Author: Walter Willson CobbettPublisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 612
Book Description
Cobbett's Cyclopedic Survey of Chamber Music
Author: Walter Willson CobbettPublisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 612
Book Description
Cobbett's Cyclopedic Survey of Chamber Music
Author: Walter Willson CobbettPublisher: Travis & Emery Music Bookshop
ISBN: 9781906857844
Category : Music
Languages : en
Pages : 660
Book Description
Walter Willson Cobbett (1847-1937), Businessman, Violinist and Author. This is volume two of a two-volume encyclopaedia of chamber music which was first published in 1929/1930 and is a comprehensive work on the subject.
Cobbett's Cyclopedic Survey of Chamber Music
Author: Walter Willson CobbettCobbett's Cyclopedic Survey of Chamber Music
Author: Walter Willson CobbettPublisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 641
Book Description
Cobbett's Cyclopedic Survey of Chamber Music: With supplementary material ed. by Colin Mason
Author: Walter Willson CobbettPublisher:
ISBN:
Category :
Languages : en
Pages : 1441
Book Description
Cobbett's Cyclopedic Survey of Chamber Music
Author: Walter Wilson CobbettCobbett's Cyclopedic Survey of Chamber Music
Author: Walter Willson CobbettPublisher:
ISBN:
Category : Chamber music
Languages : en
Pages :
Book Description
Cobbett's Cyclopedic Survey of Chamber Music
Author: Colin MasonCobbett's cyclopedic survey of chamber music. 2. I - Z
Author: Walter Willson CobbettBrahms and the Scherzo
Author: Ryan McClellandPublisher: Routledge
ISBN: 1317172841
Category : Music
Languages : en
Pages : 337
Book Description
Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.