie Malnig Publisher: Oxford University Press ISBN: 0197536255 Category : Music Languages : en Pages : 241
Book Description
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The 1950s was a watershed decade for American culture and dance. The era witnessed the ascendancy of rock and roll music and recorded sound, the rise of the teenager as a marketing demographic, the beginnings of television, and a new phase of the country's struggle with race. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.
Author: Julie Malnig Publisher: Oxford University Press ISBN: 0197536255 Category : Music Languages : en Pages : 241
Book Description
Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The 1950s was a watershed decade for American culture and dance. The era witnessed the ascendancy of rock and roll music and recorded sound, the rise of the teenager as a marketing demographic, the beginnings of television, and a new phase of the country's struggle with race. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.
Author: B. Gottschild Publisher: Springer ISBN: 1137039000 Category : Social Science Languages : en Pages : 349
Book Description
What is the essence of black dance in America? To answer that question, Brenda Dixon Gottschild maps an unorthodox 'geography', the geography of the black dancing body, to show the central place black dance has in American culture. From the feet to the butt, to hair to skin/face, and beyond to the soul/spirit, Brenda Dixon Gottschild talks to some of the greatest choreographers of our day including Garth Fagan, Francesca Harper, Meredith Monk, Brenda Buffalino, Doug Elkins, Ralph Lemon, Fernando Bujones, Bill T. Jones, Trisha Brown, Jawole Zollar, Bebe Miller, Sean Curran and Shelly Washington to look at the evolution of black dance and it's importance to American culture. This is a groundbreaking piece of work by one of the foremost African-American dance critics of our day.
Author: Kwakiutl L. Dreher Publisher: SUNY Press ISBN: 9780791472842 Category : Social Science Languages : en Pages : 242
Book Description
Investigates the literary voices of six Black women entertainers and how they negotiated the tensions between the entertainment industries and the Black community.
Author: Julie Malnig Publisher: Oxford University Press, USA ISBN: 9780197536261 Category : Music Languages : en Pages : 0
Book Description
"Dancing Black, Dancing White: Rock and Roll, Race, and Youth Culture of the 1950s and Early 1960s explores the phenomenon of rock and roll dance of the 1950s and early 1960s, a time of egregious racial prejudice and segregation in the U.S., through the lens of the popular televised teen dance program. Both dance history and social history, Dancing Black, Dancing White traces the experiences of Black and white teenagers as they traverse the enticing world of rock and roll music and dance. Several occurrences took shape during this time: the ascendancy of rock and roll music and recorded sound; the rise of the "teenager"; the beginnings of television, and the country's struggle with race. The shows were primarily segregated, and the book examines how white teenagers took Black dances and dance styles into their own bodies. At the same time, the book explores the few all-Black teen dance shows that existed-before Soul Train-and considers how both white and Black teenagers navigated the color line. While their experiences differed, in both cases the desire of the teenagers was to have a space of their own where they could be seen, heard, appreciated, and understood, and in many ways the teen dance shows fulfilled these aims"--
Author: Thomas DeFrantz Publisher: Oxford University Press, USA ISBN: 9780195301717 Category : Biography & Autobiography Languages : en Pages : 324
Book Description
He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.
Author: Judy Cooper Publisher: ISBN: 9780917860829 Category : African American fraternal organizations Languages : en Pages : 0
Book Description
"Explores the history, social ties, fashion, dance, and music of second lines, participatory parades put on by New Orleans's network of social aid and pleasure clubs. "Dancing in the Streets" brings together historical photographs with the work of ten contemporary second line photographers, profiles all clubs active today, and explores the effect of the COVID-19 pandemic on the tradition"--
Author: Christy Adair Publisher: Taylor & Francis ISBN: 1317429591 Category : Performing Arts Languages : en Pages : 207
Book Description
British Dance, Black Routes is an outstanding collection of writings which re-reads the achievements of Black British dance artists, and places them within a broad historical, cultural and artistic context. Until now discussion of choreography by Black dance practitioners has been dominated by the work of African-American artists, facilitated by the civil rights movement. But the work produced by Black British artists has in part been within the context of Britain’s colonial legacy. Ramsay Burt and Christy Adair bring together an array of leading scholars and practitioners to review the singularity and distinctiveness of the work of British-based dancers who are Black and its relation to the specificity of Black British experiences. From sub-Saharan West African and Caribbean dance forms to jazz and hip-hop, British Dance, Black Routes looks afresh at over five decades of artistic production to provide an unparalleled resource for dance students and scholars. Appendix 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Constance Valis Hill Publisher: Oxford University Press ISBN: 0199745897 Category : Performing Arts Languages : en Pages : 463
Book Description
Here is the vibrant, colorful, high-stepping story of tap -- the first comprehensive, fully documented history of a uniquely American art form, exploring all aspects of the intricate musical and social exchange that evolved from Afro-Irish percussive step dances like the jig, gioube, buck-and-wing, and juba to the work of such contemporary tap luminaries as Gregory Hines, Brenda Bufalino, Dianne Walker, and Savion Glover. In Tap Dancing America, Constance Valis Hill, herself an accomplished jazz tap dancer, choreographer, and performance scholar, begins with a dramatic account of a buck dance challenge between Bill "Bojangles" Robinson and Harry Swinton at Brooklyn's Bijou Theatre, on March 30, 1900, and proceeds decade by decade through the 20th century to the present day. She vividly describes tap's musical styles and steps -- from buck-and-wing and ragtime stepping at the turn of the century; jazz tapping to the rhythms of hot jazz, swing, and bebop in the '20s, '30s and '40s; to hip-hop-inflected hitting and hoofing in heels (high and low) from the 1990s right up to today. Tap was long considered "a man's game," and Hill's is the first history to highlight such outstanding female dancers as Ada Overton Walker, Kitty O'Neill, and Alice Whitman, at the turn of the 20th century, as well as the pioneering women composers of the tap renaissance, in the 70s and 80s, and the hard-hitting rhythm-tapping women of the millennium such as Chloe Arnold, Ayodele Casel, Michelle Dorrance, and Dormeshia Sumbry Edwards. Written with uncanny foresight, the book features dancers who have become international touring artists and have performed on Broadway, won Emmy and Tony Awards, and received the prestigious Dance Magazine, Adele and Fred Astaire, and Jacob's Pillow Dance awards. Presented with all the verve and grace of tap itself and drawing on eyewitness accounts of early performances as well as interviews with today's greatest tappers, Tap Dancing America fills a major gap in American dance history and places tap firmly center stage.
Author: Judith Jamison Publisher: Doubleday Books ISBN: Category : Biography & Autobiography Languages : en Pages : 294
Book Description
The candid and provocative autobiography of the first black superstar of American dance. Voices of those who have known and worked with her through the years are interwoven with Jamison's own to make Dancing Spirit a vivid portrait of a life lived without a moment's waste. 45 photos.
Author: Julie Malnig
Author: Julie Malnig
Author: B. Gottschild
Author: Kwakiutl L. Dreher
Author: Julie Malnig
Author: Thomas DeFrantz
Author: Judy Cooper
Author: Katrina Hazzard-Gordon
Author: Christy Adair
Author: Constance Valis Hill
Author: Judith Jamison