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Author: Leonardo Acosta Publisher: Smithsonian Institution ISBN: 1588345475 Category : Biography & Autobiography Languages : en Pages : 321
Book Description
Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century. The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spread of the first jazz ensembles in Cuba, the big bands of the thirties, and the inception of “Latin jazz.” He explores the evolution of Bebop, Feeling, and Mambo in the forties, leading to the explosion of Cubop or Afro-Cuban jazz and the innovations of the legendary musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and Chano Pozo. The work concludes with a new generation of Cuban jazz artists, including the Grammy award-winning musicians and composers Chucho Valdés and Paquito D’Rivera.
Author: Leonardo Acosta Publisher: Smithsonian Institution ISBN: 1588345475 Category : Biography & Autobiography Languages : en Pages : 321
Book Description
Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century. The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spread of the first jazz ensembles in Cuba, the big bands of the thirties, and the inception of “Latin jazz.” He explores the evolution of Bebop, Feeling, and Mambo in the forties, leading to the explosion of Cubop or Afro-Cuban jazz and the innovations of the legendary musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and Chano Pozo. The work concludes with a new generation of Cuban jazz artists, including the Grammy award-winning musicians and composers Chucho Valdés and Paquito D’Rivera.
Author: Ravi DeRossi Publisher: Union Square + ORM ISBN: 1454936177 Category : Cooking Languages : en Pages : 516
Book Description
“Their drinks celebrate the island’s culinary heritage and bring new flavors into the mix . . . A stylish and timely collection of recipes.” —Library Journal (starred review) From the renowned Cuban rum bar Cienfuegos—owned by the co-owner of Death & Co., named Best American Cocktail Bar at Tales of the Cocktail® in 2010—comes this spirited collection of 100 recipes that tap into Cuba’s rich history and culture. This collection features timeless classics, such as the Cuba Libre, El Floridita Daiquirí, and Mojito; a bevy of punch recipes to share with friends and family; new takes on familiar favorites, such as the Isla Tea, Por Avion, and Rum Old Fashioned; and modern craft concoctions, including the Havana Harbor Special, Imperial Fizz, and One Hundred Fires. But Cuban Cocktails offers more than just a collection of delectable recipes. It captures the tropical elegance and unfiltered energy of old Cuba, brimming with beautiful, evocative images of the drinks and the places where they came to life. Features shed fascinating light on the country’s cocktail history, its legendary bars, and the famous cantineros who ran them, while notes, tips, and tricks make it easy to create a tantalizing taste of the once-forbidden Caribbean island. ¡Bienvenidos a Cienfuegos! “Part of their exploration, which yielded more than a few Hemingway-inspired sips, involved celebrating the Cuban punch bowl, filled with rum-soaked elixirs and flavored with citrus and tropical fruits.” —The Palm Beach Post “Welcome to the tropics! . . . Full of punches, sours, and daiquiris, you can escape to Cuba just like Hemingway did and elude Prohibition entirely.” —Book Riot
Author: Alfonso J. García Osuna Publisher: McFarland ISBN: 1476605319 Category : Performing Arts Languages : en Pages : 225
Book Description
On January 24, 1897, an event took place that would change Cuban culture forever: the first moving pictures were shown in Havana. A couple of weeks later, on February 7, the first movie was filmed on the island. Since then, cinematography and Cuba have shared peculiar and innate connections, as their beginnings roughly coincide and Cubans are living in both the age of independence and revolution and the age of film. This work is a filmography of every Cuban film (including documentaries, shorts and cartoons) released from 1897, the first year films were shown and made in Cuba, through 2001. Each entry gives the original title of the film, the English translation of it, director, production company or companies, year of release, black and white or color, total running time, writing credits if the film is based on a story or novel, animation credits if the film is a cartoon, music credits if music has been written specifically for the film, cast credits, and a synopsis and short critical evaluation. The work also provides comments on the relationship between Cuban film and history, and the changes that have taken place over the years in themes, topics, methods, and other aspects of filmmaking in Cuba.
Author: Glenn M. Lindgren Publisher: Gibbs Smith ISBN: 9781586854331 Category : Cooking Languages : en Pages : 256
Book Description
Written by the trio that has spawned a renewal of interest in Cuban cuisine,his guide to the flavors of Cuba reveals the island as a tasty confluence ofpanish spices, tropical ingredients, and African influence.
Author: Julia E Sweig Publisher: Oxford University Press, USA ISBN: 019974081X Category : History Languages : en Pages : 305
Book Description
Ever since Fidel Castro assumed power in Cuba in 1959, Americans have obsessed about the nation ninety miles south of the Florida Keys. America's fixation on the tropical socialist republic has only grown over the years, fueled in part by successive waves of Cuban immigration and Castro's larger-than-life persona. Cubans are now a major ethnic group in Florida, and the exile community is so powerful that every American president has kowtowed to it. But what do most Americans really know about Cuba itself? In Cuba: What Everyone Needs to Know, Julia Sweig, one of America's leading experts on Cuba and Latin America, presents a concise and remarkably accessible portrait of the small island nation's unique place on the world stage over the past fifty years. Yet it is authoritative as well. Following a scene-setting introduction that describes the dynamics unleashed since summer 2006 when Fidel Castro transferred provisional power to his brother Raul, the book looks backward toward Cuba's history since the Spanish American War before shifting to more recent times. Focusing equally on Cuba's role in world affairs and its own social and political transformations, Sweig divides the book chronologically into the pre-Fidel era, the period between the 1959 revolution and the fall of the Soviet Union, the post-Cold War era, and-finally-the looming post-Fidel era. Informative, pithy, and lucidly written, it will serve as the best compact reference on Cuba's internal politics, its often fraught relationship with the United States, and its shifting relationship with the global community.
Author: Mauricio Augusto Font Publisher: Lexington Books ISBN: 9780739109687 Category : History Languages : en Pages : 336
Book Description
While Fernando Ortiz's contribution to our understanding of Cuba and Latin America more generally has been widely recognized since the 1940s, recently there has been renewed interest in this scholar and activist who made lasting contributions to a staggering array of fields. This book is the first work in English to reassess Ortiz's vast intellectual universe. Essays in this volume analyze and celebrate his contribution to scholarship in Cuban history, the social sciences--notably anthropology--and law, religion and national identity, literature, and music. Presenting Ortiz's seminal thinking, including his profoundly influential concept of 'transculturation', Cuban Counterpoints explores the bold new perspectives that he brought to bear on Cuban society. Much of his most challenging and provocative thinking--which embraced simultaneity, conflict, inherent contradiction and hybridity--has remarkable relevance for current debates about Latin America's complex and evolving societies.
Author: Andrew Gomez Publisher: University of Texas Press ISBN: 1477329757 Category : History Languages : en Pages : 212
Book Description
"On July 4th, 1876, during the centennial celebration of U.S. independence, the city of Key West held a different type of celebration. In some areas in post-Civil War Florida, Black residents were hindered from 4th of July festivities, which would lead to reflecting on the events of the Civil War. However, Key West's celebration, led by a Cuban revolutionary mayor working in concert with a city council composed of Afro-Bahamians, Cubans, African Americans, and Anglos, marked the centennial in the halls of an institution that boasted an interracial school and proudly hung a Cuban flag outside its building. Deep into the Radical Reconstruction era, this represented one of the most profound exercises in interracial democracy. Gomez explores how race shaped the first Cuban-American communities in South Florida, specifically in Key West and Tampa, which were the locations of the first groups of Cuban Americans, with race being a central factor of unity and division during Radical Reconstruction, the Cuban independence movement, Jim Crow, and Cuba's 1912 Race War. While looking at factors such as ethnicity, gender, labor and foreign policy, Gomez makes the argument that Cuban-American interracial unity in the nineteenth century disintegrated due to the racism held by white Cuban-Americans, which then led Black Cubans to organize with Florida's multiethnic Black communities"--
Author: Glenn M. Lindgren Publisher: Gibbs Smith Publishers ISBN: 9781423633303 Category : Cooking Languages : en Pages : 248
Book Description
“Miami masters of fun, good times, and easy-to-do Cuban.” —Southern Living Magazine Every party starts with food—especially Cuban parties. Learn how to easily prepare some classic, and some not-soclassic Cuban dishes—all reinterpreted in the Miami style. In conversational style and banter, “The Guys” make cooking fun, with recipes for delectable desserts, amazing appetizers,savory soups, scintillating side dishes, great grill recipes, and some main dishes that will knock your socks off! You’ll be looking for excuses to make every day a party!
Author: Margarita Engle Publisher: Henry Holt and Company (BYR) ISBN: 1429919817 Category : Young Adult Fiction Languages : en Pages : 208
Book Description
Daniel has escaped Nazi Germany with nothing but a desperate dream that he might one day find his parents again. But that golden land called New York has turned away his ship full of refugees, and Daniel finds himself in Cuba. As the tropical island begins to work its magic on him, the young refugee befriends a local girl with some painful secrets of her own. Yet even in Cuba, the Nazi darkness is never far away . . .
Author: Esther Katheryn Whitfield Publisher: U of Minnesota Press ISBN: 0816650365 Category : Literary Criticism Languages : en Pages : 228
Book Description
With the collapse of the Soviet Union in the 1990s, during an economic crisis termed its “special period in times of peace,” Cuba began to court the capitalist world for the first time since its 1959 revolution. With the U.S. dollar instated as domestic currency, the island seemed suddenly accessible to foreign consumers, and their interest in its culture boomed. Cuban Currency is the first book to address the effects on Cuban literature of the country’s spectacular opening to foreign markets that marked the end of the twentieth century. Based on interviews and archival research in Havana, Esther Whitfield argues that writers have both challenged and profited from new transnational markets for their work, with far-reaching literary and ideological implications. Whitfield examines money and cross-cultural economic relations as they are inscribed in Cuban fiction. Exploring the work of Zo Valds, Pedro Juan Gutirrez, Antonio Jos Ponte and others, she draws out writers’ engagements with the troublesome commodification of Cuban identity. Confronting the tourist and publishing industries’ roles in the transformation of the Cuban revolution into commercial capital, Whitfield identifies a body of fiction peculiarly attuned to the material and political challenges of the “special period.” Esther Whitfield is assistant professor of comparative literature at Brown University.
Author: Leonardo Acosta
Author: Leonardo Acosta
Author: Ravi DeRossi
Author: Alfonso J. García Osuna
Author: Glenn M. Lindgren
Author: Julia E Sweig
Author: Mauricio Augusto Font
Author: Andrew Gomez
Author: Glenn M. Lindgren
Author: Margarita Engle
Author: Esther Katheryn Whitfield