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Cultural Production in and Beyond the Recording Studio

Cultural Production in and Beyond the Recording Studio PDF Author: Allan Watson
Publisher: Routledge
ISBN: 1135006318
Category : Social Science
Languages : en
Pages : 232

Book Description
Recording studios are the most insulated, intimate and privileged sites of music production and creativity. Yet in a world of intensified globalisation, they are also sites which are highly connected into wider networks of music production that are increasingly spanning the globe. This book is the first comprehensive account of the new spatialties of cultural production in the recording studio sector of the musical economy, spatialities that illuminate the complexities of global cultural production. This unique text adopts a social-geographical perspective to capture the multiple spatial scales of music production: from opening the "black-box" of the insulated space of the recording studio; through the wider contexts in which music production is situated; to the far-flung global production networks of which recording studios are part. Drawing on original research, recent writing on cultural production across a variety of academic disciplines, secondary sources such as popular music biographies, and including a wide range of case studies, this lively and accessible text covers a range of issues including the role of technology in musical creativity; creative collaboration and emotional labour; networking and reputation; and contemporary economic challenges to studios. As a contribution to contemporary debates on creativity, cultural production and creative labour, Cultural Production in and Beyond the Recording Studio will appeal to academic students and researchers working across the social sciences, including human geography, cultural studies, media and communication studies, sociology, as well as those studying music production courses.

Cultural Production in and Beyond the Recording Studio

Cultural Production in and Beyond the Recording Studio PDF Author: Allan Watson
Publisher: Routledge
ISBN: 1135006318
Category : Social Science
Languages : en
Pages : 232

Book Description
Recording studios are the most insulated, intimate and privileged sites of music production and creativity. Yet in a world of intensified globalisation, they are also sites which are highly connected into wider networks of music production that are increasingly spanning the globe. This book is the first comprehensive account of the new spatialties of cultural production in the recording studio sector of the musical economy, spatialities that illuminate the complexities of global cultural production. This unique text adopts a social-geographical perspective to capture the multiple spatial scales of music production: from opening the "black-box" of the insulated space of the recording studio; through the wider contexts in which music production is situated; to the far-flung global production networks of which recording studios are part. Drawing on original research, recent writing on cultural production across a variety of academic disciplines, secondary sources such as popular music biographies, and including a wide range of case studies, this lively and accessible text covers a range of issues including the role of technology in musical creativity; creative collaboration and emotional labour; networking and reputation; and contemporary economic challenges to studios. As a contribution to contemporary debates on creativity, cultural production and creative labour, Cultural Production in and Beyond the Recording Studio will appeal to academic students and researchers working across the social sciences, including human geography, cultural studies, media and communication studies, sociology, as well as those studying music production courses.

The Bloomsbury Handbook of Rock Music Research

The Bloomsbury Handbook of Rock Music Research PDF Author: Allan Moore
Publisher: Bloomsbury Publishing USA
ISBN: 1501330470
Category : Music
Languages : en
Pages : 682

Book Description
The Bloomsbury Handbook of Rock Music Research is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions.

Sound, Space and Society

Sound, Space and Society PDF Author: Kimberley Peters
Publisher: Springer
ISBN: 1137576766
Category : Social Science
Languages : en
Pages : 131

Book Description
In 1964, rebel radio stations took to the seas in converted ships to offer listening choice to a young, resistant audience, against a backdrop of restrictive broadcasting policies. This book draws on this exceptional moment in social history, and the decades that followed, teasing out the relations between sound, society and space that were central to ‘pirate’ broadcasting activities. With a turn towards mediated life in geography, studies of radio have been largely absent. However, radio remains the most pervasive mass communications medium. This book breaks new ground, discussing in depth the relationship between radio, space and society; considering how space matters in the production, consumption and regulation of audio transmission, through the geophysical spaces of sea, land and air. It is relevant for readers interested in geographies of media, sensory spatial experience, everyday geopolitics and the turn towards elemental and more-than-human geographies.

Popular Music Studies Today

Popular Music Studies Today PDF Author: Julia Merrill
Publisher: Springer
ISBN: 3658177403
Category : Music
Languages : en
Pages : 284

Book Description
This volume documents the 19th edition of the biannual "International Association for the Study of Popular Music". In focus of the conference were present and future developments. For example, the diminishing income potential for musicians as well as the recording industry as a whole, concurrent with the decreasing relevance of popular music in youth culture. This is where computer games and social media come to the forefront. At the same time, the research of popular music has emancipated itself from its initial outsider.

The Art of Record Production

The Art of Record Production PDF Author: Richard James Burgess
Publisher: Omnibus Press
ISBN:
Category : Music
Languages : en
Pages : 250

Book Description
What kind of producer do you want to be? - How do you get started? - What's the job description? - Will they still love you tomorrow - Producer managers - How do you deal with the artist, the record company and the artist's manager? - Lawyers - Difficulties and pitfalls - Success and money - What are the timeless ingredients in a hit record? - Frequently asked questions - Is classical, jazz and country production any different from rock, pop and R & B? - Technology rules - The final cut.

Economy

Economy PDF Author: Ron Martin
Publisher: Routledge
ISBN: 1351159186
Category : Science
Languages : en
Pages : 723

Book Description
Economic geographers have always argued that space is key to understanding the economy, that the processes of economic growth and development do not occur uniformly across geographic space, but rather differ in degree and form as between different nations, regions, cities and localities, with major implications for the geographies of wealth and welfare. This was true in the industrial phase of global capitalism, and is no less true in the contemporary era of post-industrial, knowledge-driven global capitalism. Indeed, the marked changes occurring in the structure and operation of the economy, in the sources of wealth creation, in the organisation of the firm, in the nature of work, in the boundaries between market and state, and in the regulation of the socio-economy, have stimulated an unprecedented wave of theoretical, conceptual and empirical enquiry by economic geographers. Even economists, who traditionally have viewed the economy in non-spatial terms, as existing on the head of the proverbial pin, are increasingly recognising the importance of space, place and location to understanding economic growth, technological innovation, competitiveness and globalisation. This collection of previously published work, though containing but a fraction of the huge explosion in research and publication that has occurred over the past two decades, seeks to convey a sense of this exciting phase in the intellectual development of the discipline and its importance in grasping the spatialities of contemporary economic life.

Beyond 'Innocence': Amis Aboriginal Song in Taiwan as an Ecosystem

Beyond 'Innocence': Amis Aboriginal Song in Taiwan as an Ecosystem PDF Author: ShzrEe Tan
Publisher: Routledge
ISBN: 1351574094
Category : Music
Languages : en
Pages : 312

Book Description
Taiwan aboriginal song has received extensive media coverage since the launch and settlement of a copyright lawsuit following pop group Enigma's allegedly unauthorized use of Amis voices in the 1996 Olympics hit, Return To Innocence. Taking as her starting point the ripple effects of this case, Shzr Ee Tan explores the relationship of this song culture to contemporary Amis society. She presents Amis song in its multiple manifestations as an ecosystem, symbiotic components of which interact and feed back upon one another in cross-cutting platforms of village life, festival celebration, cultural performance, popular song, art music and Christian hymnody. Tan's investigation hinges upon drawing a conceptual line between ladhiw, the Amis term for 'song' - a word vested with connotations of life-force, tradition, ritual and taboo - and the foreign term of yinyue ('music' - borrowed from Mandarin). This difference forms the basis of how Amis song is (re)constructed through processes of modernization, Christianization and politico-economic change. A single Amis melody, for example, can exist in several guises that are contextually exclusive but functionally mutually-supportive. Thus, a weeding song (ladhiw), which may have lost its traditional context of existence following advancements in farming technology, becomes sustained within a larger ecosystem, finding new life on the interacting platforms of Amis Catholic hymnody, karaoke and tourist shows. The latter genres (collectively, yinyue) may not rely on traditional livelihoods for survival, but thrive on a traditional melody's deeper associations to local memory and idealized Amis identities. While these new and old genres are stylistically separate, they feed into each other and back into themselves - through transforming contexts and cross-referenced memes - in organic and developing cycles of song activity. Drawing from fieldwork conducted from 2000-2010 as well as a background in ethnomusicology and journalism, Ta

Rap Beyond Resistance

Rap Beyond Resistance PDF Author: Cristina Moreno Almeida
Publisher: Springer
ISBN: 3319601830
Category : Music
Languages : en
Pages : 189

Book Description
This book fills the gap in existing literature by exploring other forms of political discourses in non-Western rap music. Theoretically, it challenges and explores resistance, arguing towards the need for different epistemological frameworks in which to look at narratives of cultural resistance in the Arabic-speaking world. Empirically, it provides an in-depth look at the politics of rap culture in Morocco. Rap Beyond Resistance bridges the humanities and social sciences in order to de-Westernize cultural studies, presenting the political narratives of the Moroccan rap scene beyond secular liberal meanings of resistance. By exploring what is political, this book brings light to a vibrant and varied rap scene diverse in its political discourses–with an emphasis on patriotism and postcolonial national identity–and uncovers different ways in which young artists are being political beyond ‘radical lyrics’.

Made in Greece

Made in Greece PDF Author: Dafni Tragaki
Publisher: Routledge
ISBN: 1317607996
Category : Music
Languages : en
Pages : 353

Book Description
Made in Greece: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of contemporary Greek popular music. Each essay covers the major figures, styles, and social contexts of pop music in Greece, first presenting a general description of the history and background of popular music in Greece, followed by essays, written by leading scholars of Greek music, that are organized into thematic sections: Hugely Popular, Art-song Trajectories, Greekness beyond Greekness, Counter Stories, and Present Musical Pasts.

Recorded Music in Creative Practices

Recorded Music in Creative Practices PDF Author: Georgia Volioti
Publisher: Taylor & Francis
ISBN: 1040085938
Category : Music
Languages : en
Pages : 298

Book Description
Recorded Music in Creative Practices: Mediation, Performance, Education brings new critical perspectives on recorded music research, artistic practice, and education into an active dialogue. Although scholars continue to engage keenly in the study of recordings and studio practices, less attention has been devoted to integrating these newer developments into music curricula. The fourteen chapters in this book bring fresh insight to the art and craft of recording music and offer readers ways to bridge research and pedagogy in diverse educational, academic, and music industry contexts. By exploring a wide range of genres, methods, and practices, this book aims to demonstrate how engaging with recordings, recording processes, material artefacts, studio spaces, and revised music history narratives means we can promote new understandings of the past, more creative performance in the present, and freer collaboration and experimentation inside and outside of the recording studio; enhance creative teaching and learning; inform and stimulate reform of the institutional processes and structures that frame musical training; and ultimately promote more diverse music curricula and communities of practice. This book will be of value to educators, researchers, practitioners (performers, composers, recordists), students in music and music-related fields, recording enthusiasts, and readers with a keen interest in the subject.