Dance and Instrumental Diferencias in Spain During the 17th and Early 18th Centuries: The notes in Spanish and other languages from the sources PDF Download
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Author: K. Meira Goldberg Publisher: ISBN: 019046691X Category : Music Languages : en Pages : 316
Book Description
How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, in the span between 1492 and 1933, the vanquished Moor became Black, and how this figure, enacted in terms of a minstrelized Gitano, paradoxically came to represent Spain itself. The imagined Gypsy about which flamenco imagery turns dances on a knife's edge delineating Christian and non-Christian, White and Black worlds. This figure's subversive teetering undermines Spain's symbolic linkage of religion with race, a prime weapon of conquest. Flamenco's Sonidos Negros live in this precarious balance, amid the purposeful confusion and ruckus cloaking embodied resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by enslavement and colonization.
Author: Allan Thomas Publisher: ISBN: Category : Performing Arts Languages : en Pages : 208
Book Description
Thomas describes a people's interaction and involvement with their favorite dance and music, and his own involvement through a reflexivity that he finds an increasingly productive perspective in Ethnomusicology. The fatele was introduced early in the 20th century, and includes new imagery in dance a
Author: Lynn Matluck Brooks Publisher: Bucknell University Press ISBN: 9780838755310 Category : Performing Arts Languages : en Pages : 340
Book Description
The Art of Dancing in Seventeenth-Century Spain includes a transcription of the Spanish text, a translation of that text into English, and extensive commentary that contextualizes the dancing in light of European, particularly Spanish, dance, society, culture, and history."--BOOK JACKET.
Author: K. Meira Goldberg Publisher: Cambridge Scholars Publishing ISBN: 1443870617 Category : Music Languages : en Pages : 735
Book Description
The fandango, emerging in the early-eighteenth century Black Atlantic as a dance and music craze across Spain and the Americas, came to comprise genres as diverse as Mexican son jarocho, the salon and concert fandangos of Mozart and Scarlatti, and the Andalusian fandangos central to flamenco. From the celebrations of humble folk to the theaters of the European elite, with boisterous castanets, strumming strings, flirtatious sensuality, and dexterous footwork, the fandango became a conduit for the syncretism of music, dance, and people of diverse Spanish, Afro-Latin, Gitano, and even Amerindian origins. Once a symbol of Spanish Empire, it came to signify freedom of movement and of expression, given powerful new voice in the twenty-first century by Mexican immigrant communities. What is the full array of the fandango? The superb essays gathered in this collection lay the foundational stone for further exploration.
Author: Maurice Esses
Author: Maurice Esses
Author: A. William Smith
Author: Maurice Esses
Author: K. Meira Goldberg
Author: Allan Thomas
Author: Lynn Matluck Brooks
Author: 
Author: 
Author: Rose Arny
Author: K. Meira Goldberg