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Author: Rebecca Harris-Warrick Publisher: ISBN: 9781316778692 Category : Dance in opera Languages : en Pages : 484
Book Description
Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. This book exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement is essential to understanding the work. The book considers the operas of Lully and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Academie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
Author: Rebecca Harris-Warrick Publisher: Cambridge University Press ISBN: 1316776719 Category : Music Languages : en Pages : 505
Book Description
Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Académie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
Author: John S. Powell Publisher: Clarendon Press ISBN: 9780198165996 Category : History Languages : en Pages : 622
Book Description
During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.
Author: Rebecca Harris-Warrick Publisher: Univ of Wisconsin Press ISBN: 9780299203542 Category : Biography & Autobiography Languages : en Pages : 404
Book Description
Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in Italy and Vienna, the genre of pantomime ballet as it was practiced by Magri and his colleagues across Europe, the relationships between dance and pantomime in this type of work, the music used to accompany pantomime ballets, and the movement vocabulary of the grotesque dancer. Appendices contain scenarios from eighteenth-century pantomime ballets, including several of Magri’s own devising; an index to the step-vocabulary discussed in Magri’s book; and an index of dancers in Italy known to have performed as grotteschi. Illustrations, music examples, and dance notations also supplement the text.
Author: David Charlton Publisher: Cambridge University Press ISBN: 9781009011754 Category : Music Languages : en Pages : 0
Book Description
This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.
Author: Mark Franko Publisher: Oxford University Press, USA ISBN: 0199794014 Category : History Languages : en Pages : 272
Book Description
Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque. Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. He reveals the ideological tensions underlying experiments with autonomous dance in the early modern.
Author: Buford Norman Publisher: Summa Publications, Inc. ISBN: 9781883479350 Category : Drama Languages : en Pages : 428
Book Description
After situating the libretti in the context of French classicism, the author first discusses the prologues to the Quinault-Lully operas, then devotes a chapter to each of the libretti in which he examines such traditional literary elements as performance history, plot, characterization, and style, as well as issues more specifically related to musical theater. The concluding chapter summarizes what opera can tell us about French classicism and explores in depth some of the key theoretical issues such as representation, imitation, and recognition.
Author: Emily Kilpatrick Publisher: Cambridge University Press ISBN: 1107118123 Category : History Languages : en Pages : 287
Book Description
This first comprehensive study unites musical, literary, documentary and cultural perspectives to shed new light on Ravel's compositional practice.
Author: Rebecca Harris-Warrick
Author: Rebecca Harris-Warrick
Author: Rebecca Harris-Warrick
Author: Rebecca Harris-Warrick
Author: John S. Powell
Author: Rebecca Harris-Warrick
Author: Bruce Haynes
Author: David Charlton
Author: Mark Franko
Author: Buford Norman
Author: Emily Kilpatrick