Author: Carola Hähnel-Mesnard
Publisher: Editions Ecole Polytechnique
ISBN: 9782730214926
Category : American fiction
Languages : fr
Pages : 540
Book Description
Une perspective interculturelle et interdisciplinaire, présentant les formes et les modalités de la représentation de la mémoire de différents conflits et violences historiques dans la littérature, le cinéma, les arts plastiques, les médias et des lieux tels que musées ou mémoriaux. Il ressort de ces études des similitudes dans l'interrogation du passé, dans les approches et les formes utilisées.
Culture et mémoire
Author: Carola Hähnel-Mesnard
Publisher: Editions Ecole Polytechnique
ISBN: 9782730214926
Category : American fiction
Languages : fr
Pages : 540
Book Description
Une perspective interculturelle et interdisciplinaire, présentant les formes et les modalités de la représentation de la mémoire de différents conflits et violences historiques dans la littérature, le cinéma, les arts plastiques, les médias et des lieux tels que musées ou mémoriaux. Il ressort de ces études des similitudes dans l'interrogation du passé, dans les approches et les formes utilisées.
Publisher: Editions Ecole Polytechnique
ISBN: 9782730214926
Category : American fiction
Languages : fr
Pages : 540
Book Description
Une perspective interculturelle et interdisciplinaire, présentant les formes et les modalités de la représentation de la mémoire de différents conflits et violences historiques dans la littérature, le cinéma, les arts plastiques, les médias et des lieux tels que musées ou mémoriaux. Il ressort de ces études des similitudes dans l'interrogation du passé, dans les approches et les formes utilisées.
Entre mémoire et pouvoir
Author: Antoine Borrut
Publisher: BRILL
ISBN: 900419097X
Category : Religion
Languages : en
Pages : 568
Book Description
Cet ouvrage entend démontrer qu’une solide culture de l’écriture de l’histoire existait dans la Syrie du 2e/8e siècle, et propose de nouvelles approches méthodologiques afin d’offrir un accès vers cette historiographie perdue, tiraillée entre mémoire et oubli. En étudiant la fabrique des héros omeyyades ou des mythes d’origines abbassides, cette étude s’efforce de mettre au jour les significations successives données à l’histoire syrienne, et d’identifier les différentes strates d’écritures et de réécritures de l’histoire au cours des premiers siècles de l’islam. L’ensemble de ces éléments conduit à proposer une histoire du sens de l’espace syrien, articulée autour de la thématique du pouvoir, qui donne une profonde cohérence à la période, par-delà la césure dynastique de 132/750. This book intends to demonstrate that a robust culture of historical writing existed in 2nd/8th century Syria, and to offer new methodological approaches to access this now lost history, torn between memory and oblivion. By studying the making of Umayyad heroes or Abbasid origins-myths, this study aims to reveal the successive meanings granted to Syrian history, and to identify the various layers of historical writing and rewriting during the first centuries of Islam. Taken together, these elements make possible a history of the meaning of the very space of Syria, articulated around power and its expression, which grants a clear coherence to the period, extending well beyond the dynastic caesura of 132/750.
Publisher: BRILL
ISBN: 900419097X
Category : Religion
Languages : en
Pages : 568
Book Description
Cet ouvrage entend démontrer qu’une solide culture de l’écriture de l’histoire existait dans la Syrie du 2e/8e siècle, et propose de nouvelles approches méthodologiques afin d’offrir un accès vers cette historiographie perdue, tiraillée entre mémoire et oubli. En étudiant la fabrique des héros omeyyades ou des mythes d’origines abbassides, cette étude s’efforce de mettre au jour les significations successives données à l’histoire syrienne, et d’identifier les différentes strates d’écritures et de réécritures de l’histoire au cours des premiers siècles de l’islam. L’ensemble de ces éléments conduit à proposer une histoire du sens de l’espace syrien, articulée autour de la thématique du pouvoir, qui donne une profonde cohérence à la période, par-delà la césure dynastique de 132/750. This book intends to demonstrate that a robust culture of historical writing existed in 2nd/8th century Syria, and to offer new methodological approaches to access this now lost history, torn between memory and oblivion. By studying the making of Umayyad heroes or Abbasid origins-myths, this study aims to reveal the successive meanings granted to Syrian history, and to identify the various layers of historical writing and rewriting during the first centuries of Islam. Taken together, these elements make possible a history of the meaning of the very space of Syria, articulated around power and its expression, which grants a clear coherence to the period, extending well beyond the dynastic caesura of 132/750.
DEcolonial Heritage
Author: Aníbal Arregui
Publisher: Waxmann Verlag
ISBN: 3830987900
Category : Political Science
Languages : en
Pages : 278
Book Description
The volume attempts to triangulate three vibrant discourses of our times: It combines postcolonial and decolonial readings of cultural conflicts with assessments of ecological dimensions of those conflicts, as well as their significance within discourses on natural and cultural world heritage. The examples from four continents range from the medieval Middle East - already shaken by a convergence of ecological and social disaster - to modern imaginary constructions of medieval Vikings, the persistence of Indigenous knowledge in the Arctic, literary poetics of patrimony, and the heritage politics of Mediterranean urban architecture. Authors ask which strategies societies in developing countries use to defend their cultural and ecological uniqueness and integrity while being penetrated by environmental hazards and hegemonizing 'Western' forms of heritage culture; or how western societies construct their own past in ways that are sometimes reminiscent of traditional imaginations of a pre-modern past, petrified eternally in an 'ideal' moment of time. Colonial and historical forms of 'heritagization' of human and non-human environments, the essays show, answer to pressing emotional needs for a sense of stability. But the desire for nostalgia, frequently commodified, tends to collide with the similarly pressing need for political and economic survival in a rapidly changing world and in the face of accelerating extraction practices. Without being able to solve this dilemma, the volume makes an interdisciplinary contribution to taking intellectual stake of the asymmetrical politics and poetics of heritage and collective cultural memory.
Publisher: Waxmann Verlag
ISBN: 3830987900
Category : Political Science
Languages : en
Pages : 278
Book Description
The volume attempts to triangulate three vibrant discourses of our times: It combines postcolonial and decolonial readings of cultural conflicts with assessments of ecological dimensions of those conflicts, as well as their significance within discourses on natural and cultural world heritage. The examples from four continents range from the medieval Middle East - already shaken by a convergence of ecological and social disaster - to modern imaginary constructions of medieval Vikings, the persistence of Indigenous knowledge in the Arctic, literary poetics of patrimony, and the heritage politics of Mediterranean urban architecture. Authors ask which strategies societies in developing countries use to defend their cultural and ecological uniqueness and integrity while being penetrated by environmental hazards and hegemonizing 'Western' forms of heritage culture; or how western societies construct their own past in ways that are sometimes reminiscent of traditional imaginations of a pre-modern past, petrified eternally in an 'ideal' moment of time. Colonial and historical forms of 'heritagization' of human and non-human environments, the essays show, answer to pressing emotional needs for a sense of stability. But the desire for nostalgia, frequently commodified, tends to collide with the similarly pressing need for political and economic survival in a rapidly changing world and in the face of accelerating extraction practices. Without being able to solve this dilemma, the volume makes an interdisciplinary contribution to taking intellectual stake of the asymmetrical politics and poetics of heritage and collective cultural memory.
Intercultural Explorations
Author:
Publisher: BRILL
ISBN: 9004484108
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Divided into four sections: Asian-Western Intersections, Intercultural Memory, Intercultural Perspectives on Women, Genre Studies, and The Intercultural Arts, these essays from diverse hands and multiple perspectives illuminate the intersections, the cross-sections, and the synergies that characterize significant literary texts and artistic productions. Individually, they exemplify the insights available in an intercultural perspective; together they remind us that no culture - even those that claim to be pure or those that might be regarded as isolated - has escaped the influence of external influences. As a result, this volume is doubly synergistic: one, because it focuses on intercultural phenomena within a specific culture, and two, because they represent multiple perspectives on these phenomena.
Publisher: BRILL
ISBN: 9004484108
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
Divided into four sections: Asian-Western Intersections, Intercultural Memory, Intercultural Perspectives on Women, Genre Studies, and The Intercultural Arts, these essays from diverse hands and multiple perspectives illuminate the intersections, the cross-sections, and the synergies that characterize significant literary texts and artistic productions. Individually, they exemplify the insights available in an intercultural perspective; together they remind us that no culture - even those that claim to be pure or those that might be regarded as isolated - has escaped the influence of external influences. As a result, this volume is doubly synergistic: one, because it focuses on intercultural phenomena within a specific culture, and two, because they represent multiple perspectives on these phenomena.
Reconstructing Cultural Memory
Author:
Publisher: BRILL
ISBN: 9004484450
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
Comment les littératures du monde entier ont elles, chacune à sa façon ou s'inspirant mutuellement, vécu, assumé, rejeté les modèles culturels, artistiques et linguistiques, que de force ou de gré elles ont été amenées à accueillir au long des siècles? Comment les traductions, vecteurs premiers des relations interlittéraires, ont elles joué de leurs immenses ressources pour dissimuler, encourager ou décourager la constante et périlleuse mise en cause des traditions nationales?Les quatorze contributions de ce volume nous offrent un éventail de réponses à ces deux questions. De la France au Japon, de la Chine aux Etats-Unis, du Brésil à la Pologne, nous voyons se déployer les multiples stratégies médiatrices de la traduction, toutes révélatrices des tensions qui traversent les cultures où elle prend naissance, que ces tensions soient de nature culturelle, langagière ou littéraire.Ni simples transferts linguistiques, ni fenêtres transparentes sur l'Ailleurs, ni discours désincarnés sur l'Autre, les traductions relèvent plus exactement d'un processus complexe de communication, auquel prennent également part tant les traducteurs que leurs lecteurs: vivant et agissant au coeur des littératures adoptives, ils en investissent aussi bien les grands genres que la paralittérature, ils en infléchissent, souvent de concert, les valeurs et les modes d'écrire, et en démontent, pour mieux les exhiber, les rouages intimes.
Publisher: BRILL
ISBN: 9004484450
Category : Literary Criticism
Languages : en
Pages : 184
Book Description
Comment les littératures du monde entier ont elles, chacune à sa façon ou s'inspirant mutuellement, vécu, assumé, rejeté les modèles culturels, artistiques et linguistiques, que de force ou de gré elles ont été amenées à accueillir au long des siècles? Comment les traductions, vecteurs premiers des relations interlittéraires, ont elles joué de leurs immenses ressources pour dissimuler, encourager ou décourager la constante et périlleuse mise en cause des traditions nationales?Les quatorze contributions de ce volume nous offrent un éventail de réponses à ces deux questions. De la France au Japon, de la Chine aux Etats-Unis, du Brésil à la Pologne, nous voyons se déployer les multiples stratégies médiatrices de la traduction, toutes révélatrices des tensions qui traversent les cultures où elle prend naissance, que ces tensions soient de nature culturelle, langagière ou littéraire.Ni simples transferts linguistiques, ni fenêtres transparentes sur l'Ailleurs, ni discours désincarnés sur l'Autre, les traductions relèvent plus exactement d'un processus complexe de communication, auquel prennent également part tant les traducteurs que leurs lecteurs: vivant et agissant au coeur des littératures adoptives, ils en investissent aussi bien les grands genres que la paralittérature, ils en infléchissent, souvent de concert, les valeurs et les modes d'écrire, et en démontent, pour mieux les exhiber, les rouages intimes.
Genres as Repositories of Cultural Memory
Author:
Publisher: BRILL
ISBN: 9004488871
Category : Literary Criticism
Languages : en
Pages : 586
Book Description
This volume deals with the inherent relation between literary genres and cultural memory. Indeed, generic repertoires may be regarded as bodies of shared knowledge (a sort of ‘encyclopaedia' or 'museum' of stocked culture) and have played and still play an important role in absorbing and activating that memory. The contributors have focused on some specific memory-linked genres that prove especially relevant in remembering and transforming past experiences, i.e. the (post)modern historical novel and various forms of (post)modern autobiographical writing. They deal with such renowned authors as Carlos Fuentes, Vargas Llosa, Umberto Eco, Antonio Tabucchi, John Barth, Julian Barnes, Michel Butor, Nathalie Sarraute, Alain Robbe-Grillet, Claude Simon, Georges Perec and Marguerite Yourcenar. The volume, thus, constitutes an attractive and representative sample of (post)modern forms of rewriting and problematizing individual and collective pasts.
Publisher: BRILL
ISBN: 9004488871
Category : Literary Criticism
Languages : en
Pages : 586
Book Description
This volume deals with the inherent relation between literary genres and cultural memory. Indeed, generic repertoires may be regarded as bodies of shared knowledge (a sort of ‘encyclopaedia' or 'museum' of stocked culture) and have played and still play an important role in absorbing and activating that memory. The contributors have focused on some specific memory-linked genres that prove especially relevant in remembering and transforming past experiences, i.e. the (post)modern historical novel and various forms of (post)modern autobiographical writing. They deal with such renowned authors as Carlos Fuentes, Vargas Llosa, Umberto Eco, Antonio Tabucchi, John Barth, Julian Barnes, Michel Butor, Nathalie Sarraute, Alain Robbe-Grillet, Claude Simon, Georges Perec and Marguerite Yourcenar. The volume, thus, constitutes an attractive and representative sample of (post)modern forms of rewriting and problematizing individual and collective pasts.
Images of Westerners in Chinese and Japanese Literature
Author:
Publisher: BRILL
ISBN: 9004483543
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
The present volume is the product of a joint effort made by scholars from across China (including Hong Kong), Japan and Europe. The book gathers sixteen papers devoted to literary and cultural criticism from a comparative point of view. A perspective prominent in this volume is imagology, an approach first developed by Daniel-Henry Pageaux, and which focuses on specific images in literary and other texts. The study of the image of the “foreign” in national literary traditions, for instance, belongs to the traditional purview of comparative literature. Pageaux did more than uphold this tradition. He practically reinvented it using new theoretical concepts and perspectives (in particular, semiotics and reception aesthetics). On this basis, he was able to develop a theory and a methodology that are both usable and in tune with contemporary concerns. The present book covers a wide range of topics in the study of images of Westerners in Chinese and Japanese literature. Individual contributions deal with issues such as the genesis of the Chinese term Foreign Devil, the occurrence of Westerners in modern Chinese and Japanese literature, and the Chinese and Japanese reception of indiviual western authors and artists such as, amongst others, Oscar Wilde, Vincent Van Gogh, and Madame Roland. Some papers examine individual authors such as Lu Xun and Takeyama Michio. Others examine historical periods or literary movements. The approaches followed range from historical investigations of linguistic practices to detailed literary analyses.
Publisher: BRILL
ISBN: 9004483543
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
The present volume is the product of a joint effort made by scholars from across China (including Hong Kong), Japan and Europe. The book gathers sixteen papers devoted to literary and cultural criticism from a comparative point of view. A perspective prominent in this volume is imagology, an approach first developed by Daniel-Henry Pageaux, and which focuses on specific images in literary and other texts. The study of the image of the “foreign” in national literary traditions, for instance, belongs to the traditional purview of comparative literature. Pageaux did more than uphold this tradition. He practically reinvented it using new theoretical concepts and perspectives (in particular, semiotics and reception aesthetics). On this basis, he was able to develop a theory and a methodology that are both usable and in tune with contemporary concerns. The present book covers a wide range of topics in the study of images of Westerners in Chinese and Japanese literature. Individual contributions deal with issues such as the genesis of the Chinese term Foreign Devil, the occurrence of Westerners in modern Chinese and Japanese literature, and the Chinese and Japanese reception of indiviual western authors and artists such as, amongst others, Oscar Wilde, Vincent Van Gogh, and Madame Roland. Some papers examine individual authors such as Lu Xun and Takeyama Michio. Others examine historical periods or literary movements. The approaches followed range from historical investigations of linguistic practices to detailed literary analyses.
Methods for the Study of Literature as Cultural Memory
Author:
Publisher: BRILL
ISBN: 9004488596
Category : Literary Criticism
Languages : en
Pages : 477
Book Description
In this volume collaborators from different universities all over the world explore a wide variety of methods for the study of literature as cultural memory. In literature, the past may be (re)constructed in various ways and in very diverse forms. This immediately raises the question as to how one can describe and inventory the various discourses and metadiscourses of historical representation. In what sense can the rhetoric of literary historiography itself contribute to literature's function as cultural memory? Which methods of analysis are most appropriate for describing specific text types or genres as cultural memory? What have been the pragmatic uses and the ethical merits of the stability and continuity that literature has often provided for European, American, Asian and African cultures? What are the dilemmas they create for our teaching at the end of the twentieth century? To all these questions, a wide range of scholars here tries to find answers. In thorough and highly original contributions, they not only address theoretical problems, but also engage themselves in practical analyses of specific works.
Publisher: BRILL
ISBN: 9004488596
Category : Literary Criticism
Languages : en
Pages : 477
Book Description
In this volume collaborators from different universities all over the world explore a wide variety of methods for the study of literature as cultural memory. In literature, the past may be (re)constructed in various ways and in very diverse forms. This immediately raises the question as to how one can describe and inventory the various discourses and metadiscourses of historical representation. In what sense can the rhetoric of literary historiography itself contribute to literature's function as cultural memory? Which methods of analysis are most appropriate for describing specific text types or genres as cultural memory? What have been the pragmatic uses and the ethical merits of the stability and continuity that literature has often provided for European, American, Asian and African cultures? What are the dilemmas they create for our teaching at the end of the twentieth century? To all these questions, a wide range of scholars here tries to find answers. In thorough and highly original contributions, they not only address theoretical problems, but also engage themselves in practical analyses of specific works.
Colonizer and Colonized
Author:
Publisher: BRILL
ISBN: 9004488863
Category : Literary Criticism
Languages : en
Pages : 651
Book Description
Over the last two decades, the experiences of colonization and decolonization, once safely relegated to the margins of what occupied students of history and literature, have shifted into the latter's center of attention, in the West as elsewhere. This attention does not restrict itself to the historical dimension of colonization and decolonization, but also focuses upon their impact upon the present, for both colonizers and colonized. The nearly fifty essays here gathered examine how literature, now and in the past, keeps and has kept alive the experiences - both individual and collective - of colonization and decolonization. The contributors to this volume hail from the four corners of the earth, East and West, North and South. The authors discussed range from international luminaries past and present such as Aphra Behn, Racine, Blaise Cendrars, Salman Rushdie, Graham Greene, Derek Walcott, Guimarães Rosa, J.M. Coetzee, André Brink, and Assia Djebar, to less known but certainly not lesser authors like Gioconda Belli, René Depestre, Amadou Koné, Elisa Chimenti, Sapho, Arthur Nortje, Es'kia Mphahlele, Mark Behr, Viktor Paskov, Evelyn Wilwert, and Leïla Houari. Issues addressed include the role of travel writing in forging images of foreign lands for domestic consumption, the reception and translation of Western classics in the East, the impact of contemporary Chinese cinema upon both native and Western audiences, and the use of Western generic novel conventions in modern Egyptian literature.
Publisher: BRILL
ISBN: 9004488863
Category : Literary Criticism
Languages : en
Pages : 651
Book Description
Over the last two decades, the experiences of colonization and decolonization, once safely relegated to the margins of what occupied students of history and literature, have shifted into the latter's center of attention, in the West as elsewhere. This attention does not restrict itself to the historical dimension of colonization and decolonization, but also focuses upon their impact upon the present, for both colonizers and colonized. The nearly fifty essays here gathered examine how literature, now and in the past, keeps and has kept alive the experiences - both individual and collective - of colonization and decolonization. The contributors to this volume hail from the four corners of the earth, East and West, North and South. The authors discussed range from international luminaries past and present such as Aphra Behn, Racine, Blaise Cendrars, Salman Rushdie, Graham Greene, Derek Walcott, Guimarães Rosa, J.M. Coetzee, André Brink, and Assia Djebar, to less known but certainly not lesser authors like Gioconda Belli, René Depestre, Amadou Koné, Elisa Chimenti, Sapho, Arthur Nortje, Es'kia Mphahlele, Mark Behr, Viktor Paskov, Evelyn Wilwert, and Leïla Houari. Issues addressed include the role of travel writing in forging images of foreign lands for domestic consumption, the reception and translation of Western classics in the East, the impact of contemporary Chinese cinema upon both native and Western audiences, and the use of Western generic novel conventions in modern Egyptian literature.
The Conscience of Humankind
Author:
Publisher: BRILL
ISBN: 9004484086
Category : Literary Criticism
Languages : en
Pages : 431
Book Description
The traumatic experiences of persecution and genocide have changed traditional views of literature. The discussion of historical truth versus aesthetic autonomy takes an unexpected turn when confronted with the experiences of the victims of the Holocaust, the Gulag Archipelago, the Cultural Revolution, Apartheid and other crimes against humanity. The question is whether - and, if so, to what extent - literary imagination may depart from historical truth. In general, the first reactions to traumatic historical experiences are autobiographical statements, written by witnesses of the events. However, the second and third generations, the sons and daughters of the victims as well as of the victimizers, tend to free themselves from this generic restriction and claim their own way of remembering the history of their parents and grandparents. They explore their own limits of representation, and feel free to use a variety of genres; they turn to either realist or postmodernist, ironic or grotesque modes of writing.
Publisher: BRILL
ISBN: 9004484086
Category : Literary Criticism
Languages : en
Pages : 431
Book Description
The traumatic experiences of persecution and genocide have changed traditional views of literature. The discussion of historical truth versus aesthetic autonomy takes an unexpected turn when confronted with the experiences of the victims of the Holocaust, the Gulag Archipelago, the Cultural Revolution, Apartheid and other crimes against humanity. The question is whether - and, if so, to what extent - literary imagination may depart from historical truth. In general, the first reactions to traumatic historical experiences are autobiographical statements, written by witnesses of the events. However, the second and third generations, the sons and daughters of the victims as well as of the victimizers, tend to free themselves from this generic restriction and claim their own way of remembering the history of their parents and grandparents. They explore their own limits of representation, and feel free to use a variety of genres; they turn to either realist or postmodernist, ironic or grotesque modes of writing.