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Author: JaQuavis Coleman Publisher: Urban Books ISBN: 1645562824 Category : Fiction Languages : en Pages : 241
Book Description
This dark, suspenseful tale by New York Times bestseller JaQuavis Coleman is an urban love story with an unforgettable conclusion. A man’s quest to escape his past life is an uphill battle. After seeking a Cuban voodoo doctor to receive a spiritual advantage on his upcoming court case, Saint opens Pandora’s box. The Santeria voodoo seemed to work, but at what cost? Saint’s dangerous visit to Cuba comes with much more than he anticipated as he enters an underground secret society of high stakes gambling. He gets tangled in a web of heinous crimes, money games, and backstabbing. Torn between a woman he meets in Cuba and his wife at home, Saint finds himself embroiled in an intricate plan, which threatens his freedom and everything that he has worked for. Lines are crossed, both internationally and morally.
Author: JaQuavis Coleman Publisher: Urban Books ISBN: 1645562824 Category : Fiction Languages : en Pages : 241
Book Description
This dark, suspenseful tale by New York Times bestseller JaQuavis Coleman is an urban love story with an unforgettable conclusion. A man’s quest to escape his past life is an uphill battle. After seeking a Cuban voodoo doctor to receive a spiritual advantage on his upcoming court case, Saint opens Pandora’s box. The Santeria voodoo seemed to work, but at what cost? Saint’s dangerous visit to Cuba comes with much more than he anticipated as he enters an underground secret society of high stakes gambling. He gets tangled in a web of heinous crimes, money games, and backstabbing. Torn between a woman he meets in Cuba and his wife at home, Saint finds himself embroiled in an intricate plan, which threatens his freedom and everything that he has worked for. Lines are crossed, both internationally and morally.
Author: Ruth Behar Publisher: Beacon Press ISBN: 9780807083376 Category : Fiction Languages : en Pages : 240
Book Description
Until recently, the combination of a Cuban old boys' network and an ideological emphasis on "tough" writing kept fiction by Cuban women largely unknown and unread. Cubana, the U.S. version of a groundbreaking anthology of women's fiction published in Cuba in 1996, introduces these once-ignored writers to a new audience. Havana editor and author Mirta Yáñez has assembled an impressive group of sixteen stories that reveals the strength and variety of contemporary writing by Cuban women-and offers a glimpse inside Cuba during a time of both extreme economic difficulty and artistic renaissance. Many of these stories focus pointedly on economic and social conditions. Josefina de Diego's "Internal Monologue on a Corner in Havana" shows us the current crisis through the eyes and voice of a witty economist-turned-vendor who must sell her extra cigarettes. Others-Magaly Sánchez's erotic fantasy "Catalina in the Afternoons" and Mylene Fernández Pintado's psychologically deft "Anhedonia (A Story in Two Women)"-reveal a nascent Cuban feminism. The twelve-year-old narrator of Aida Bahr's "The Scent of Limes" tries to make sense of her grandparents' conservative values, her stepfather's disappearance, and her mother's fierce independence. The Cuban-American writer Achy Obejas recreates the strange dual identity of the immigrant, while avant-garde stories like the playful and savvy "The Urn and the Name (A Merry Tale)," written by Ena Lucía Portela, reveal the vitality of the experimental tradition in Cuba. And Rosa Ileana Boudet's "Potosí 11: Address Unknown" is both a romantic paean to a time of youth, passion, and revolution, and an attempt to reconcile that past with a diminished present.
Author: Suki John Publisher: McFarland ISBN: 0786493259 Category : Performing Arts Languages : en Pages : 233
Book Description
The lens of dance can provide a multifaceted view of the present-day Cuban experience. Cuban contemporary dance, or tecnica cubana as it is known throughout Latin America, is a highly evolved hybrid of ballet, North American modern dance, Afro-Cuban tradition, flamenco and Cuban nightclub cabaret. Unlike most dance forms, tecnica was created intentionally with government backing. For Cuba, a dancing country, it was natural--and highly effective--for the Revolutionary regime to link national image with the visceral power of dance. Written by a dancer who traveled and worked in Cuba from the 1970s to the present, this book provides an inside look at daily life in Cuba. From watching the great Alicia Alonso, to describing the economic trials of the 1990s "Special Period," the author uses history, humor, personal experience, rich description and extensive interviews to reveal contemporary life and dance in Cuba.
Author: Felipe Arocena Publisher: McFarland ISBN: 9780786480173 Category : Social Science Languages : en Pages : 180
Book Description
Drawing on the personal experiences and observations of Cubans living both in Cuba and in Miami, this informative study provides a close-up look at Cuban society and culture, examining what life is like for the Cuban people after nearly fifty years of Castro's rule, how Cubans living in the United States manage, and the relationship between the two groups of Cubans.
Author: Publisher: ISBN: Category : Administrative law Languages : en Pages : 1002
Book Description
The Code of Federal Regulations is the codification of the general and permanent rules published in the Federal Register by the executive departments and agencies of the Federal Government.
Author: Maya Roy Publisher: ISBN: Category : History Languages : en Pages : 266
Book Description
Native Americans supplied the maracas. African slaves brought drums and ritual music, and Spaniards brought guitars, brass instruments, and clarinets along with European ballroom dancing. The advent of blues and jazz gave new forms to styles of songs, notably feeling songs, which joined the more traditional styles of trova and bolero. Cuban culture represents a convergence of these diverse backgrounds, and the musical heritage presented in this book reflects these traditions as well. In colonial times, African ritual sounds mixed with Catholic liturgies and brass bands of the Spanish military academies. Ballroom dances, including French music from Haiti popular in 18th-century Havana society, existed side by side with the cabildos (guilds and carnival clubs) and the plantations. The son, considered the expression of Cuban musical identity, had its origins in a rural setting in which African slaves and small farmers from Andalusia worked and played music together, developing many variations over the years, including big band music. Cuban music is now experiencing a major renaissance, and is enjoyed throughout the world.