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Author: Harry P. Harrison Publisher: Pickle Partners Publishing ISBN: 1787206157 Category : History Languages : en Pages : 591
Book Description
In 1904, a showman and Redpath Leyceum Bureau manager named Keith Vawter, put the main forms of entertainment of the time—comedy and culture—on the same platform in a travelling tent, “marrying the respectability of the Lyceum to the spangles of the stage,” and named the union “Chautauqua,” after an institution established permanently on Chautauqua Lake, New York. For the next thirty years, Chautauqua tents rolled back and forth and up and down America, pitching in pastures, school yards and courthouse squares. “They offered not only the soaring oratory of a William Jennings Bryan, but also music, drama, magic, art lessons, cooking classes, low comedy and high-minded debates. Millions of eager listeners under the “big top” canvas, hot with summer’s sun, perspired freely and soaked up both erudition and amusement.” This book, first published in 1958, takes a close look at the movement that allowed men to talk freely from this new informal platform, abandoning nineteenth-century taboos.
Author: Harry P. Harrison Publisher: Pickle Partners Publishing ISBN: 1787206157 Category : History Languages : en Pages : 591
Book Description
In 1904, a showman and Redpath Leyceum Bureau manager named Keith Vawter, put the main forms of entertainment of the time—comedy and culture—on the same platform in a travelling tent, “marrying the respectability of the Lyceum to the spangles of the stage,” and named the union “Chautauqua,” after an institution established permanently on Chautauqua Lake, New York. For the next thirty years, Chautauqua tents rolled back and forth and up and down America, pitching in pastures, school yards and courthouse squares. “They offered not only the soaring oratory of a William Jennings Bryan, but also music, drama, magic, art lessons, cooking classes, low comedy and high-minded debates. Millions of eager listeners under the “big top” canvas, hot with summer’s sun, perspired freely and soaked up both erudition and amusement.” This book, first published in 1958, takes a close look at the movement that allowed men to talk freely from this new informal platform, abandoning nineteenth-century taboos.
Author: Yan Zhou Publisher: Springer ISBN: 3662454114 Category : Social Science Languages : en Pages : 175
Book Description
This book is the first case study on Wenda Gu that systematically investigates the cultural and artistic context of his life and works, examining selected images of his artwork spanning from the late 1970s to the early 21st century. It is the first monograph to provide a comprehensive and profound study of a Chinese contemporary artist. In the 1980s, the School of Hermeneutics attempted to launch a discursive revolution. Vanguard artists believed that the visual art revolution was an integral part of the critique of culture because it tended to subvert and rebuild the cultural tradition at a discursive level. This book, using a case study on Wenda Gu as representative of Chinese avant-garde, investigates the centrality of culture in art, providing readers with insights on the origin, rationale and methodology of Chinese contemporary art.
Author: Paige Lush Publisher: McFarland ISBN: 1476606196 Category : Music Languages : en Pages : 241
Book Description
The chautauqua movement was a truly American phenomenon, providing education and entertainment for millions of people and employing thousands of musicians in the process. While scholars have previously explored various facets of the chautauqua movement, this is the first book to trace the place of music in the movement from its inception through its decline. Drawing upon the rich collections of ephemera left by several chautauqua bureaus, this study profiles several famous musicians and introduces the reader to lesser-known musical acts that traveled the chautauqua circuits. In addition, it explores music's role in defining the chautauqua movement as "high culture," legitimizing the movement in the eyes of community leaders and setting it apart from vaudeville and other competing amusements. Finally, it addresses music's role in establishing chautauqua's identity as an American institution, specifically in the years surrounding World War I.
Author: Robert Volpicelli Publisher: Oxford University Press ISBN: 0192893386 Category : Literary Collections Languages : en Pages : 231
Book Description
Many Americans' first encounter with international modernism came, not on the page, but in person--through the widespread phenomenon of the US lecture tour. Attending to these encounters, Transatlantic Modernism and the US Lecture Tour reroutes our understanding of modernism away from the magazines and other mass media that have so far characterized its circulation and toward the unique form of cultural distribution that coalesced around the tour. Offering many new and compelling archival insights, this volume works across an admirably broad cultural landscape to reveal the US lecture tour as a primary mover of modernism. The study highlights the role this circuit played in the formation of transatlantic modernism by following a diverse group of authors--Oscar Wilde, W. B. Yeats, Rabindranath Tagore, Gertrude Stein, and W. H. Auden--on their whistle-stop tours across America, illuminating in the process how this extremely physical form of circulation transformed authors into object-like commodities to be sold in a variety of performance venues. Moreover, it shows how these writers responded to such wide-ranging distribution by stretching their own ideas about modernist authorship. In doing so, Transatlantic Modernism and the US Lecture Tour adds to a critical tradition of exposing those popular dimensions of modernism that far exceeded its standard coterie definition while also uncovering something else: how the circuit's particular diversity of social contexts forced modernists to take on a new authorial flexibility that would allow them to make in-roads with practically any audience--elite, popular, and everything in between.
Author: Charlotte Canning Publisher: University of Iowa Press ISBN: 158729592X Category : History Languages : en Pages : 287
Book Description
Winner of the 2006 Barnard Hewitt Award for Excellence in Theatre History Between 1904 and the Great Depression, Circuit Chautauquas toured the rural United States, reflecting and reinforcing its citizens’ ideas, attitudes, and politics every summer through music (the Jubilee Singers, an African American group, were not always welcome in a time when millions of Americans belonged to the KKK), lectures (“Civic Revivalist” Charles Zueblin speaking on “Militancy and Morals”), elocutionary readers (Lucille Adams reading from Little Lord Fauntleroy), dramas (the Ben Greet Players’ cleaned-up version of She Stoops to Conquer), orations (William Jennings Bryan speaking about the dangers of greed), and special programs for children (parades and mock weddings). Theatre historians have largely ignored Circuit Chautauquas since they did not meet the conventional conditions of theatrical performance: they were not urban; they produced no innovative performance techniques, stage material, design effects, or dramatic literature. In this beautifully written and illustrated book, Charlotte Canning establishes an analytical framework to reveal the Circuit Chautauquas as unique performances that both created and unified small-town America. One of the last strongholds of the American traditions of rhetoric and oratory, the Circuits created complex intersections of community, American democracy, and performance. Canning does not celebrate the Circuit Chautauquas wholeheartedly, nor does she describe them with the same cynicism offered by Sinclair Lewis. She acknowledges their goals of community support, informed public thinking, and popular education but also focuses on the reactionary and regressive ideals they sometimes embraced. In the true interdisciplinary spirit of Circuit Chautauquas, she reveals the Circuit platforms as places where Americans performed what it meant to be American.
Author: Isabel Story Publisher: Rowman & Littlefield ISBN: 1498580122 Category : History Languages : en Pages : 247
Book Description
This book examines the ways in which the Cuban-Soviet relationship was expressed in the cultural sphere between 1961 and 1987. It specifically focuses on the theater and the visual arts to analyze the ways in which the culture became a means of asserting the Cuban Revolution’s independence.
Author: Deemer Lee Publisher: University of Iowa Press ISBN: 1609381769 Category : History Languages : en Pages : 277
Book Description
Esther's Town could be "Any Town, U.S.A.," for the equals of its cast of characters can be found in any small town. And here, as usual, was the town newspaper editor, the observing eye of all the foibles and peccadillos that form any town's history. Remembering all the years with love and humor, editor Deemer Lee chronicled the forty-four years he gathered and wrote news—forty-one of them as editor and publisher of his town's newspaper. He dug into old records, recalled old times, and talked with old-timers. He illuminated the transition of a town, from Estherville’s pioneer settlement to the busy, active town it is today. The excitement and fun begin with a story of bootleggers, Chautauqua meetings, and an accomplished arsonist—who achieves in less than two months the impressive score of burning seven barns and one feed store, with an unsuccessful attempt on the Methodist church. Scandinavians move in, build crude shelters for the first winter, and add their special characteristics to the town. The Irish arrive and stamp their mark on the whole territory. The circus comes to town and entrances everyone with its ancient pageantry. The railroads come through and add a rowdy element to the population. The Depression begins and farms see 11-cent corn, 108-degree heat, and a twister. All these events, plus adventures with a massive meteorite and haunting river tragedies, create the drama and flow of small-town life, story by story, in a fascinating revelation of Americana.
Author: Norman K Denzin Publisher: Routledge ISBN: 1315430754 Category : Social Science Languages : en Pages : 235
Book Description
The 1876 events known as Custer’s Last Stand, Battle of Little Big Horn, or Battle of Greasy Grass have been represented over 1000 times in various artistic media, from paintings to sculpture to fast food giveaways. Norman Denzin shows how these representations demonstrate the changing perceptions—often racist—of Native America by the majority culture, juxtaposed against very different readings shown in works composed by Native American artists. Consisting of autobiographical reminiscences, historical description, artistic representations, staged readings, and snippets of documents, this multilayered performance ethnography examines questions of memory, race, and violence against Native America, as symbolized by the changing interpretations of General Custer and his final battle.
Author: Harry P. Harrison
Author: Harry P. Harrison
Author: Yan Zhou
Author: Paige Lush
Author: Robert Volpicelli
Author: Harry P. Harrison
Author: Charlotte Canning
Author: Isabel Story
Author: Deemer Lee
Author: Norman K Denzin
Author: United States. Office of Experiment Stations