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Author: Sherrie Tucker Publisher: Duke University Press ISBN: 0822376202 Category : History Languages : en Pages : 447
Book Description
Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the "Greatest Generation." Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the "Good War" in popular culture narratives. For Tucker, swing dancing's torque—bodies sharing weight, velocity, and turning power without guaranteed outcomes—is an apt metaphor for the jostling narratives, different perspectives, unsteady memories, and quotidian acts that comprise social history.
Author: Sherrie Tucker Publisher: Duke University Press ISBN: 0822376202 Category : History Languages : en Pages : 447
Book Description
Open from 1942 until 1945, the Hollywood Canteen was the most famous of the patriotic home front nightclubs where civilian hostesses jitterbugged with enlisted men of the Allied Nations. Since the opening night, when the crowds were so thick that Bette Davis had to enter through the bathroom window to give her welcome speech, the storied dance floor where movie stars danced with soldiers has been the subject of much U.S. nostalgia about the "Greatest Generation." Drawing from oral histories with civilian volunteers and military guests who danced at the wartime nightclub, Sherrie Tucker explores how jitterbugging swing culture has come to represent the war in U.S. national memory. Yet her interviewees' varied experiences and recollections belie the possibility of any singular historical narrative. Some recall racism, sexism, and inequality on the nightclub's dance floor and in Los Angeles neighborhoods, dynamics at odds with the U.S. democratic, egalitarian ideals associated with the Hollywood Canteen and the "Good War" in popular culture narratives. For Tucker, swing dancing's torque—bodies sharing weight, velocity, and turning power without guaranteed outcomes—is an apt metaphor for the jostling narratives, different perspectives, unsteady memories, and quotidian acts that comprise social history.
Author: Tim Lawrence Publisher: Duke University Press ISBN: 0822373920 Category : Music Languages : en Pages : 425
Book Description
As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city’s subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
Author: Sally Banes Publisher: Duke University Press ISBN: 9780822313991 Category : Performing Arts Languages : en Pages : 292
Book Description
Judson Dance Theater involved such collaborators as Merce Cunningham, Yvonne Rainer, Steve Paxton, Carolee Schneemann, Trisha Brown, Robert Rauschenberg, David Tudor, et al.
Author: Ariel Nereson Publisher: University of Michigan Press ISBN: 0472129643 Category : Performing Arts Languages : en Pages : 291
Book Description
On the 200th anniversary of Abraham Lincoln’s birth, renowned choreographer and director Bill T. Jones developed three tributes: Serenade/The Proposition, 100 Migrations, and Fondly Do We Hope . . . Fervently Do We Pray. These widely acclaimed dance works incorporated video and audio text from Lincoln’s writings as they examined key moments in his life and his enduring legacy. Democracy Moving explores how these works provided both an occasion and a method by which democracy and history might be reconceived through movement, positioning dance as a form of both history and historiography. The project addresses how different communities choose to commemorate historical figures, events, and places through art—whether performance, oratory, song, statuary, or portraiture—and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America’s relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company’s largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones’s career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.
Author: Francesca Polletta Publisher: University of Chicago Press ISBN: 0226674495 Category : Family & Relationships Languages : en Pages : 296
Book Description
Freedom Is an Endless Meeting offers vivid portraits of American experiments in participatory democracy throughout the twentieth century. Drawing on meticulous research and more than one hundred interviews with activists, Francesca Polletta challenges the conventional wisdom that participatory democracy is worthy in purpose but unworkable in practice. Instead, she shows that social movements have often used bottom-up decision making as a powerful tool for political change. Polletta traces the history of democracy in early labor struggles and pre-World War II pacifism, in the civil rights, new left, and women's liberation movements of the sixties and seventies, and in today's faith-based organizing and anti-corporate globalization campaigns. In the process, she uncovers neglected sources of democratic inspiration—Depression-era labor educators and Mississippi voting registration workers, among them—as well as practical strategies of social protest. But Freedom Is an Endless Meeting also highlights the obstacles that arise when activists model their democracies after familiar nonpolitical relationships such as friendship, tutelage, and religious fellowship. Doing so has brought into their deliberations the trust, respect, and caring typical of those relationships. But it has also fostered values that run counter to democracy, such as exclusivity and an aversion to rules, and these have been the fault lines around which participatory democracies have often splintered. Indeed, Polletta attributes the fragility of the form less to its basic inefficiency or inequity than to the gaps between activists' democratic commitments and the cultural models on which they have depended to enact those commitments. The challenge, she concludes, is to forge new kinds of democratic relationships, ones that balance trust with accountability, respect with openness to disagreement, and caring with inclusiveness. For anyone concerned about the prospects for democracy in America, Freedom Is an Endless Meeting will offer abundant historical, theoretical, and practical insights. "This is an excellent study of activist politics in the United States over the past century. . . . Assiduously researched, impressively informed by a great number of thoughtful interviews with key members of American social movements, and deeply engaged with its subject matter, the book is likely to become a key text in the study of grass-roots democracy in America."—Kate Fullbrook, Times Literary Supplement "Polletta's portrayal challenges the common assumption that morality and strategy are incompatible, that those who aim at winning must compromise principle while those who insist on morality are destined to be ineffective. . . . Rather than dwell on trying to explain the decline of 60s movements, Polletta shows how participatory democracy has become the guiding framework for many of today's activists."—Richard Flacks, Los Angeles Times Book Review "In Freedom Is an Endless Meeting, Francesca Polletta has produced a remarkable work of historical sociology. . . . She provides the fullest theoretical work of historical sociology. . . . She provides the fullest theoretical picture of participatory democracy, rich with nuance, ambiguity, and irony, that this reviewer has yet seen. . . . This wise book should be studied closely by both academics and by social change activists."—Stewart Burns, Journal of American History
Author: David B. Magleby Publisher: Rowman & Littlefield Publishers ISBN: 0742576191 Category : Political Science Languages : en Pages : 201
Book Description
Political parties, interest groups, and candidate campaigns all pursue similar goals in presidential elections: each entity attempts to mobilize voters. However, the regulatory environment often prevents these groups from coordinating their efforts. With participants playing by new rules mandated by the Bipartisan Campaign Reform Act, the 2004 presidential election included previously unseen configurations and alliances between political actors. In some campaign situations, the resulting 'dance' was carefully choreographed. In others, dancers stepped on each other's toes. In still others, participants could only eye each other across the floor. Dancing without Partners intensively analyzes the relationships among candidates, political parties, and interest groups under the BCRA's new regulations in the 2004 election cycle in five battleground states. The chapters assess the ways in which the rules of the game have changed the game itself_and also how they haven't. The result is a book that will be invaluable to researchers and students of presidential elections.
Author: Marina Sitrin Publisher: Verso Books ISBN: 1781682372 Category : Political Science Languages : en Pages : 299
Book Description
Mass protest movements in disparate places such as Greece, Argentina, and the United States ultimately share an agenda—to raise the question of what democracy should mean. These horizontalist movements, including Occupy, exercise and claim participatory democracy as the ground of revolutionary social change today. Written by two international activist intellectuals and based on extensive interviews with movement participants in Spain, Venezuela, Argentina, across the United States, and elsewhere, this book is an expansive portrait of the assemblies, direct democracy forums, and organizational forms championed by the new movements, as well as an analytical history of direct and participatory democracy from ancient Athens to Zuccotti Park. The new movements put forward the idea that liberal democracy is not democratic, nor was it ever.
Author: Tami Gadir Publisher: Bloomsbury Publishing USA ISBN: 1501346431 Category : Music Languages : en Pages : 217
Book Description
For some people, at some times, in some places, on some drugs, dance music can be a gateway to transformative, even transcendent experiences. With the help of skilled DJs, dancers can reach euphoric states, discard their egos, and feel social barriers dissolve. Dance floors can be sites of openness, subversion, and even small-scale acts of political resistance. At a minimum, dance music lightens the burdens of contemporary life. At its best, dance music offers glimpses of better worlds. Yet even where dance music communities are built on principles of resistance and liberation, they nevertheless share the grittier realities of the rest of the world. Dance Music makes the case that dance music is ordinary and that something exceeding the social and spatiotemporal bounds of the dance floor is required for the transformative promise of dance music to be realized.
Author: Mark Matthews Publisher: ISBN: 9780998165035 Category : Dance Languages : en Pages : 460
Book Description
"During the closing years of the Victorian Era, European-Americans experienced a sexual revolution as women stepped out of their corsets and men sought to assert and display their 'masculinity' in various new ways. One major change occurred on the dance floor. By the 1910s, whites were adopting the revolutionary music and dance styles of their black brothers and sisters. They pulled together in a closer embrace and forsook intricate steps to wiggle their torsos to the rhythms of ragtime, boogie-woogie, blues, and jazz. And whey they started dancing like the 'Other,' it was only a matter of time before whites and blacks started sharing the same dance floors -- and inevitably, even dancing with one another as partners. Desegregation on the dance floor, where ordinary people reacted to each other with respect and admiration, provided the first indication that racial integration in the United States actually stood a chance of succeeding." -- Back cover.
Author: Sherrie Tucker
Author: Sherrie Tucker
Author: 
Author: Tim Lawrence
Author: Sally Banes
Author: Ariel Nereson
Author: Francesca Polletta
Author: David B. Magleby
Author: Marina Sitrin
Author: Tami Gadir
Author: Mark Matthews