Cybernetics, Art, and Ideas PDF Download

Author: Jasia Reichardt
Publisher: New York Graphic Society Books
ISBN:
Category : Art
Languages : en
Pages : 216

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Author: Steve Dixon
Publisher: Routledge
ISBN: 042963238X
Category : Art
Languages : en
Pages : 326

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Book Description
Cybernetic-Existentialism: Freedom, Systems, and Being-for-Others in Contemporary Arts and Performance offers a unique discourse and an original aesthetic theory. It argues that fusing perspectives from the philosophy of Existentialism with insights from the ‘universal science’ of cybernetics provides a new analytical lens and deconstructive methodology to critique art. In this study, Steve Dixon examines how a range of artists’ works reveal the ideas of Existentialist philosophers including Kierkegaard, Camus, de Beauvoir, and Sartre on freedom, being and nothingness, eternal recurrence, the absurd, and being-for-others. Simultaneously, these artworks are shown to engage in complex explorations of concepts proposed by cyberneticians including Wiener, Shannon, and Bateson on information theory and ‘noise’, feedback loops, circularity, adaptive ecosystems, autopoiesis, and emergence. Dixon’s groundbreaking book demonstrates how fusing insights and knowledge from these two fields can throw new light on pressing issues within contemporary arts and culture, including authenticity, angst and alienation, homeostasis, radical politics, and the human as system.

Author: Diedrich Diederichsen
Publisher: National Geographic Books
ISBN: 3956795938
Category : Art
Languages : en
Pages : 0

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Book Description
An examination of the relationship between art and cybernetics and their intersections, with works that use the powerlessness of art. Cybernetics of the Poor examines the relationship between art and cybernetics and their intersections in the past and present. From the late 1940s on, the term cybernetics began to be used to describe self-regulating systems that measure, anticipate, and react in order to intervene in changing conditions. Initially relevant mostly in the fields of administration, planning, criminology, and early ecology, under digital capitalism cybernetics has since become an economic factor (particularly in the realm of big data). In such a cybernetic totality, art must respond to a new situation: a cybernetics of the poor. Cybernetics of the Poor presents work that uses the powerlessness of art--its poverty--vis-à-vis the cybernetic machine to propose countermodels: work that is both recent and historical by artists who believed in cybernetics as a participatory, playful practice or were pioneers in delineating a counter-cybernetics. How much of what Thomas Pynchon termed "counterforce" exists within art when it is conceived as a cybernetics of the poor?

Author: Jaisa Reichard
Publisher:
ISBN: 9781948764001
Category :
Languages : en
Pages : 101

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Author: M. J. Rosenberg
Publisher: Taylor & Francis
ISBN: 1040087620
Category : Art
Languages : en
Pages : 240

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Book Description
First published in 1983, Cybernetics of Art uses the methodology and concepts of cybernetics to explore art and the creative process. Part I surveys the domain that includes both science and the arts, attempting to understand their differing viewpoints- and the basis of conflicts between them. Art is approached as a method of knowledge aimed at knowledge of experience per se (as distinct from knowledge derived through experience). Part II poses the problem of notionally constructing an authorship machine and develops the technical argument by exploring the question of the kind of machine it would need to be. Part III examines the products of such a machine with a view to finding criteria for distinguishing those that might be called art. An extended, non-technical commentary accompanies the text throughout, with the dual aim of comparing the book’s technical conclusions with ideas expressed by critiques and practicing artists and assisting readers unfamiliar with the information sciences in following the argument. In a world dominated by artificial intelligence, this interdisciplinary book will be useful for scholars and researchers of cybernetics, art, and humanities and social sciences in general.

Author: Kate Sloan
Publisher: Routledge
ISBN: 0429886357
Category : Art
Languages : en
Pages : 248

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This is the first full-length study about the British artist Roy Ascott, one of the first cybernetic artists, with a career spanning seven decades to date. The book focuses on his early career, exploring the evolution of his early interests in communication in the context of the rich overlaps between art, science and engineering in Britain during the 1950s and 1960s. The first part of the book looks at Ascott’s training and early work. The second park looks solely at Groundcourse, Ascott’s extraordinary pedagogical model for visual arts and cybernetics which used an integrative and systems-based model, drawing in behaviourism, analogue machines, performance and games. Using hitherto unpublished photographs and documents, this book will establish a more prominent place for cybernetics in post-war British art.

Author: Thomas Fischer
Publisher: Springer
ISBN: 3030185575
Category : Philosophy
Languages : en
Pages : 304

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Book Description
Design Cybernetics: Navigating the New Design cybernetics offers a way of looking at ourselves – curious, creative, and ethical humans – as self-organising systems that negotiate their own goals in open-ended explorations of the previously unknown. It is a theory of and for epistemic practices (learning, designing, researching) that is deeply committed to the autonomy of others and hence offers no prescriptive methodology. Design cybernetics describes design practice as inextricable from conversation – a way of enquiring, developing shared understanding and reaching the new that harnesses reliable control as well as error and serendipity. Recognising circular causality, observer-dependency and non-determinability, design cybernetics extends beyond tenets of scientific research into the creative, ethical and aesthetic domain. From this perspective, design is not an ill-conceived subset of scientific research. Instead, scientific research emerges as a particularly restricted subset of the broader human activity of design. This volume offers a cross-section of design cybernetic theory and practice with contributions ranging across architecture, interior lighting studies, product design, embedded systems, design pedagogy, design theory, social transformation design, research epistemology, art and poetics, as well as theatre and acting. Addressing designers, design educators and researchers interested in a rigorous, practice-based epistemology, it establishes design cybernetics as a foundational perspective of design research. “This is a conceptually elegant, well structured, and comprehensive presentation of design cybernetics. It fills a gap in the literature of the field.” Ken Friedman, Chair Professor, Tongji University “This book offers a valuable and timely introduction to second-order cybernetics as society grapples with complex issues like climate change and rising inequality.” Joichi Ito, Director of the MIT Media Lab

Author: Jasia Reichardt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104

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Book Description
How computers may be used to produce drawings, as well as to make animated films and sculptures.

Author: Sharon Irish
Publisher: Bloomsbury Publishing
ISBN: 1350197602
Category : Art
Languages : en
Pages : 320

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Book Description
This book on Stephen Willats pulls together key strands of his practice and threads them through histories of British cybernetics, experimental art, and urban design. For Willats, a cluster of concepts about control and feedback within living and machine systems (cybernetics) offered a new means to make art relevant. For decades, Willats has built relationships through art with people in tower blocks, underground clubs, middle-class enclaves, and warehouses on the Isle of Dogs, to investigate their current conditions and future possibilities. Sharon Irish's study demonstrates the power of Willats's multi-media art to catalyze communication among participants and to upend ideas about “audience” and “art.” Here, Irish argues that it is artists like Willats who are now the instigators of social transformation.

Author: Yuk Hui
Publisher: U of Minnesota Press
ISBN: 1452963991
Category : Art
Languages : en
Pages : 362

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Book Description
In light of current discourses on AI and robotics, what do the various experiences of art contribute to the rethinking of technology today? Art and Cosmotechnics addresses the challenge of technology to the existence of art and traditional thought, especially in light of current discourses on artificial intelligence and robotics. It carries out an attempt on the cosmotechnics of Chinese landscape painting in order to address this question, and further asks: What is the significance of shanshui (mountain and water) in face of the new challenges brought about by the current technological transformation? Thinking art and cosmotechnics together is an attempt to look into the varieties of experiences of art and to ask what these experiences might contribute to the rethinking of technology today.