Author: Bi-yu ChangPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cultural Change and Identity Shift in Relation to Cultural Policy in Post War Taiwan, with Particular Reference to Theatre
Connecting Taiwan
Author: Carsten StormPublisher: Routledge
ISBN: 1351268945
Category : Social Science
Languages : en
Pages : 367
Book Description
Taiwan has often been characterised as an isolated society in its search for sovereignty and security. Its contact with the world in an era of globalization and post-modernity, however, has increasingly led to Taiwanese actors successfully participating in many regional and global fields. In this book an international team of scholars presents cases studies and theoretical debates emphasising agency in coping with the effects of globalisation. In so doing, they contest the image of Taiwan’s marginalization and seek to understand it in terms of its connectedness, whether globally, regionally or trans-nationally. Taking a multi-disciplinary, comparative approach, it covers themes such as markets and trading, diplomacy and nation-branding, collective action, media, film and literature, and religious mission. It thus combines perspectives from several disciplines including media studies, sociology, political science, and studies in religion. Using Taiwan as an example of how to conceptualise connectivity and think differently about comparative studies, this book will be useful for students and scholars of Asian Politics and Cultural Studies, as well as of Taiwan Studies more specifically.
Denationalizing Identities
Author: Wah Guan LimPublisher: Cornell University Press
ISBN: 1501774417
Category : Literary Criticism
Languages : en
Pages : 288
Book Description
Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights—Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun—shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw.
Cultural Change In Postwar Taiwan
Author: Stevan HarrellPublisher: Routledge
ISBN: 0429723067
Category : Political Science
Languages : en
Pages : 313
Book Description
With its increasing wealth, a growing and better-educated urban population, and one of the world's largest trade surpluses, Taiwan has shed its identity as an impoverished, war-torn nation and joined the ranks of developed countries. Yet, despite the attention focused on the country's profound transformation, surprisingly little information exists
Cultural Change in Postwar Taiwan
Author: Stevan HarrellPublisher:
ISBN: 9789576382574
Category : Taiwan
Languages : en
Pages : 340
Book Description
Place, Identity, and National Imagination in Post-war Taiwan
Author: Bi-yu ChangPublisher: Routledge
ISBN: 1317658124
Category : Social Science
Languages : en
Pages : 279
Book Description
In the struggles for political and cultural hegemony that Taiwan has witnessed since the 1980s, the focal point in contesting narratives and the key battlefield in the political debates are primarily spatial and place-based. The major fault line appears to be a split between an imposed identity emphasizing cultural origin (China) and an emphasis on the recovery of place identity of ‘the local’ (Taiwan). Place, Identity and National Imagination in Postwar Taiwan explores the ever-present issue of identity in Taiwan from a spatial perspective, and focuses on the importance of, and the relationship between, state spatiality and identity formation. Taking postwar Taiwan as a case study, the book examines the ways in which the Kuomintang regime naturalized its political control, territorialized the island and created a nationalist geography. In so doing, it examines how, why and to what extent power is exercised through the place-making process and considers the relationship between official versions of ‘ROC geography’ and the islanders’ shifting perceptions of the ‘nation’. In turn, by addressing the relationship between the state and the imagined community, Bi-yu Chang establishes a dialogue between place and cultural identity to analyse the constant changing and shaping of Chinese and Taiwanese identity. With a diverse selection of case studies including cartographical development, geography education, territorial declaration and urban planning, this interdisciplinary book will have a broad appeal across Taiwan studies, geography, cultural studies, history and politics.
Art for Social Change and Cultural Awakening
Author: Wei Hsiu TungPublisher: Lexington Books
ISBN: 0739165860
Category : Art
Languages : en
Pages : 205
Book Description
Artistic residency has become widely adopted in Western countries while only recently having become popular and well-supported within Taiwan. This book explores the challenges that this form of art practice faced in contemporary Taiwan from the revocation of Martial Law in 1987 to the 2000s—arguably one of the most exciting periods in the sociocultural history of the island. Case studies show what is at stake politically, historically, and socially in artists’ endeavours to give shape to a sense of Taiwanese identity. Despite the prevalence of artists engaged in social issues in today’s world and the undeniable contributions of artistic residency to contemporary art practice, little literature or scholarly research has been conducted on the practical, conceptual, and ideological aspects of artist residency. Very often, it is perceived in very narrow terms, overlooking explicit or hidden issues of localism, nationalism and globalization. If artistic residence did indeed emerge from the radical movements of the 1960s and 70s in the Western world—and especially Britain—then this book argues that the contemporary sociocultural context of Taiwan calls for redefined, culturally-specific models of residency. The precarious geo-political situation of Taiwan has made issues of cultural identity—tackled by artists and successive governments alike—very sensitive. A new genre of artistic residence in Taiwan would mean that artists involved from whatever cultural background operate as engaging interpreters; their roles would not be confined to mirroring culture and society. These artists-in-residence would contribute to cultural awakening by offering ways of negotiating creatively with otherness, and this for the sake of a better social life and shared identity.
Art and Cultural Politics in Postwar Taiwan
Author: Jason C. KuoPublisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 216
Book Description
Addressing the paucity of attention devoted to the uniqueness of Taiwan, Kuo (art history and archaeology, U. of Maryland) examines the country's visual arts for their embodiment of Taiwan's crises of national and cultural identities. Contents include how the Japanese colonized the Taiwanese using architecture and other visual arts, and how the Taiwanese decolonized themselves in the 1980s and 90s through the promotion of "Taiwan Consciousness." Two major modern artists of the late 50s and 60s, Chuang Che and Liu Kuo-sung, earn their own treatments, and Taiwanese artists born after WWII occupy final chapters. Lacks a subject index. Annotation copyrighted by Book News, Inc., Portland, OR
Transformation! Innovation?
Author: Christina NederPublisher: Otto Harrassowitz Verlag
ISBN: 9783447047913
Category : Popular culture
Languages : en
Pages : 240
Book Description
Public discourse on cultural identity was not possible on the island of Taiwan until martial law was lifted there in 1987. While until then culture had mainly been an arena for the suppressed political discourse, the demise of the oneparty reign of the Guomindang (KMT) at the end of the 20th century signified not only the transformation from an autocratic to a democratic system but also the end of the cultural hegemony of the mainlanders on the island. The transformation process paved the way for further cultural innovation, the keywords here being education reform, language debate, establishment of new academic disciplines, historiographic reconstruction etc. It has also led to a widespread discussion of a specifically Taiwanese cultural identity which is reflected in literature, language, art, theatre and film. The international workshop "Transformation! - Innovation? Taiwan in her Cultural Dimensions", held at Ruhr University in Bochum from March 7th-9th 2001, set out to shed new light on these issues and generated an intensive discussion of potential new interdisciplinary approaches to cultural and literary research in the field of Taiwan studies.
Is Taiwan Chinese?
Author: Melissa J. BrownPublisher: Univ of California Press
ISBN: 052092794X
Category : Social Science
Languages : en
Pages : 353
Book Description
The "one China" policy officially supported by the People's Republic of China, the United States, and other countries asserts that there is only one China and Taiwan is a part of it. The debate over whether the people of Taiwan are Chinese or independently Taiwanese is, Melissa J. Brown argues, a matter of identity: Han ethnic identity, Chinese national identity, and the relationship of both of these to the new Taiwanese identity forged in the 1990s. In a unique comparison of ethnographic and historical case studies drawn from both Taiwan and China, Brown's book shows how identity is shaped by social experience—not culture and ancestry, as is commonly claimed in political rhetoric.