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Author: R. Bruce Elder Publisher: Wilfrid Laurier Univ. Press ISBN: 1554586410 Category : Performing Arts Languages : en Pages : 777
Book Description
This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema’s lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film’s provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life. This view of the cinema was especially common among those whose commitments were to advanced artistic practices. Their notions about how to recast the art media (or the forms forged from those media’s materials) and the urgency of doing so formed the principal part of the conceptual core of the artistic programs advanced by the vanguard art movements of the first half of the twentieth century. This book, a companion to the author’s previous, Harmony & Dissent, examines the Dada and Surrealist movements as responses to the advent of the cinema.
Author: R. Bruce Elder Publisher: Wilfrid Laurier Univ. Press ISBN: 1554586410 Category : Performing Arts Languages : en Pages : 777
Book Description
This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema’s lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film’s provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life. This view of the cinema was especially common among those whose commitments were to advanced artistic practices. Their notions about how to recast the art media (or the forms forged from those media’s materials) and the urgency of doing so formed the principal part of the conceptual core of the artistic programs advanced by the vanguard art movements of the first half of the twentieth century. This book, a companion to the author’s previous, Harmony & Dissent, examines the Dada and Surrealist movements as responses to the advent of the cinema.
Author: Rudolf E. Kuenzli Publisher: MIT Press ISBN: 9780262611213 Category : Design Languages : en Pages : 268
Book Description
This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements.
Author: Robert Short Publisher: Creation Books ISBN: Category : Art Languages : en Pages : 198
Book Description
Spiralling out of the Surrealist movement alongside the art, photography and manifestos, were a number of experimental films, notably Salvador Dali and Luis Bunuel's "Un Chien Andalou "and "L'Age d'Or." "The Age of Gold "revisits these two seminal films and explores their making, themes and images, the scandal and riots that accompanied their release, and their impact and influence on modern-day cinema. Fully illustrated throughout, "The Age of Gold "also documents the cinematic theories of Antonin Artaud and traces the parallels in avant-garde and Dadaist film-including the work of Hans Richter, Marcel Duchamp and Man Ray. Robert Short is a lecturer at the -University of East Anglia, England. Previous publications include "Hans Bellmer, Surrealism: Permanent Revelation "and "Dada & Surrealism."
Author: R. Bruce Elder Publisher: Wilfrid Laurier Univ. Press ISBN: 1554580285 Category : Art Languages : en Pages : 518
Book Description
R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime engendered some peculiar, and highly questionable, epistemological beliefs and enthusiasms. Through this discussion, Elder advances the startling claim that a crisis of cognition precipitated by modernity engendered, by way of response, a peculiar sort of “pneumatic (spiritual) epistemology.” Elder then shows that early ideas of the cinema were strongly influenced by this pneumatic epistemology and uses this conception of the cinema to explain its pivotal role in shaping two key moments in early-twentieth-century art: the quest to bring forth a pure, “objectless” (non-representational) art and Russian Suprematism, Constructivism, and Productivism.
Author: David Hopkins Publisher: Oxford University Press, USA ISBN: 0192802542 Category : Art Languages : en Pages : 209
Book Description
A stimulating introduction to the many debates surrounding the Dadaist and Surrealist movements, such as the Marquis de Sade's position as a Surrealist deity, attitudes towards the city, the impact of Freud, and attitudes towards women.
Author: R. Bruce Elder
Author: R. Bruce Elder
Author: Rudolf E. Kuenzli
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Author: Inez Hedges
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Author: Rudolf E. Kuenzli
Author: Robert Short
Author: William S. Rubin
Author: R. Bruce Elder
Author: David Hopkins