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Author: Timo Nisula Publisher: BRILL ISBN: 900423344X Category : Religion Languages : en Pages : 433
Book Description
Augustine’s ideas of sinful desire, including its sexual manifestations, have fueled controversies for centuries. In Augustine and the Functions of Concupiscence, Timo Nisula analyses Augustine’s own theological and philosophical concerns in his extensive writings about evil desire (concupiscentia, cupiditas, libido). Beginning with a terminological survey of the vocabulary of desire, the book demonstrates how the concept of evil desire was tightly linked with Augustine’s fundamental theological views of divine justice, the origin of evil, Christian virtues and grace. This book offers a comprehensive account of Augustine’s developing views of concupiscence and provides an innovative, in-depth picture of the theological imagination behind disputed ideas of sex, temptation and moral responsibility.
Author: Timo Nisula Publisher: BRILL ISBN: 900423344X Category : Religion Languages : en Pages : 433
Book Description
Augustine’s ideas of sinful desire, including its sexual manifestations, have fueled controversies for centuries. In Augustine and the Functions of Concupiscence, Timo Nisula analyses Augustine’s own theological and philosophical concerns in his extensive writings about evil desire (concupiscentia, cupiditas, libido). Beginning with a terminological survey of the vocabulary of desire, the book demonstrates how the concept of evil desire was tightly linked with Augustine’s fundamental theological views of divine justice, the origin of evil, Christian virtues and grace. This book offers a comprehensive account of Augustine’s developing views of concupiscence and provides an innovative, in-depth picture of the theological imagination behind disputed ideas of sex, temptation and moral responsibility.
Author: Jeff B. Pool Publisher: Wipf and Stock Publishers ISBN: 1498275591 Category : Religion Languages : en Pages : 516
Book Description
This book constitutes the second volume of a three-volume study of Christian testimonies to divine suffering: God's Wounds: Hermeneutic of the Christian Symbol of Divine Suffering, vol. 2, Evil and Divine Suffering. The larger study focuses its inquiry into the testimonies to divine suffering themselves, seeking to allow the voices that attest to divine suffering to speak freely, then to discover and elucidate the internal logic or rationality of this family of testimonies, rather than defending these attestations against the dominant claims of classical Christian theism that have historically sought to eliminate such language altogether from Christian discourse about the nature and life of God. This second volume of studies proceeds on the basis of the presuppositions of this symbol, those implicit attestations that provide the conditions of possibility for divine suffering-that which constitutes divine vulnerability with respect to creation-as identified and examined in the first volume of this project: an understanding of God through the primary metaphor of love ("God is love"); and an understanding of the human as created in the image of God, with a life (though finite) analogous to the divine life-the imago Dei as love. The second volume then investigates the first two divine wounds or modes of divine suffering to which the larger family of testimonies to divine suffering normally attest: (1) divine grief, suffering because of betrayal by the beloved human or human sin; and (2) divine self-sacrifice, suffering for the beloved human in its bondage to sin or misery, to establish the possibility of redemption and reconciliation. Each divine wound, thus, constitutes a response to a creaturely occasion. The suffering in each divine wound also occurs in two stages: a passive stage and an active stage. In divine grief, God suffers because of human sin, betrayal of the divine lover by the beloved human: divine sorrow as the passive stage of divine grief; and divine anguish as the active stage of divine grief. In divine self-sacrifice, God suffers in response to the misery or bondage of the beloved human's infidelity: divine travail (focused on the divine incarnation in Jesus of Nazareth) as the active stage of divine self-sacrifice; and divine agony (focused on divine suffering in the crucifixion of Jesus of Nazareth) as the passive stage of divine self-sacrifice.
Author: David Lyle Jeffrey Publisher: Wm. B. Eerdmans Publishing ISBN: 9780802836342 Category : Literary Criticism Languages : en Pages : 1000
Book Description
Over 15 years in the making, an unprecedented one-volume reference work. Many of today's students and teachers of literature, lacking a familiarity with the Bible, are largely ignorant of how Biblical tradition has influenced and infused English literature through the centuries. An invaluable research tool. Contains nearly 800 encyclopedic articles written by a distinguished international roster of 190 contributors. Three detailed annotated bibliographies. Cross-references throughout.
Author: Jared Poley Publisher: Berghahn Books ISBN: 1785331272 Category : History Languages : en Pages : 225
Book Description
A seeming constant in the history of capitalism, greed has nonetheless undergone considerable transformations over the last five hundred years. This multilayered account offers a fresh take on an old topic, arguing that greed was experienced as a moral phenomenon and deployed to make sense of an unjust world. Focusing specifically on the interrelated themes of religion, economics, and health—each of which sought to study and channel the power of financial desire—Jared Poley shows how evolving ideas about greed became formative elements of the modern experience.
Author: Soumick De Publisher: Routledge ISBN: 1000608743 Category : Performing Arts Languages : en Pages : 334
Book Description
Perversion, Pedagogy and the Comic studies how the idea-of-theater shaped western consciousness during the Christian Middle Ages. It analyses developments within western philosophy, Christian theology and theater history to show how this idea realized itself primarily as a metaphor circulating through various discursive domains. Beginning with Plato’s injunction against tragedy the relation between philosophy and theater has been a complicated affair which this book traces at the threshold when the western world became Christian. By late antiquity as theatre was slowly banned, Christian theology put the idea-of-theatre to use in order to show what they understood to be the perverted nature of worldly existence and the mystery of the Kingdom of God. Interrogating the theological teachings of some of the early Church Fathers like St Augustine, Tertullian and Clement of Alexandria the book offers a new look at how the idea of theater not only inspired Christian liturgical practices but Christian pedagogy in general which in turn shaped the nature of Christian religious drama. Finally the author tries to demonstrate how this hegemonic use of the theatre-idea was countered by a certain comic sensibility which opened the idea of theatre in the Christian Middle Ages to a new and subversive materialist possibility. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Author: Chad Schrock Publisher: Bloomsbury Publishing ISBN: 1350417424 Category : Literary Criticism Languages : en Pages : 209
Book Description
Demonstrating how Chaucer uses the Bible in The Canterbury Tales as an authoritative literary source and model for his own literary production, this book explores the ways in which the Bible was a key tool for Chaucer's self-definition and innovation as an author. Chad Schrock unravels Chaucer's Tales in the light of topics important to biblical reception in 14th-century England: authority, textuality, interpretation, translation, rephrasing and marginalia. When the Canterbury Tales are summed up in this way, they show the great extent to which Chaucer was drawing upon the Bible as a meta-poetical resource for his own poetry – its fictional tale-tellers and characters, its quotations, allusions and images, its plots, its imaginative engagement with an audience of listeners and readers, and its hidden intentions. Schrock demonstrates that the Bible is a uniquely potent literary source for Chaucer because it combines infinite authority and plenitude with unprecedented freedom of interpretive invention. As a world-making text, the Bible's authority includes the literary as subcategory but surpasses and contextualizes it, which gives Chaucer's deferential biblical invention a different kind of freedom and safety. Within Chaucer's tales, a biblical image is often where a given narrative peaks and its plot comes clear, but a biblical world also and without strain contains his biblical fictioneers and whatever they make from the Bible, whether orthodoxy or heresy, whether sin or worship.
Author: Joachim Bumke Publisher: Univ of California Press ISBN: 9780520066342 Category : History Languages : en Pages : 788
Book Description
Every aspect of "courtly culture" comes to life in Joachim Bumke's extraordinarily rich and well-documented presentation. A renowned medievalist with an encyclopedic knowledge of original sources and a passion for history, Bumke overlooks no detail, from the material realities of aristocratic society -- the castles and clothing, weapons and transportation, food, drink, and table etiquette -- to the behavior prescribed and practiced at tournaments, knighting ceremonies, and great princely feasts. The courtly knight and courtly lady, and the transforming idea of courtly love, are seen through the literature that celebrated them, and we learn how literacy among an aristocratic laity spread from France through Germany and became the basis of a cultural revolution. At the same time, Bumke clearly challenges those who have comfortably confused the ideals of courtly culture with their expression in courtly society.
Author: Timo Nisula
Author: Timo Nisula
Author: Jeff B. Pool
Author: David Lyle Jeffrey
Author: Jared Poley
Author: Soumick De
Author: Geoffrey Chaucer
Author: Chad Schrock
Author: Geoffrey Chaucer
Author: Alexander Crombie
Author: Joachim Bumke