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Author: Eric McLuhan Publisher: Cambridge Scholars Publishing ISBN: 1443882992 Category : Mythology Languages : en Pages : 250
Book Description
A Menippean – Cynic – satire is a device for producing a specific kind of effect on the reader. Menippean satire is an active form, not a passive one: any work that produces the effect of a Menippean satire is a Menippean satire. It is the embodiment of a Cynic – of a Diogenes or a Menippus or a Lucian or a Rabelais. For centuries, it has frustrated the best efforts of critics to define it. Descriptive criteria (such as “a mixture of verse and prose”) invariably fail because the form is determinedly fluid and polymorphous, and playful: it shifts its mode of attack with every change in culture or perception. Menippists plagiarize with abandon, from anyone and any period and culture. McLuhan has found a new and potent method of coming to grips with the satires by examining their interaction with the audience: the satire does what a Cynic would, were he or she physically present. This approach accounts for every shift in technique, from the most ancient (Homer composed one, the Margites) to tomorrow afternoon, and also opens the discussion of Menippism in any and all media other than literature – TV, digital, film, radio, et al. The book ends with a litmus test for detecting Menippean satires. It is also lavishly illustrated with title pages of some of the most notorious examples in the tradition, and is ideal as a textbook for undergraduates.
Author: Eric McLuhan Publisher: Cambridge Scholars Publishing ISBN: 1443882992 Category : Mythology Languages : en Pages : 250
Book Description
A Menippean – Cynic – satire is a device for producing a specific kind of effect on the reader. Menippean satire is an active form, not a passive one: any work that produces the effect of a Menippean satire is a Menippean satire. It is the embodiment of a Cynic – of a Diogenes or a Menippus or a Lucian or a Rabelais. For centuries, it has frustrated the best efforts of critics to define it. Descriptive criteria (such as “a mixture of verse and prose”) invariably fail because the form is determinedly fluid and polymorphous, and playful: it shifts its mode of attack with every change in culture or perception. Menippists plagiarize with abandon, from anyone and any period and culture. McLuhan has found a new and potent method of coming to grips with the satires by examining their interaction with the audience: the satire does what a Cynic would, were he or she physically present. This approach accounts for every shift in technique, from the most ancient (Homer composed one, the Margites) to tomorrow afternoon, and also opens the discussion of Menippism in any and all media other than literature – TV, digital, film, radio, et al. The book ends with a litmus test for detecting Menippean satires. It is also lavishly illustrated with title pages of some of the most notorious examples in the tradition, and is ideal as a textbook for undergraduates.
Author: Ambrose Bierce Publisher: Createspace Independent Publishing Platform ISBN: 9781539480228 Category : Languages : en Pages : 74
Book Description
Ambrose Gwinnett Bierce (June 24, 1842 - circa 1914) was an American editorialist, journalist, short story writer, fabulist, and satirist. He wrote the short story "An Occurrence at Owl Creek Bridge" and compiled a satirical lexicon, The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters," and the sardonic view of human nature that informed his work, all earned him the nickname "Bitter Bierce." Despite his reputation as a searing critic, Bierce was known to encourage younger writers, including the poets George Sterling and Herman George Scheffauer and the fiction writer W. C. Morrow. Bierce employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events, and the theme of war. In 1913, Bierce traveled to Mexico to gain first-hand experience of the Mexican Revolution. He was rumored to be traveling with rebel troops, and was not seen again. Bierce was born in a log cabin at Horse Cave Creek in Meigs County, Ohio, on June 24, 1842, to Marcus Aurelius Bierce (1799-1876) and Laura Sherwood Bierce.His mother was a descendant of William Bradford. He was the tenth of thirteen children whose father gave all names beginning with the letter "A": in order of birth, the Bierce siblings were Abigail, Amelia, Ann, Addison, Aurelius, Augustus, Almeda, Andrew, Albert, and Ambrose. His parents were a poor but literary couple who instilled in him a deep love for books and writing.Bierce grew up in Kosciusko County, Indiana, attending high school at the county seat, Warsaw.He left home at 15 to become a "printer's devil" at a small Ohio newspaper.
Author: Ambrose Bierce Publisher: Prabhat Prakashan ISBN: Category : Fiction Languages : en Pages : 50
Book Description
First published in the year 1906, American Civil War soldier, journalist, and short story writer Ambrose Bierce's 'The Cynic's Word Book' is a satirical dictionary. This book consists of common words followed by extremely funny and witty definitions that can be read as a critical social commentary.
Author: Louisa Shea Publisher: JHU Press ISBN: 0801897068 Category : Literary Criticism Languages : en Pages : 285
Book Description
This original study reveals the importance of ancient Cynicism in defining the Enlightenment and its legacy. Louisa Shea explores modernity's debt to Cynicism by examining the works of thinkers who turned to the ancient Cynics as a model for reinventing philosophy and dared to imagine an alliance between a socially engaged Enlightenment and the least respectable of early Greek philosophies. While Cynicism has always resided on the fringes of philosophy, Shea argues, it remained a vital touchstone for writers committed to social change and helped define the emerging figure of the public intellectual in the 18th century. Shea's study brings to light the rich legacy of ancient Cynicism in modern intellectual, philosophical, and literary life, both in the 18th-century works of Diderot, Rousseau, Wieland, and Sade, and in recent writings by Michel Foucault and Peter Sloterdijk. Featuring an important new perspective on both Enlightenment thought and its current scholarly reception, The Cynic Enlightenment will interest students and scholars of the Enlightenment and its intellectual legacy, 18th-century studies, literature, and philosophy.
Author: Amy L. Friedman Publisher: Rowman & Littlefield ISBN: 1498571972 Category : Literary Criticism Languages : en Pages : 223
Book Description
Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territory of political resistance writing and the ancient tradition of Menippean satire. Postcolonial Satire aims to disrupt the relationship between postcolonial literature and magic realism, by discussing the work of writers such as G. V. Desani, Aubrey Menen, Salman Rushdie, and Irwin Allan Sealy as one movement into the entirely subversive realm of satire. Indian fiction, and the fiction of other colonized cultures, can be re-construed through the lens of satire as openly critical of a broad spectrum of political and cultural issues. Employing the strengths of postcolonial theory and criticism, Postcolonial Satire expands upon the postcolonial works of these authors by analyzing them as satire, rather than magical realism with satirical elements.
Author: Eric McLuhan
Author: Eric McLuhan
Author: Ambrose Bierce
Author: Eric McLuhan, Ph.D.
Author: Ambrose Bierce
Author: Ambrose Bierce
Author: Louisa Shea
Author: James Uden
Author: Decio Junio Juvenal
Author: 
Author: Amy L. Friedman