Cuckoldry and Deception in Shakespeare's Much Ado about Nothing and Othello PDF Download

Author: Amber Kiswana Stone
Publisher:
ISBN:
Category :
Languages : en
Pages : 20

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Author: Cristina León Alfar
Publisher: Taylor & Francis
ISBN: 1134773382
Category : Literary Criticism
Languages : en
Pages : 257

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How does a woman become a whore? What are the discursive dynamics making a woman a whore? And, more importantly, what are the discursive mechanics of unmaking? In Women and Shakespeare’s Cuckoldry Plays: Shifting Narratives of Marital Betrayal, Cristina León Alfar pursues these questions to tease out familiar cultural stories about female sexuality that recur in the form of a slander narrative throughout William Shakespeare’s work. She argues that the plays stage a structure of accusation and defense that unravels the authority of husbands to make and unmake wives. While men’s accusations are built on a foundation of political, religious, legal, and domestic discourses about men’s superiority to, and rule over, women, whose weaker natures render them perpetually suspect, women’s bonds with other women animate defenses of virtue and obedience, fidelity and love, work loose the fabric of patrilineal power that undergirds masculine privileges in marriage, and signify a discursive shift that constitutes the site of agency within a system of oppression that ought to prohibit such agency. That women’s agency in the early modern period must be tied to the formations of power that officially demand their subjection need not undermine their acts. In what Alfar calls Shakespeare’s cuckoldry plays, women’s rhetoric of defense is both subject to the discourse of sexual honor and finds a ground on which to “shift it” as women take control of and replace sexual slander with their own narratives of marital betrayal.

Author: Samantha Lyn Maxfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 106

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Author: Carol Thomas Neely
Publisher: University of Illinois Press
ISBN: 9780252063626
Category : Drama
Languages : en
Pages : 300

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Providing a feminist interpretation of the plays that has been written, this work is aimed at feminists.

Author: Harold Bloom
Publisher: Facts On File
ISBN:
Category : Drama
Languages : en
Pages : 160

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Author: Nadine Richters
Publisher: GRIN Verlag
ISBN: 3640140788
Category : Literary Criticism
Languages : en
Pages : 18

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Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Hamburg (IAA), course: Literaturseminar: William Shakespeare: „Much ado about nothing“ , language: English, abstract: Deception and the exploitation of the characters’ credulousness are leitmotifs within Shakespeare’s play “Much ado about nothing”. central theme in the play is trickery or deceit, whether for good or evil purposes. However, the people being deceived are not as unintelligent as one might think at first perception. Most of them have a high social rank and this usually implies that people have access to higher education. This is proved by the character’s high command of rhetoric stylistic devices, their expression and the way they phrase their thoughts and feelings. Even Don Pedro, who generally seems to be above everything, can be easily deceived by his bastard brother Don John. The recipient notices this in scene 3.2 when Don John makes them believe that Margret is Hero who has premarital sexual intercourse and thus is infidelous towards Claudio. There are three important forms of deception within the play of which I will inform you in section 2.. Furthermore I will state Don John’s character traits, define the villain’s function, name his intrigues and how they perfectly work. In the last section I try to explain the reason why it is apparently easy to deceive the fundamentally intelligent characters. On the whole, Shakespeare shows the characters’ dealing between appearance and reality and deception and self-deception. Nearly every character of the play is involved in a deception and has to learn to distinguish appearance from reality. Paradoxically, even the most intelligent characters are not excluded. Schabert characterises the appearance and reality theme as follows:

Author: Stephen Greenblatt
Publisher: W. W. Norton & Company
ISBN: 0393079848
Category : Biography & Autobiography
Languages : en
Pages : 441

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Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

Author: Deborah Barker
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 360

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An anthology of Shakespeare gender criticism from 1976 to the present, reflecting the redistribution of power in Shakespeare studies and charting the recent history of feminist critical practice. Some essays are sustained readings of single plays, while others trace gender concerns across the playwright's work. Topics include the rape in Lucrece, sexual and social tragedy in Othello, containment of female erotic power in Shakespeare's plays, and same-sex love in Twelfth Night and The Merchant of Venice. For students of literature and feminist studies. Distributed by routledge, Chapman and Hall. Annotation copyright by Book News, Inc., Portland, OR

Author: Michelle Lee
Publisher: Shakespearean Criticism
ISBN: 9780787628918
Category : Drama
Languages : en
Pages : 508

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The plays, theme or focus of this volume includes: DeceptionAntony and CleopatraCymbelineThe Merry Wives of Windsor

Author: Philip David Collington
Publisher: National Library of Canada = Bibliothèque nationale du Canada
ISBN: 9780612351295
Category : Cuckolds
Languages : en
Pages : 654

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